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I bought one. Okay, I bought two. Love it!!

Rush Debuts at No. 1 on Top Rock Albums With ‘R40 Live’

Rush racks its third No. 1 on Billboard’s Top Rock Albums chart, and first leader with a live effort, as R40 Live, the classic rock trio’s three-disc set chronicling its 40th anniversary tour in spring/summer 2015, debuts atop the list (dated Dec. 12) with 24,000 copies sold, according to Nielsen Music.

R40 Live follows previous chart-toppers Clockwork Angels in 2012 and Snakes & Arrows in 2007.

While Top Rock Albums launched in 2006, Rush’s history on the Billboard 200 dates back four decades. The new album debuts at No. 24 on the Billboard 200, marking the band’s 24th top 40 title. Rush first reached the region with another live release: All the World’s a Stage: Recorded Live (No. 40, 1976).

R40 Live is also the first live album to crown Top Rock Albums since the Beatles’ On Air: Live at the BBC Volume 2 on the Nov. 30, 2013, chart. Additionally, Rush’s new release opens atop Hard Rock Albums, where it’s the band’s second leader, following Clockwork Angels. (Could R40 Live be the final live album of Rush’s storied career? When the band announced the R40 Live Tour earlier this year, its accompanying press release stated that the trek “will most likely be their last major tour of this magnitude.”)

R40 Live isn’t the only live release new on Top Rock Albums this week. Fare Thee Well: Chicago, IL, Soldier Field, July 3rd, 4th, 5th, 2015, which covers the Grateful Dead’s final concerts held July 3-5 in Chicago, debuts at No. 3 with 14,000 sold. Two other versions of the release (a best-of and the box set) also chart at Nos. 14 (5,000) and 39 (3,000), respectively.

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Did you pay for it?

Who Is Really Paying for Adele?

The decision to withhold Adele’s new album, “25,” from streaming services seems to have worked out well so far. Not only have her first-week sales broken the previous and seemingly unassailable record, 2.4 million, set by ’N Sync, in 2000, Adele did so at a time when piracy is a simple alternative to buying, which was not the case fifteen years ago.

This is good news for Adele and her label, Columbia, and its parent, Sony. It’s also a boon for the album’s songwriters and producers, who get a much larger royalty rate for album sales than they do for streaming. For the record business as a whole, “25” feels like a welcome, if illusory, return to the glory day of the late nineties, when the industry created the Diamond Award for album sales in excess of ten million. Whether “25” ultimately goes diamond remains to be seen, and achieving those heights will depend in large part on how long the album remains off the streaming services.

Album sales are profitable, but they are not the future of the music business—streaming is. Could it be possible that the record business, pursuing a strategy of inflating sales by keeping an album off Spotify, Apple Music, or Deezer, is choosing short-term profits over long-term growth? (Perish the thought!) That would be consistent with the industry’s attitude toward its potential tech partners, going back to its failure to join forces with Napster in 2001 and killing Napster instead.

Will the record business also end up killing streaming, or at least the freemium model that Spotify is based on, by withholding the top acts? Just how many major artist withholdings can Spotify withstand? (The company is rumored to have had trouble raising capital in its last round of financing.) If Adele and Taylor Swift take Spotify down, they’re going to take the industry with it. The very fact that Adele is able to break ’N Sync’s record at all surely has much to do with the fact that streaming has helped to make her so immensely popular in the first place.

If you are an Apple or a Spotify subscriber (I am both), you are faced with a quandary over what to do about “25.” In the old days, you would have just gone out and bought the album. But streaming complicates the picture. You don’t want to buy the record because that would be giving in to what feels like a heavy-handed attempt to make us purchase the music twice—to pay another ten dollars on top of the ten-dollar monthly subscription (I have the Apple family plan, which is fifteen) for an album that will show up on streaming sooner or later. But how long do you have to wait? It could be a couple of weeks, it could be a year, or it might not be until Adele gets her diamond. How long can you wait? At least with DVD rentals, you have a pretty good idea of how long it’s going to be. But Adele and Taylor are making up the sales-to-streaming rules as they go along.

Why not make “25” available to the premium subscribers on streaming services? That would be a great incentive for people on the ad-supported tier to pony up some cash. In this scenario, maybe Adele doesn’t get the record for albums sold, but she would have significantly increased streaming subscriptions, which would benefit many artists. The way things are going now, only Adele wins.

