Categories
Muppets

Me is happy about this!!

Fraggle CD collection arrives October 30
New collector’s edition CD box set includes all three original Fraggle Rock albums and bonus liner notes, cast photos and sheet music from the beloved series
KOCH Records announces the release of Fraggle Rockiní-A 3 CD Collectorís Edition on October 30, 2007. This 3-Disc Collectorís Edition contains all 3 original albums, wonderfully re-mastered and packed in one digi-pack set, with rarely seen photos and contributions from the original composers. Now fans and collectors of all ages can dance their cares awayÖdown at Fraggle Rock.
Music played an important role in all of Jim Hensonís work, and nowhere is that more apparent than in the world of Fraggle Rock. Harmony, among species and within nature, is a central theme of the series, and original music enlivens each episode and helps the characters make connections and find resolutions to their conflicts. The Fraggles, Doozers and Gorgs sing and dance their cares away to all manner of songs, written in every musical style imaginable by composers Dennis Lee and Philip Balsam.
Don Gillisís musical direction and scoring emphasize the joy and vitality of each performance, moving along the action and bringing each story to a satisfying conclusion. The poetry of the lyrics and the hand-clapping rhythms make the music of Fraggle Rock a toe-tapping delight for all who listen.
Disc 1 Fraggle Rock
1. Fraggle Rock Theme
2. Follow Me
3. Convincing John
4. Doozer Knitting Song
5. Do It On My Own
6. Wemblin’ Fool
7. Why?
8. Lost and Found
9. Catch the Tail by the Tiger
10. Brave Boy, Jump Up
11. Muck and Goo
12. Friendship Song
13. Fraggle Rock Rock
14. Beetle Song
15. Easy is the Only Way to Go
16. Our Melody
Disc 2 Fraggle Rock: Perfect Harmony
1. Fraggle Rock Theme
2. Go with the Flow
3. Perfect Harmony
4. Without a Hat
5. Music Box
6. Here to There
7. Sail Away
8. Workin’
9. Dum De Dum
10. Ragtime Queen
11. I Seen Troubles
12. Dreaming of Someone
13. Pantry Chant
14. Helping Hand
15. Time to Live as One
16. Closing Theme
Disc 3 Fraggle Rock – Music and Magic
1. Fraggle Rock Theme
2. Pukka, Pukka, Pukka Squeetily Boink
3. Let Me Be Your Song
4. Wemblin’ Fool
5. Yes, We Can
6. Catch the Tail by the Tiger
7. There’s a Lot I Want to Know
8. Follow Me
9. Friends Till the End
10. Is It True?
11. The Rock Goes On
12. Pass It On
13. Just Don’t Know What Time It Is
14. Convincing John
15. Get Goin’
16. Doozer Knitting Song
17. The Way I’ve Got To Go
18. Only Way Home
19. Stuff Samba
20. Sweet, Sweet Little Treat
21. Closing Theme

Categories
Muppets

So, I guess I will be heading to Atlanta in 2012!

