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Some long weekend viewing ideas for you.

The Couch Potato Report – May 18th, 2013

We’re up in the clouds inside this week’s Couch Potato Report, for a pair of films that take risks. They both fail, but A for effort!

We live in a day and age when the major motion picture studios don’t usually bankroll anything new or unique, which is why we tend to get movies based on comic book superheroes and sequels and sequels and sequels to films starring characters we already know and have spent money to see.

That is why I was excited when I heard that the filmmakers who had made the very original films THE MATRIX and RUN LOLA RUN were working together on a project.

Even if it was horrible, I thought, it would be interesting to watch. And it is…CLOUD ATLAS is horrible, and it is interesting to watch!!

CLOUD ATLAS is a dramatic science fiction film thriller comedy written, produced and directed by Lana and Andy Wachowski – who gave us THE MATRIX TRILOGY – and Tom Tykwer – the man behind RUN LOLA RUN.

CLOUD ATLAS was adapted from the 2004 novel of the same name by David Mitchell and it features multiple plotlines set across six different eras with Tom Hanks, Halle Berry Susan Sarandon, Hugh Grant and others all playing multiple roles.

CLOUD ATLAS is about how the actions of individual lives impact one another in the past, present and future, and I was never bored once during it’s almost three hour running time…but I also didn’t really care.

But because there are six stories, with so much going on in each one, it is hard to get invested in any of them…and almost every time the actors appeared in a new role with new hair, make-up and prosthetics, it took me out of the film. I get that they did that to show the connection between space and time…but it doesn’t always work.

But all of that is why CLOUD ATLAS is a fantastic failure…because they tried something different, in a day and age when we almost never get that. I completely respect the film, but unless you’ve read the book, I do not recommend it – my friend Charlie says that it is great if you’ve read the book – but my stance is that we shouldn’t have to read a book to understand a movie, and that is why I recommend you skip it.

It is a fantastic failure…but a failure nonetheless.

Another failure is A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III, starring Charlie Sheen as a successful graphic designer whose selfish life of luxury falls apart when his girlfriend breaks up with him.

A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III was written and directed by Roman Coppola – who received an Oscar nomination this year for co-writing MOONRISE KINGDOM with Wes Anderson. The guy can write and the most interesting thing about this film is the words that Charlie Sheen and co-stars Jason Schwartzman and Bill Murray say. What their characters do – how they behave and act – that is what makes the movie not worthy of your time.

A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III has style, a tremendous cast, and it tries to be something different, and I will give it an A for effort for trying, but you won’t care for the majority of the characters in the movie, and even though it is only 86 minutes long, it seems much, much longer.

You should skip this one too.

I have a trio of new releases to tell you about right now, and all of them are interesting, yet none of them are must sees.

The documentary ONE DAY ON EARTH actually takes us to the seas, and it also has sections on music, love, marriage, animals, farming, garbage and more.

On October 10, 2010 – 10-10-10 – people from around the planet recorded and filmed what they were doing that day, in the 24-hour period, and over 3000 hours of footage was submitted to onedayonearth.org.

That was then edited down to a one hour and forty-four minute film.

There is so much to see and witness in ONE DAY ON EARTH, and some of it is incredible, footage you’ve never seen before, and may never see again.

But because there is so much of it to get in, the majority of what we are shown feels rushed. We never get to really take in what is going on for too long, because soon enough it is off to something else.

ONE DAY ON EARTH is exceptionally interesting, and visually stunning, but I was only compelled to watch it all the way to the end so I could review it. After a while I just wasn’t engaged anymore and even started to get bored a bit.

But I never disliked it, so…let’s call that a mild recommendation.

I was bored during parts of the Cuban film SEVEN DAYS IN HAVANA…really bored!

This is a Spanish language anthology film that all takes place during a week in the Cuban capital.

There is one film for each day, and each segment is directed by a different filmmaker.

SEVEN DAYS IN HAVANA does have a couple of stories that are interesting, but for the most part there is nothing here that you must see.

Havana looks beautiful in the film, but you have better things to do than spend seven days there.

Skip this one…it just isn’t worth your time this long weekend.

Now this, this next release is worthy of your time!!