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Wow! That is an impressive number!!

Adele’s ’25’ Official First Week U.S. Sales: 3.38 Million

It’s official: Adele’s 25 album sold 3.38 million copies in its first week in the U.S., according to Nielsen Music. That’s the largest single sales week for an album since Nielsen began tracking point-of-sale music purchases in 1991. 25 is the first album to sell more than 3 million copies in a week in Nielsen history, and only the second to surpass 2 million sold in a single frame.

Nielsen Music’s tracking week runs from Friday to Thursday each week, so 25’s opening frame ended at the close of business on Nov. 26. The new set, which is Adele’s third studio album, was released on Nov. 20 through XL Recordings/Columbia Records.

Earlier in the week, 25 beat the previous single-week sales record, held by *NSYNC’s No Strings Attached, when it launched with 2.42 million sold (in the week ending March 26, 2000). 25 is also just the 20th album to sell at least a million copies in a week. In addition, 25 is already the biggest selling album of 2015 (surpassing the 1.8 million sold of Taylor Swift’s 1989).

25 will debut atop the Billboard 200 albums chart dated Dec. 12, marking the singer/songwriter’s second No. 1. The Billboard 200 chart ranks the most popular albums of the week based on multi-metric consumption, which includes traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). The top 10 of the chart is scheduled to be announced on Nov. 29, along with 25’s total consumption figure for the week.

25 follows Adele’s 21, which racked up 24 nonconsecutive weeks atop the Billboard 200 (the longest run at No. 1 for a woman in the chart’s history) and has sold 11.2 million in the U.S. It’s the 10th-largest selling album in Nielsen history.

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New Foo!! New Foo!! Free New Foo!!!

Foo Fighters release surprise new EP, Saint Cecilia, for free download

For the last month, Foo Fighters’ website has been counting down to Midnight on Monday, November 23rd. The clock has now struck 00:00:00:00, revealing news of a surprise new EP called Saint Cecilia that’s available to download right this very second.

Update: Foo Fighters are offering free downloads via their website. Pre-orders are also ongoing for a vinyl edition.

In an open letter, Dave Grohl said the EP has “taken on an entirely different tone” in the wake of the Paris terror attacks earlier this month, which forced Foo Fighters to cancel the remainder of their European tour. Grohl says the EP is dedicated to victims of the attacks.

“Tonight, Let me begin with a preface to a letter I wrote a few weeks ago from my hotel room in Berlin while on our final tour for this album. I felt the need to write this foreword in light of the heartbreaking tragedies of Nov. 13th, as this project has now taken on an entirely different tone. As has everything, it seems…

The Saint Cecilia EP was put into motion back in October of this year as a celebration of life and music. The concept being that, as our world tour drew to a close this week, we wanted to share our love of both with you in return for everything you have given us.

Now, there is a new, hopeful intention that, even in the smallest way, perhaps these songs can bring a little light into this sometimes dark world. To remind us that music is life, and that hope and healing go hand in hand with song. That much can never be taken away.

To all who were affected by the atrocities in Paris, loved ones and friends, our hearts go out to you and your families. We will return and celebrate life and love with you once again someday with our music. As it should be done.”

According to iTunes, “this five-song EP captures nearly forgotten moments from the band’s 20-year odyssey—a brilliant patchwork of pieced-together riffs and song fragments that were tracked in an impromptu studio at Austin’s Hotel Saint Cecilia. The road-tested band blasts through the set of scrappy guitar-driven rockers with high-volume fury. Polished? No way. But the rowdy performances and rough edges make Saint Cecilia pack a visceral punch.”

Saint Cecilia Tracklist:
01. Saint Cecilia
02. Sean
03. Savior Breath
04. Iron Rooster
05. The Neverending Sigh

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Music

They would have been great!!

Outkast Turned Down Super Bowl Halftime Show, Big Boi Says

During an appearance on ESPN’s The Dan Le Betard Show on Thursday (Nov. 5), Big Boi revealed that Outkast nearly performed at a Super Bowl halftime show.

The set-that-could-have-been never came to fruition because NFL organizers offered the duo limited stage time, while Andre 3000 allegedly wanted to perform their hits “Hey Ya!” and “The Way You Move” in their entirety.

“[Andre] didn’t want to cut the songs; he wanted to do the full songs,” Big Boi revealed. “He said, ‘Nah, can’t do it.'”