More than 500 Muppets will move to Atlanta
Atlanta’s Center for Puppetry Arts will become the home of hundreds of Muppet characters, props and art. The new Henson wing is scheduled to open in 2012 and will occupy 10,000 square feet of the museum.
Timeís fun when youíre having flies, Kermit the Frog once said. And how time has flown: Kermit, or more precisely one of the many puppets that have played Kermit, will be retired to Atlanta on Wednesday, part of a major gift being made by the Jim Henson Foundation.
The flippered phenom, who began life as a scrap of fabric cut from a green coat discarded by Jim Hensonís mother, will be presented to the Center for Puppetry Arts here. He is a symbol of a large gift of Mr. Hensonís work that will be donated to the center and exhibited in a planned Jim Henson Wing, said Cheryl Henson, president of the Jim Henson Foundation.
Ms. Henson, Jim Hensonís second-oldest daughter, and Jane Henson, her mother and Mr. Hensonís first performing partner, expected to be in Atlanta on Wednesday to announce the gift: 500 to 700 puppets, including some of the first Muppets built; props; scenic elements; posters; sketches; and drawings that Mr. Henson created for shows like ìThe Muppet Show,î ìSesame Street,î ìFraggle Rockî and ìSam and Friendsî (where the Muppets first appeared). Cheryl Henson has also pledged $1 million of her own money to the center.
It is unclear how much the gift is worth. The Smithsonian Institution had its small collection appraised but would not make the figure public.
ìAt the moment, they have not been given the entire collection,î Cheryl Henson said in an interview on Friday. ìWe are assuming we are going to give them the best of our collection,î she added, explaining that the archive owned by the family consists of ìa couple thousandî items, but that many have become too fragile to exhibit. ìSome of our collection has gotten old; even in the last seven years it has deteriorated. Itís not that weíre holding back a large portion of the collection.î
Built from foam and fabric, each puppet character had multiple copies because of performance wear and tear. The gift covered puppets that could no longer be used to perform; in fact, the Kermit in question was a ìphoto Kermitî ó used for photographs but with no opening for a puppeteerís hand.
Ms. Henson said she and her four siblings, who bought back the Jim Henson Company in 2003, had saved the items with the idea of creating a stand-alone museum in New York dedicated to her fatherís artistry.
But the realities of running a museum quickly became overwhelming, and the family searched for a home that would both preserve Jim Hensonís beloved characters and serve as an incubator for new work by emerging puppeteers.
ìOne of the things we really longed for was the thought of a living puppet center,î Ms. Henson said. ìKids, after looking at the puppets in cases, could then go and make their own work. All of that was just bigger than we could do ourselves.î
(The Smithsonian Institution has two Henson puppets, including a Kermit and Oscar the Grouch, in its permanent collection. A traveling exhibition with 13 puppets, ìJim Hensonís Fantastic World,î will start in Little Rock, Ark., on Sept. 7 and travel to several other cities over three years.)
The Center for Puppetry Arts was offered the Henson Foundation archive because of its long history with the Jim Henson Company. Alongside Kermit and Miss Piggy (dressed as Rhett and Scarlett), Jim Henson cut the ribbon at the centerís opening in 1978, and the centerís collection already includes the Pigs in Space from ìThe Muppet Show.î Another factor favoring the center was its plan to expand and complete an already impressive collection of international puppets.
The institution is ìthe prime center of puppetry arts in the country and really has been for a long time,î said Eileen Blumenthal, a professor of theater arts at Rutgers and author of the book ìPuppety, a World History.î
ìI think the center is well on its way already,î Professor Blumenthal added. Even before the gift, she added, it had ìa world-class collection of puppets, and the Henson collection just adds a dimension to that.î
Vince Anthony, executive director of the center, described the gift as ìinstitution changing.î ìThis grand opportunity challenges the center and the Atlanta community to make this unique monumental partnership come to fruition,î he said.
The gift of Mr. Hensonís archive comes at a time when puppetry is having a resurgence in the United States, particularly in shows geared toward adult audiences. These include the Broadway musical ìAvenue Q,î the film ìTeam America World Policeî and the Cirque du Soleil show ìKA.î
Puppets have also been making inroads in opera. In 2006 a bunraku boy was a crucial element in Anthony Minghellaís staging of ìMadama Butterflyî at the Metropolitan Opera. Next season at the Met, Phelim McDermott and Julian Crouch will mount a new production of the Philip Glass opera ìSatyagrahaî incorporating giant puppets made of newsprint.
ìIt really is wonderful for this to be happening now,î Ms. Blumenthal said, ìbecause all of this is something that Jim Henson really helped to create.î
Mr. Henson died in 1990 at age 53 from a bacterial infection that caused toxic shock syndrome.
Whether the center will receive the entire collection is contingent on the centerís ability to raise an unknown sum to house and preserve it, Ms. Henson said.
To raise the millions needed for new construction and staff, the center may need to flex fund-raising muscles it has not had to develop.
The center is in the enviable position, for an arts organization, of owning the building it has lived in since 1978. Thanks to low overhead, it has been able to survive on ticket sales and small donations.
ìWe really want our collection to be shown well,î Ms. Henson said. ìWeíll see how it all plays out.î

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Muppets

10399 – I didn’t write this, but I wish I had!