With the eighth and final season of the show set to begin, THE SEVENTH SEASON of DEXTER has been released on DVD and blu-ray.

DEXTER is a multiple award winning show about Dexter Morgan – played by Emmy winner Michael C. Hall of SIX FEET UNDER. He is a bloodstain pattern analyst who uses forensic science to help the Miami Metro Police Department catch criminals.

Oh, and he also moonlights as a serial killer.

In THE SEVENTH SEASON of DEXTER our anti-hero has to find a way to keep his sister from turning him in as SEASON SIX ended with her catching him in action.

She now knows he is a killer.

DEXTER is a smart police procedural drama, that is exceptionally well written and if you have never seen it, you should.

This is an amazing show, and even though THE SEVENTH SEASON isn’t the series’ best, it is still better than most of the shows on television today.

I remain excited for SEASON EIGHT and can’t wait to see how it all ends!

Finally this week is an Academy Award winner from 1968. Barbra Streisand stars as Fanny Brice in FUNNY GIRL, which is now available on blu-ray.

Barbra Streisand has been a star for so long, it can be difficult sometimes to remember that she became a star because she can act and in FUNNY GIRL she acts, she dances and she sings…some classic songs such as “People”.

The real Fanny Brice was a very popular and influential comedian and singer who appeared on stage and screen. In FUNNY GIRL Streisand brings her to life, and Omar Sharif is the love of her life.

The blu-ray for FUNNY GIRL doesn’t offer much in the way of extras, but the film – and its stars – all look and sound amazing in HD!!

If you’ve never seen this one…don’t miss it! Streisand tied with the legendary Katharine Hepburn to win Best Actress for her performance here. It was deserving of that honour then, and your time now.

The Academy Award winning 1968 film FUNNY GIRL, the good but never great SEVENTH SEASON of DEXTER, the uneven anthology SEVEN DAYS IN HAVANA, the interesting but not engaging documentary ONE DAY ON EARTH, the odd and not very good A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III and the fantastic failure that is CLOUD ATLAS are all available now, either on disc or on demand.

Coming up inside the next Couch Potato Report

Jason Statham and Jennifer Lopez star in the action film PARKER, Al Pacino, Christopher Walken and Alan Arkin are STAND UP GUYS, Arnold Schwarzenegger’s first post political work is the crime thriller THE LAST STAND, and STORIES WE TELL is Canadian director Sara Polley’s fascinating documentary look at her own family, warts and all.

I’ll have more on those, and some other releases, in seven days.

For now, that’s this week’s COUCH POTATO REPORT.

Enjoy the movies and I’ll see you back here again next time on The Couch!

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Sweeeeeeeeeeeeeeeeeeeeeeeeeet idea!!!

Christopher Nolan in talks for Bond 24?

Given his status as the world’s premiere director of large-scale event cinema, it was perhaps inevitable that Christopher Nolan would become linked to the vacant director’s chair on Bond 24, and sure enough, that’s exactly what’s happened.

The Daily Mail’s Baz Bamigboye reports that Nolan is in early talks with Bond bigwigs Barbara Broccoli and Michael G .Wilson, with a view to the director stepping into the position recently vacated by Sam Mendes.

Our instant reaction to this one would be that with Nolan embarking upon pre-production on his forthcoming sci-fi film Interstellar, the likelihood of him jumping straight into another hugely time-consuming property would seem slim.

However, Bamigboye was frequently on the money with his various scoops throughout Skyfall’s life-cycle, so it could well be the case that Broccoli and Wilson have at least sounded Nolan out about his potential availability.

It may be that they’re simply keen to get his take on where the Bond films might go next, with Nolan having previously declared himself a fan of the series.

We’d certainly love to see Nolan take on the franchise at some point in the future, so if Bond 24 turns out to be an episode too soon, hopefully Broccoli and Wilson will be able to pique his interest further down the track.

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Their legacy is intact!!

REM’s Mike Mills: ‘We have zero plans to reform’

REM bassist Mike Mills has insisted the band have “zero” plans to reform.