Sir Lucius Left Foot added that he tried “a lot” to change Andre’s mind but didn’t rule out the opportunity possibly presenting itself in the future. “Hopefully, they invite us back,” he said.

As Pitchfork points out, Big Boi implied that the performance was slated for the 2004 Super Bowl, the halftime show that brought the world Janet Jackson’s infamous wardrobe malfunction.

Last year, Outkast played 40 festivals for their #ATLast reunion tour, celebrating the 20th anniversary of their 1994 debut, Southernplayalisticadillacmuzik.

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Music

Happy Anniversary, to The Doors!!

The Doors’ Robby Krieger Talks 50th Anniversary Plans, Re-Releases & Newly Unearthed Recordings

The Doors’ guitarist Robby Krieger and drummer John Densmore are eying their famed band’s 50th anniversary in 2017 as an opportunity to do some special things — including their overdue tribute to late keyboardist Ray Manzarek.

“There’ll be something cool happening,” guitarist Krieger told Billboard. “I can’t say exactly what yet, but we never did get our tribute to Ray thing going, so it’ll be part of that, for sure, and probably for Jim [Morrison], too.”

The Doors actually formed in 1965 but released their first two albums during 1967. Morrison died in 1971, while Manzarek passed away in 2013 after he and Krieger had reunited to play Doors music under several different names — mostly owing to legal maneuvering with Densmore and the Morrison estate.

But the guitarist and drummer reconciled in the wake of Manzarek’s death and are looking forward to giving the Doors its proper 50th anniversary due.

“Forty [years] was pretty weird. Forty-eight’s pretty weird, too, so I don’t think about it too much,” Krieger said with a chuckle. “For some reason people still love the Doors’ music and I can tell you that it’s still fun to play. I think that’s a good indicator right there; If people still like to play it then people still like to listen to it. I’ve played on a lot of records that I wouldn’t even care about hearing again or playing live, but for some reason the Doors songs are still fun to play.”

While those plans are being formulated, the Doors camp recently dipped into the vaults again for something fans have been asking about for years — the re-release of 1971’s Other Voices and 1972’s Full Circle, the two albums the group recorded after Morrison’s death. Together, the albums capture a band reeling from the loss but also resolute to carry on and, perhaps, remind fans of what was often eclipsed by the cult of personality surrounding the shaman-like frontman Morrison.

“That was kind of a weird time,” Krieger recalled, “because it’s really all we knew how to do. Obviously we weren’t going to replace Jim, ’cause it wouldn’t be fair to try and do that. So we had to make the decision — Do we just give up and go our own ways, or, we had this great band musically and at that point we still got along really well and so we decided, ‘Hey, let’s just record this stuff and see how it turns out.'”

More than 40 years later, Krieger — who shared lead vocals on the two albums with Manzarek — is generally pleased with what he hears.

“I think they sound pretty good,” he said. “It sounds really good to me, in fact. Of course, I kinda hate to hear my own voice, always, but after not hearing it for so long I was pleasantly surprised. We had kinda just let [the albums] flounder for so long; we really didn’t think there was much of a market for them, even though they sold fairly well back then. But little by little we’ve been getting a lot of requests for those two albums, people saying ‘Hey, what about Other Voices and Full Circle?’ And after awhile we realized there was quite a market for them, so we finally talked to [Rhino Records] and got it going. That was, like, 10 years ago, and it took us this long to get around to it.”

The Doors’ vaults, of course, have been prodigious with previously unreleased live recordings and compilations. The Doors camp also recently acquired a new batch of tapes from a collector that are currently being investigated to see what might be culled. “We’re hoping there’s some good stuff in there, but I’m not holding my breath,” said Krieger, who’s also working on a new album with his current band Jam Kitchen. “I really don’t know what it is. I don’t know if they’re multi-tracks or two-tracks, but they’re definitely tape. If there’s anything worthwhile you can bet we’ll do something with them.”

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Bring it on, boys!!

Keith Richards Confirms New Rolling Stones Album

Keith Richards told iHeartRadio Tuesday night that the Rolling Stones had a recent group meeting in London and made “definite plans” to record a new album. The guitarist elaborated on those plans in a new interview with Rolling Stone. “[A new album] looks closer,” he said. “Don’t know where, don’t know when yet …We had a little chat. We were just saying, ‘We gotta get in the studio right? Right?’ ‘That’s agreed. Okay, boys, that’s agreed.’ Where, when – [we] scratch our heads.”