HOT SEAT – FRANK OZ
By SARA STEWART
August 12, 2007 (New York Post) — The white-bearded gentleman sitting opposite me looks fairly unassuming, but he is nothing less than the pre-eminent voice of my childhood. And millions of other childhoods. In fact, you’d be hard-pressed to find someone you know who isn’t familiar with at least one Frank Oz creation: Grover, Cookie Monster and Bert of “Sesame Street.” Fozzie Bear, Miss Piggy, Animal and Sam the Eagle from “The Muppet Show.” And, of course, the fuzzy Jedi who needs no introduction: Yoda.
When not busy establishing himself as an indelible Muppet icon, Oz found time to direct some top-notch comedies: 1988’s “Dirty Rotten Scoundrels,” 1991’s “What About Bob?” and 1999’s “Bowfinger.” Not to mention “The Muppets Take Manhattan” (1984) and “Little Shop of Horrors” (1986).
His new movie, “Death at a Funeral,” is a comedy about what happens when you mix uptight British mourners, potent hallucinogens and blackmail. The film happily marks a return to form for Oz, who flew under the radar for a couple of years after his ill-fated 2004 remake of “The Stepford Wives.”
Q: OK. CGI Yoda: pro or con?
A: It had to happen. Because, first of all, it’s a different time. But also George [Lucas] had to do action sequences, and there’s no other way. I was totally supportive of it. If he didn’t do that, he couldn’t be true to his story. The actual character, in the first three movies, was very tough to do, very hellish. He can’t go out and jump and fight.
Q: So how do you feel about those first three old movies, when you go back and watch them now? Do they feel hokey?
A: What people don’t understand is that George fashioned those movies on an old series called “Flash Gordon.” And I used to see those, and the acting was not great, the effects were not great. But people always talk about the acting not being great in “Star Wars.” If you had fabulous actors, you wouldn’t have the fun. That’s not what it’s about. You can’t have a blast, a fun big movie, if you’re bogged down with the deep emotion of acting.
Q: Do the actors in your movies always bug you to do Muppet voices for them?
A: Yeah. But if people ask me to do voices on set, I say no – I won’t do them until the very last day. I’m not an easy lay! I’m not a cheap date. If I do the voices, they’ll take it easy. I want them to work hard. And so they know they’re not gonna hear the voices until the very last day.
Q: How do you feel about the direction “Sesame Street” has gone in, from the early days when you and Jim Henson worked on it?
A: It’s just become a kids show, instead of a hip show. I’ve told them that, so many times – there’s nothing I can do. I’ve given a master class in that stuff, but they don’t get it. They’re very nice people, and there are some really gifted people there. But the show was begun by people who were actually performers and actors.
The business now, it’s mainly about people who are more executive, and people who come from television, and there’s a difference, I think. I don’t often watch the show, but I did a little bit, to see how it’s going, and it’s become a little kiddie show, and it’s very sad. It was never like that with Jim and I, and everyone else back then. We always f – – – ed around, and did it for ourselves, and that’s changed. I probably should be politic and diplomatic – but I’m not.
Q: I’m going to guess you’re not a fan of their decision to make Snuffleupagus non-imaginary, so he’d be less confusing for children.
A: That’s bulls – – t, if that’s true. When that happens, the curriculum and the teaching aspect have taken over the imagination aspect, and it’s a shame. Everyone’s so f – – – ing politically correct, it’s ridiculous. People are much more discerning than other people think.
Q: Even kids.
A: More so!
Q: Do you think there’s some kind of unifying comedy principle that links fairly disparate movies like “What About Bob,” “Bowfinger” and “Death at a Funeral”?
A: I know this sounds reeeeeeally hifalutin, and really didactic, and come on, Frank, get off your f – – – ing high horse – but: honesty. And I don’t mean honesty in this world, I mean honesty in the world in which the characters live. I mean, “Airplane,” which is hysterical, I think is honest within its world. I try to be honest within the world I create.
Q: You sometimes go years without making a movie. Why?
A: Why do something I don’t believe in? I’m very blessed. If I had a mortgage and had to put my kids through college, I’d be the first one to prostitute myself. I’m very blessed, and I don’t have to.
Q: “Death at a Funeral” was a relatively short, and low-budget, shoot. Was there a lot of pressure involved there?
A: I love pressure. The shoot itself was a frigging delight. But there are other shoots that were not a delight. “What About Bob?” was tremendous tension. I like pressure, I don’t like tension. There were problems between the producer and me, and also Bill [Murray] and Richard [Dreyfuss] didn’t get along. But for me, as a director, that worked well for the characters. Behind the scenes, it was tough, but I was thrilled it worked on-screen.
Q: “Death at a Funeral” is kind of a new genre for you – the British comedy of manners. Are you going to explore some other niches now?
A: I’m looking forward to doing some tough action stuff, or horror stuff. I’ve been successful in comedy, so people give me the best comedy scripts, but they don’t give me the best thriller scripts, because they think I can’t do that, or God knows what. I did “The Score” just to show I’m not a one-trick pony. I love horror. I’m trying to get a script, but it’s so hard.
Q: This might be a touchy subject, but – what happened with “The Stepford Wives”?
A: I f – – – ed up. It was the first time I said yes to a movie that had no script. I saw the movie as a smaller relationship movie. And as it got more and more expensive, I thought, “Geez, maybe I should listen to [the producers] more.” And I didn’t do what I wanted, for the first time in all my movies. That’s where I screwed up.
Q: What did you do to recover after that?
A: I had lost my confidence, and I wanted to do something really small. I went back to my acting coach and audited three classes, to get back to the purity of what I was doing. And then I found this script [for “Death at a Funeral”] and I said, “Absolutely.” So I went back to what I love doing.
The score
Age: 63
Born: Hereford, England
Unsung role: He played the Swedish Chef’s human hands on “The Muppet Show”
Misconception: He’s not Fozzie Bear’s namesake. Fozzie was named for Faz Fazakis, who invented a device enabling Fozzie to wiggle his ears
Cameo: Appears as a corrections officer in “The Blues Brothers”
On-set clash: While directing 2001’s “The Score,” Oz tangled with Marlon Brando, who reportedly told him, “I bet you wish I was a puppet so you could stick your hand up my a – – and make me do what you want.”