The band called time on their 31-year career in September 2011 following the release of their fifteenth studio album ‘Collapse Into Now’, but released a special deluxe version of their 1988 album ‘Green’ to celebrate its 25th anniversary earlier this week.

Speaking to Rolling Stone, however, Mills was adamant that he and his bandmates are still not tempted to reunite in the future. “There were no real factors other than deciding it was time to break up,” he said. “There’s no drug abuse. There’s no in-fighting. There’s no legal problems. It was time to break up. That’s never really been done before.

“The idea of breaking up and not reforming for a reunion tour is kind of attractive to us,” he added. “I doubt you’ll see us touring as REM again. On the other hand, I just played with Peter [Buck, guitarist] in New York City the other night, so fun things do happen.”

He then went on to say: “Absolutely nobody can predict the future. But right now, there are zero plans for an REM reunion. Absolutely zero. But the future is a strange place. We could all be hit by a meteor tomorrow, but I would consider it highly unlikely.”

REM released a public statement following their split saying they were “astonished at all we have accomplished” in a career that spanned over three decades but, since then, each member of the band has quashed hopes that they will reunite in the future.

Since going their separate ways, guitarist Peter Buck has debuted music he has made as a solo artist, with his debut track ’10 Million BC’ surfacing online in June of last year. Neither bassist Mike Mills or frontman Michael Stipe have followed suit, however, with the latter claiming it was “unfathomable” that he would want to embark on a solo career.

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They all leave eventually.

Bill Hader Leaving ‘SNL’: Season 38 Of ‘Saturday Night Live’ Will Be His Last

Bill Hader is leaving “SNL,” the comedian announced in an interview with The New York Times. His last show will be the Season 38 finale of “Saturday Night Live” on Saturday, May 18, 2013.

“It was a hard decision, but it has to happen at some point,” Hader, who joined the series in 2005, told The New York Times. “It got to a point where I said, ‘Maybe it’s just time to go.’”

The futures of Fred Armisen and Jason Sudeikis are also up in the air as “SNL” breaks for the summer before Season 39. But one other departure is certain: Seth Meyers. Meyers will leave “Saturday Night Live” and take over as “Late Night” host when Jimmy Fallon move to “The Tonight Show,” replacing Jay Leno. However, Meyers will stay with “SNL” through the fall before he takes over “Late Night.”

Last season, Andy Samberg and Kristen Wiig left the series. Wiig, who recently returned to host “Saturday Night Live,” got an emotional sendoff during the Season 37 finale, but Hader said don’t expect something similar for him.

“My joke was, we’ll start singing ‘Ruby Tuesday’ and just say bye to Kristen again,” he told The Times. “I can just do a little wave at goodnights, and that signifies it.”

For more on Bill Hader’s “SNL” departure, click over to The New York Times.

Hader’s last “Saturday Night Live” episode airs Satruday, May 18 at 11:30 p.m. ET on NBC.

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Congratulations on a great career, Ms. Walters!!

Barbara Walters Officially Announces Retirement on The View

Barbara Walters has made her retirement announcement official.

The 83-year-old veteran journalist began Tuesday’s The View reconfirming what she had revealed to ABC News one day earlier.

Following a self-narrated retrospective of her career, Walters incredulously told the studio audience and viewers at home, “I have been on TV continuously for over 50 years!”

Walters then explained, “In the summer of 2014, a year from now, I plan to retire from appearing on television at all. It’s been an absolute joyful, rewarding, challenging, fascinating and, occasionally bumpy, ride. I wouldn’t change a thing.”

She was quick to note that she is “perfectly healthy” and this is “my decision.”

Walters added that she will continue to to coexecutive produce The View with Bill Geddie “as long as the program is aired” and stated she will come back to visit from time-to-time.

“I’m not walking into the sunset, but I don’t want to appear on another program, climb another mountain,” she said. “I want to instead sit in a sunny field and admire the very gifted women—and OK, some men too—who will be taking my place, and most of all, I want to thank everybody here.”

Walters concluded by saying, “I’ve had an amazing career beyond anything I could have ever imagined and I hope that I may have also inspired other women to make television, in front or behind the camera, a career.”

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Awesome!!!