A spokesperson for the group was not immediately available for comment.

When exactly the band will record remains an open question. “I would say off the top of my head after the South American tour in February,” Richard tells Rolling Stone. “But you never know. We might try to get into the studio before Christmas. I think that’s sort of doubtful, with Christmas being Christmas, all that buildup. But at the same time, it’s definitely in the works.”

The Rolling Stones haven’t released an album of new material since 2005’s A Bigger Bang. Earlier this year, frontman Mick Jagger told Rolling Stone he was unsure about a new Stones album. “It would be very nice and I’ve got a lot of new songs and songs I’ve written over the last couple of years,” he said. “I’ve done really good demos for all of them, which I would love to record. So, let’s hope so.”

The Stones reconvened in 2012 for a 50th anniversary tour after taking a five-year break from the road. They recorded the new tracks “Doom and Gloom” and “One More Shot” for the GRRR! compilation, but the vast majority of their time has been devoted to road work. The group wrapped up its 15-show Zip Code tour in Quebec City in July.

Right now, Richards is focused on promoting his upcoming solo album Crosseyed Heart, which is set for release on Friday. He has talked about supporting it with his first solo tour since 1993, but has yet to reveal any concrete touring plans.

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Music

Can lightning strike twice?

Adele will finally release her new album in November

It appears Adele is finally ready to reclaim her throne. According to Billboard, the UK singer-songwriter will release her long-awaited third studio album in November through XL Recordings.

In keeping with the theme of her previous two efforts, the album is rumored to be titled 25 — the age of Adele at the time she began working on the album. 25 comes four years after her magnum opus 21, which to date has sold over 30 million copies worldwide and earned Adele the Grammy for Album of the Year.

25 reportedly features contributions from super producers Danger Mouse and Max Martin, as well as Tobias Jesso Jr. But not Phil Collins.

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Music

Awesome news!!!

Alanis Morissette to Release ‘Jagged Little Pill: Collector’s Edition’

Following the 20th anniversary of Alanis Morissette’s landmark album Jagged Little Pill, the singer-songwriter will release a collector’s edition of the LP, complete with unreleased demos and a full live concert from the year of its release. The collection will be available via Rhino on October 30th.

“I’m super excited to share this music with a whole new generation of peeps, as well as people who have grown along with me over the last two decades,” Morissette said in a statement. “Thankfully, these songs have stood the test of time for me, and in their timelessness, I am thrilled to honor and reflect on them as well as the last 20 years of my life and career.”

The massive collector’s edition will feature four discs, including a remastered version of the original album and previously released acoustic take on the LP. Disc Two of the collection contains 10 unreleased demos recorded before, during and after the album’s release. The demos will include “The Bottom Line,” the first song Morissette wrote with the album’s producer Glen Ballard.

The full live concert included in the reissue was recorded at London venue Subterranea on September 28th, 1995. At the show, her touring band Sexual Chocolate, which included Jane’s Addiction’s Chris Chaney on bass and Foo Fighters’ Taylor Hawkins on drums, backed her.

To make the collector’s edition even more special, Morissette will also include various ephemera from her personal collection in the book, including never-before-seen photos. She also wrote a reflective essay on the album and that era of her life.

Demo Disc track list:

1. “The Bottom Line”
2.”Superstar Wonderful Weirdos”
3. “Closer Than You Might Believe”
4. “No Avalon”
5. “Comfort”
6. “Gorgeous”
7. “King of Intimidation”
8. “Death of Cinderella”
9. “London”
10. “These Are the Thoughts”

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Music

Yet another reason why Dave Grohl rocks!!

Dave Grohl performed a Foo Fighters show on a custom, light-up throne

It takes a lot to keep Dave Grohl offstage. When he broke his leg last month at a show in Sweden, he finished his set before heading to the hospital. And now, even with a broken leg and an enormous purple cast, he still performed on July 4 in Washington, D.C. to kick off the Foo Fighters’ North American summer tour. He just had to do the entire show while sitting — in a custom-made, light up throne.

Grohl took some time in the middle of the show to tell the story of how he broke his leg, complete with video of the incident, hospital selfies, and X-rays of his shattered leg. He told the crowd he wanted to miss as few shows as possible, so while he was still in the hospital (and full of pain medication), he drew up a sketch of a custom throne that would still allow him to perform, complete with “lasers and shit shooting from the top” and guitar necks for arms.