Categories
Muppets

I wanna see it now!!!

New Muppet presentation pilot filmed
The 10-minute mock documentary follows the daily happenings of Kermit and the Muppets, both on and off stage. This pilot could lead to a new series featuring the Classic Muppet characters.
For years we’ve heard all kinds of reports of “the new Muppet Show” – from an edgy prime-time variety show on FOX to a spoof of reality TV competitions on ABC. Well earlier this month a short presentation pilot for a proposed Muppet mini-series recently wrapped production. The project is being kept “under wraps” right now. It is still in development and subject to change. However the Walt Disney Company is currently considering a series that will relaunch the Muppets back onto television and in the public’s eye.
This presentation pilot, completed in January 2007, proposes a mini-series shot in mock documentary style that continues to follow the adventures of the Muppets as they create a new show.
The short pilot uses the television syntax of a documentary (think “The Office” meets “The Muppet Show”). The series revolves around Kermit the Frog as he attempts to reassemble the Muppet troupe and launch a new Muppet show. The mockumentary mini-series would feature fictional English filmmaker Ian Bascombe who, with his film crew, follow the daily happenings Kermit and the Muppets, both on and off stage. Bascombe finds that many of the classic Muppets have gone off to other venues since we last saw them and follows Kermit as the frog attempts to track them down and get the whole troupe back together.
For example, Fozzie has gone off to a solo career in stand-up comedy, Sam Eagle is now a security personnel, and Miss Piggy has been a busy actress in Hollywood. Similar to The Muppet Movie, Kermit travels around getting the gang to come together for a common goal ñ putting on a show. But aside from just getting everyone onboard, Kermit and the gang have to plan and develop the show itself.
This test pilot, which is now beginning to circulate the inner management of the Walt Disney Company, was written and produced by Bill Prady and was directed by Bill Barretta. Muppeteers Steve Whitmire, Eric Jacobson, Dave Goelz and Bill Barretta were also involved in the project. Aside from the Muppets, this spec pilot also included cameo appearances from John Landis and Melina Kanakaredes.
Although a presentation pitch was filmed for the series, it is no guarantee that the project will be developed further or see the light of day. Muppet fans may already know that over the past decade more than three similar pilot pitches for a new Muppet show have been made, and almost half a dozen concepts for series have reached different stages of development as well. However insiders are currently hopeful for this pilot; they say it looks great and is truly entertaining and original. Sources say that it is likely the Disney executives, after seeing the presentation pitch, will in fact green-light the mini-series to move into production (and possibly air) later in 2007.
Rumor also has it that if successful, the mini-series could be used as a way to launch the Muppets with a new full-time series (which, like the previous Muppet series, would follow the misadventures of the weekly show they’ve now developed). However that wouldn’t be until 2008 or 2009 (if at all).
Needless to say, this is very exciting new for Muppet fans. It shows hope for the franchise, and give some comfort to eager fans to know Disney is actively looking for ways to use and rejuvenate the characters. We will keep you posted as soon as we get more details on the development of this mockumentary mini-series, or any other information on the possible return of the Muppets to television.

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Muppets

Rock on Fraggles!!!! Rock on!!