’24′ will ‘Live Another Day’ in 2014, FOX confirms

Jack Bauer is officially back: FOX has confirmed its plans to bring “24″ back to its airwaves next year.

The show will return in the summer of 2014 as an event series called “24: Live Another Day.” Kiefer Sutherland has signed on to play Jack Bauer again, with the story picking up several years after the last season, which aired in 2009. There’s no word yet on any other casting.

“Live Another Day” will run for 12 weeks and keep its real-time format, but FOX Entertainment Chairman Kevin Reilly says it may skip hours here and there.

“As [executive producer Howard Gordon] would design the season, the spine of the 24 episodes was really about 12 hours. Those were where the big events occurred, and then there were little twists and connective tissue in between,” Reilly told reporters on a conference call Monday (May 13). Each episode of “Live Another Day” will still unfold over the course of an hour, but viewers won’t see as much of the in-between hours. “It may go 7 a.m., 8 a.m., 10 a.m.,” Reilly says, depending on how the story comes together.

Reilly says the return of “24″ grew out of the network announcing it was making a push into limited-run series, and Gordon and the “24″ team’s frustration at trying to design a feature film based on the show.

“As they got into the feature film, I think they all agreed that ’24′ compressed into two hours is not ’24,’” Reilly says. “Talking about it over the last couple of years, they kind of got their juices flowing again, and when we announced this new [miniseries] franchise, a little light bulb went off for Howard. He said, ‘Wait a minute. Why are we killing ourselves trying to crack a feature when this is the perfect format?’”

“Live Another Day” will probably be paired with another scripted series in the summer of 2014 — Reilly mentioned the drama “Gang Related” as one that might hold until then. Another limited series, the thriller “Wayward Pines,” is currently set to launch in the late summer next year and carry into fall.

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Happy Mother’s Day, Movie Fans!!!

The Couch Potato Report – May 11th, 2013

It’s the Mother’s Day Weekend so there is a Mama inside this week’s Couch Potato Report and The Great Gatsby.

Happy Mother’s Day Weekend to all of the Mother’s out there…I hope that you are having a great morning so far!

I wish I had a better cinematic representative of what you mean to us to review right now, but alas all I have is a made in Ontario horror film called MAMA, and the filmmakers are lucky that my Mother always said “If you haven’t got anything nice to say, don’t say anything at all”, otherwise I’d be a lot more critical of it.

MAMA stars Academy Award nominee Jessica Chastain from THE HELP and ZERO DARK THIRTY as one half of a couple who become the guardians of two young girls who were left alone in a cabin in the woods for five years.

Well, horror fans, they weren’t actually alone, they were being protected by a ghost who acted as their Mother figure, and now that the girls have returned to society, Mama has come with them.

Truth be told, because my Mother always told me to tell the truth, MAMA isn’t the worst horror film I’ve seen this year. It’s never great, but it isn’t awful either.

Horror fans, go in with low, very low expectations, and you might enjoy it. Might!!

Happy Mother’s Day, MAMA!!

Up next, THE CAPTAINS – A FILM BY WILLIAM SHATNER.

THE CAPTAINS is a documentary that follows William Shatner around North America and to England as he interviews the other actors whom have portrayed Starship captains within the STAR TREK franchise.

Patrick Stewart, Avery Brooks, Kate Mulgrew, Scott Bakula, and even the latest Captain, Chris Pine, they are all here, and there is plenty of William Shatner too.

At times this film is a little self-indulgent, we certainly learn more about Shatner than any of the rest of THE CAPTAINS, but it is also informative, fun, funny, interesting, entertaining and engaging.

Sadly, it doesn’t have the one thing that I wanted the most – a scene with them all together – but I still enjoyed it immensely and have no problem recommending THE CAPTAINS, even to people who don’t know what Starfleet Academy is.

This is great stuff!!

There are people who LOVE the romance novels of Nicholas Sparks, and the films based on them. Message in a Bottle, A Walk to Remember, The Notebook,Dear John, The Last Song, The Lucky One, people love these books and movies!

There are probably even those who love his latest, SAFE HAVEN, but please don’t count me as one of them.

This may be the most clichéd, emotion free love story ever told.

SAFE HAVEN is just plain awful!

Julianne Hough from ROCK OF AGES stars here as a woman on the run who ends up in a beautiful, clichéd, small town, where she meets a hunky clichéd widower, played by Josh Duhamel of the TRANSFORMERS movies.

Of course she meets a hunky guy, and of course he has a cute kid – who is also a cliché – and of course after fighting it for about a half an hour of screen time, they fall in love.

There is no action or reaction in SAFE HAVEN, just plot points, and at the end there are several things that happen that lead me – each time – to actually say out loud, “Come on?!?! Really?!?!”

The studios have produced some great movies based on the words of Nicholas Sparks, but they might need to take a break as SAFE HAVEN is awful in almost every way.

Skip it!!

There are hundreds of television shows that air every night of the week, and as good as some of them are, there are better ones that people never see. The simple truth is that no one can watch everything, not even me.

But I do tend to watch more than most, so let me recommend two series to you now, that you might have missed, or skipped, or just never had time for.

The first is the made-in-Toronto police procedural series ROOKIE BLUE.

ROOKIE BLUE started off as a show about the lives of five rookie police officers who has just graduated from the academy, and now that we are in THE COMPLETE THIRD SEASON, the show continues to show us their challenges – personally and professionally – as they try to protect and serve.

I enjoy police procedural shows, and so I do enjoy ROOKIE BLUE…although the cases these officers have to solve are never really all that difficult…usually the first person you think did it, did.

However, even with hit and miss stories, and too much romantic drama at times, ROOKIE BLUE still has a great cast and I liked THE COMPLETE THIRD SEASON of the show, just as I’ve liked the first two seasons.

If you have never seen it, check it out!

Another show that I love actually ended this year after seven low rated seasons…and they knew their audience wasn’t huge.

30 ROCK stars Tina Fey as the head writer on a late night variety show – not unlike Saturday Night Live – and the kooky and crazy people who work on the show and the oddball situations they continued to find themselves in.

30 ROCK is odd and quirky and very quotable.

30 ROCK – SEASON SEVEN – THE FINAL SEASON wasn’t the best season of the show, it knew it was going off the air so it wasn’t afraid to try some plotlines that just didn’t pay off, but for anyone who has been watching the show since it debuted back on October 11, 2006, it did pay off with more huge laughs and the best ensemble cast on television.

I love this show, and if you’ve never seen it, there are now seven seasons, 138 episodes, and plenty of laughs just waiting for you.

Enjoy!!

Finally this week, with the Leonardo DiCaprio adaptation brand new in theatres, let’s go back to 1974 for the Robert Redford version of F. Scott Fitzgerald’s THE GREAT GATSBY.

Nick Carraway is a young man who decides to Summer on Long Island, and it is there where he meets a self-made millionaire named Jay Gatsby. Gatsby is a charmer and a recluse who throws lavish parties on his estate each night, but only rarely attends them.

Gatsby is watching what is happen at his events, looking, hoping that one night a special woman will attend, and then he can see her again.

Carraway has a cottage near Gatsby estate, and he gets caught up in the man’s life.

Gatsby is searching for Daisy Buchanan, played by Mia Farrow, and once he finds her he is unable to let her go.

THE GREAT GATSBY is a story about obsession and tragedy set during the roaring twenties and it will always be a great book, but this 1974 film version has always been a bit slow for me. It is interesting, because the original story is, but it moves very slowly, and it isn’t always easy to see the chemistry between Mia Farrow and Robert Redford.

I’ve never disliked this version of THE GREAT GATSBY, but I have never really loved it either. So consider that a mild recommendation for the new blu-ray, which features a very good print of the film, but no Special Features whatsoever.

The 1974 version of F. Scott Fitzgerald’s THE GREAT GATSBY; SEASON SEVEN – THE FINAL SEASON of the underappreciated show 30 ROCK; THE COMPLETE THIRD SEASON of the entertaining made-in-Toronto police procedural series ROOKIE BLUE; the awful, cliché ridden would be romance SAFE HAVEN; the self-indulgent but very entertaining documentary THE CAPTAINS – A FILM BY WILLIAM SHATNER; and the never great, but never awful horror film MAMA, which is not a great gift for Mother’s Day, are all available now, either on disc or on demand.

Coming up inside the next Couch Potato Report

A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III, we’ll spend ONE DAY ON EARTH and SEVEN DAYS IN HAVANA, and the creators of THE MATRIX TRILOGY give us the dramatic sci-fi flick CLOUD ATLAS.

I’ll have more on those, and some other releases, in seven days.

For now, that’s this week’s COUCH POTATO REPORT.

Enjoy the movies and I’ll see you back here again next time on The Couch!

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STAR TREK INTO DARKNESS is next weekend, baby!!

Box office report: ‘Iron Man 3′ leads with $72.5 million; ‘The Great Gatsby’ shines in second

If second place is the first loser — then this week, that’s a pretty great place to be. Warner Bros.’ literary adaptation The Great Gatsby stunned the industry today with a magnificent $51.2 million debut. Of course, that number wasn’t large enough to take down Disney’s superhero sequel, Iron Man 3, which topped the box office for a second weekend with $72.5 million, but it’s impressive nonetheless. Ah, the summer movie season: when films actually make money! (Provided that they’re not called Peeples.)

Iron Man 3, which had the second best opening of all time last weekend with $174.1 million, fell 58 percent in its second frame — a slimmer drop than Iron Man 2 managed (59 percent), but a heftier one than The Avengers scored (50 percent). Iron Man 3‘s gargantuan $72.5 million weekend gave it a sizzling $17,400 per theater average from 4,253 locations and lifted its domestic box office total to $284.9 million after just 10 days. Internationally, the film is proving even more invincible. The $200 million Marvel title has now earned $664.1 million overseas, led by massive business in Asia. Iron Man 3′s top two international markets are currently China ($95.3 million) and Korea ($54.1 million), and it has become the highest grossing film of all time in both Indonesia and Malaysia. Worldwide, Iron Man 3 has grossed a truly jaw-dropping $949 million, guaranteeing it will surpass $1 billion sometime this week.

In second place, Baz Luhrmann’s roaring ’20s drama The Great Gatsby took in $51.1 million — the third best opening weekend ever for a film that didn’t hit No. 1. (In 2004, The Day After Tomorrow debuted with $68.7 million but trailed Shrek 2. In 2009, Sherlock Holmes started with $62.3 million but couldn’t overtake Avatar.) The glossy F. Scott Fitzgerald adaptation, which stars Leonardo DiCaprio, Carey Mulligan, Tobey Maguire, and Joel Edgerton, broke out at the box office despite middling reviews and a “B” CinemaScore grade.

“This exceeded all our expectations,” says Dan Fellman, Warner Bros.’ head of domestic distribution, who claims that scheduling the adult-oriented literary drama between blockbusters like Iron Man 3 and Star Trek Into Darkness helped it stand out. Indeed, Gatsby appealed to a different audience than most May action-spectacles. Whereas Iron Man 3 was dominated by male viewers last weekend, Gatsby played to a core demographic of adult women. According to Warner Bros., ticket-buyers were 59 percent female and 69 percent were above the age of 25. When asked what drew those ticket buyers, Fellman says the film’s Jay-Z-curated soundtrack definitely built buzz, but ultimately it came down to someone else: “Three little letters: L-E-O.”

The Great Gatsby‘s marketing has relied heavily on Leonardo DiCaprio’s mug — and with good reason. DiCaprio has become one of the most exciting movie stars working today without ever signing up for a major franchise or donning superhero spandex. Gatsby‘s healthy debut marks his second best opening weekend ever, behind only 2010′s Inception, which started with $62.8 million. Hot on the heels of Django Unchained, which wrangled $162.8 million total, DiCaprio is riding high at the box office.

But Gatsby‘s debut also marks a career high point for Australian director Baz Luhrmann. Before this weekend, the polarizing filmmaker’s best opening weekend belonged to his sweeping romance Australia, which bowed to $14.8 million in 2008. The Great Gatsby easily clobbered that figure, and it will quickly become his highest grossing film ever, surpassing Moulin Rouge, which danced its way to $57 million total in 2001. Of course, Gatsby was undoubtedly Luhrmann’s most expensive project, too. The film, which was shot in 3D, cost about $105 million to produce (and reportedly would have cost about $190 million without Australian rebates), though audiences weren’t overly excited about the 3D effects. Only 33 percent of ticket sales were for 3D showtimes.

Michael Bay’s directorial effort Pain & Gain wound up in third place in its third weekend with $5 million, marking a slim 33 percent drop. The $26 million Paramount film, which stars Mark Wahlberg and Dwayne Johnson, has now earned $41.6 million against a slim $26 million budget.

Tyler Perry’s latest producing effort, Peeples, bombed in fourth place with a terrible $4.9 million from 2,041 theaters, making it the first true misfire associated with the Tyler Perry brand. The filmmaker only produced the movie (he typically writes and/or directs and/or stars in his films), but distributor Lionsgate marketed the film on his name, preceding its title with “Tyler Perry Presents.” Fortunately, Peeples, which stars Scandal‘s Kerry Washington alongside Craig Robinson and David Alan Grier, only cost the studio about $15 million. Audiences issued the film an unimpressive “B-” CinemaScore grade.

42 , now in its fifth weekend, almost surpassed Peeples (and it still could once final figures are released tomorrow). The $40 million Jackie Robinson biopic earned $4.7 million, bringing its total to $84.7 million so far. Along with Gatsby, 42 has been an encouraging performer for Warner Bros., which suffered misfires like Beautiful Creatures, The Incredible Burt Wonderstone, and Jack the Giant Slayer in early 2013.

1. Iron Man 3 – $72.5 million
2. The Great Gatsby – $51.1 million
3. Pain & Gain – $5 million
4. Peeples – $4.9 million
5. 42 – $4.7 million

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He will be great!!

Seth Meyers Taking Over ‘Late Night’ From Jimmy Fallon

Starting next year, every week night will be Saturday night.

The “Saturday Night Live” takeover of NBC’s late night lineup continues. With Jimmy Fallon leaving “Late Night” to host “The Tonight Show” next year, the network has tapped his former “SNL” castmate Seth Meyers to sit in his chair.

Meyers leaves “SNL” after 12 seasons, eight of which he served as head writer and seven of which he hosted “Weekend Update.” He won’t have to change bosses, however; Lorne Michaels will be the executive producer of Meyers’s “Late Night.”

“I only have to work for Lorne for five more years before I pay him back for the time I totaled his car,” Meyers joked in a statement. “12:30 on NBC has long been incredible real estate. I hope I can do it justice.”

Buzz about who would replace Fallon began even before official confirmation that he would replace Jay Leno as “Tonight Show” host. Names like Howard Stern and Chelsea Handler were thrown around, but Meyers seemed to be a frontrunner from the beginning thanks to his relationship with Michaels.

“We think Seth is one of the brightest, most insightful comedy writers and performers of his generation,” said Bob Greenblatt, chairman of NBC Entertainment.

“His years at ‘SNL’s Weekend Update’ desk, not to mention being head writer of the show for many seasons, helped him hone a topical brand of comedy that is perfect for the ‘Late Night’ franchise.”

Meyers’s move to “Late Night” does beg the question whether he and Michaels will update the format to be more similar to “Weekend Update” and Jon Stewart’s “The Daily Show.”

And there are even more questions about the future of “SNL” — who will succeed Meyers as head writer? And perhaps more importantly to fans, who will be the new “Weekend Update” host(s)?

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It wasn’t funny anymore anyway and was getting difficult to watch. RIP gang!!

Happy Endings Canceled by ABC

What’s the opposite of ah-mah-zing?

Happy Endings has been canceled by ABC after three seasons.

The network’s decision to not renew the ensemble sitcom, which stars Elisha Cuthbert, Damon Wayans Jr. and Adam Pally, doesn’t come as much of a surprise given the show’s multiple timeslot changes this season.

Back in April, our sources told us it was likely that Happy Endings was a goner, saying ABC execs were “incredibly disappointed it didn’t do better.”

But all hope is not lost, fans of awesome comedy as USA Network is reportedly interested in picking the series up. We’ll see if it gets a happy ending of it’s own.