Zappa says Fraggle film will rock
The theatrical film will will feature old favorites like the main Fraggles, Traveling Matt, The Trash Heap and celebrity cameos and acclaimed musicians
Ahmet Zappa remembers the time before Paris Hilton and Kevin Federline, when celebrities earned their fame by creating something artistic ó and then used their influence to make the world a better place. He remembers John Lennon singing about peace; his father, Frank Zappa, promoting independent thought; and Muppet-master Jim Henson shaping the impressionable young minds of a generation. And now he’s got a new job, because Ahmet Zappa also remembers the Fraggles.
“People always come up to me and talk about my father,” the 32-year-old actor/writer recently said. “My father was very political, outspoken, an amazing musician and a great dad. Jim Henson, to me, is such an icon. What [Henson] did for kids ó entertainment, education, storytelling and inspiring creativity ó he was just such an important person. It feels nice to be involved in another family business.”
Six weeks ago, Zappa won the high-profile assignment of developing the full-length rebirth of “Fraggle Rock,” the vibrant 1980s TV program Henson pitched to networks as the children’s show that would end wars. Looking back now, the “Sesame Street” imaginer packed his program with messages about racial tolerance, creature codependence and even the importance of recycling. But, as Henson knew then and Zappa knows now, all that stuff often takes a back seat to the reason why people really care about the Fraggles: they’re fun.
“I grew up having the Fraggles on television, singing songs that I thought were really catchy and fun,” Zappa remembered, professing his love for the colorful 22-inch characters and the Gorgs, Doozers and talking trash heap that surrounded them for five seasons on HBO. “There are a lot of messages in ‘Fraggle Rock’ that fans have kept close to their hearts, so we have to be respectful of the television show and very respectful of Jim Henson’s Fraggle message. As far as the movie’s concerned, that’s what we are focusing on now: how to maintain Fraggledom.”
Currently, Zappa is hard at work squeezing 96 episodes into a movie that will properly reflect that same “Fraggledom” for old fans, as well as their children. Told in a contemporary context using far more human interaction, new characters and plenty of music, the movie will be produced by Henson’s daughter, Lisa, and directed by his son, Brian. Barely able to contain his enthusiasm for the project, big-kid Zappa gave us a first look at what we can expect from the “Fraggle” flick.
“If you take the landscape of kids’ music now, I don’t personally enjoy it,” said Zappa, whose debut children’s book, “The Monstrous Memoirs of a Mighty McFearless,” displayed an unrestrained imagination that impressed the Henson clan, along with a taste that seemed to connect with today’s kids. “‘Fraggle Rock’ is good music, good instrumentation, catchy little jingles and stories that are all very sweet.”
Part of that sweetness is in the nonjudgmental dependency between the different races and colors of Fraggles, and the creatures that surround them. “It’s a complete ecosystem,” Zappa said of Henson’s idea to show children how living creatures need each other. Zappa’s script will pick up with level-headed Gobo, artistic Mokey, athletic Red, nervous Wembley and chronically depressed Boober in the same underground tunnels where we left them 20 years ago, and follow the crew as they journey for the first time into “Outer Space” ó or as we like to call it, the real world.
“Traveling Matt is in the movie,” Zappa confirmed, referring to Gobo’s adventurous uncle whose naive reports from Outer Space are indicative of the fish-out-of-water humor Zappa will embrace. “The funny part about Traveling Matt and Outer Space is he’d see a fire hydrant and assume it was a person. He thought cars were animals, that they were living organisms, and he thought elevators were people changers, because the doors would close and then open, and there’d be new people in there all the time.”
For the currently untitled movie, that mentality will be applied to some of the strange things we currently take for granted. “Back when that show was made, there weren’t cell phones, so imagine a Fraggle finding a cell phone,” Zappa said, citing one early idea. “It’s been a lot of fun putting myself in that head space. It’s not every day that you wake up and imagine yourself Fraggle height and take it seriously ó being that tall, what would the world look like to you?”
Zappa said the film will also reflect larger changes in the world. “A lot of things have become disposable, and there are certainly a lot of environmental changes,” he observed. Invoking the name of the wise, old talking compost-heap character, he added, “A lot of bad stuff has happened since the original ‘Fraggle Rock,’ and Trash Heap is all-knowing. She was always my favorite character on the show, so we’re going to do her some justice.”
When talk turned to the monstrous neighbors that tormented Gobo’s gang, however, Zappa got suspiciously tight-lipped. “I can’t say too much about the Gorgs right now,” he smiled cryptically. “That stuff is top secret.”
Keeping the CGI to a minimum, Zappa and the Hensons plan to return to the magic of the original Muppet movies that made millions forget they were watching puppets. “There’s going to be human interaction with Fraggles,” he said, adding that the film will feature plenty of celebrity cameos. “If you have an actor acting opposite a puppet, they can react off the mannerisms, the maneuvers, the facial expressions; it’s a character. That puppet is an actor, as well ó versus CGI, which happens after the fact.”
Such human-puppet interactions will also help the “Fraggle” filmmakers entice big-name bands to perform new songs with the fun-loving characters. “‘Fraggle Rock’ is such a music-based movie, and the show had new songs every episode ó we can safely say we’ll have a lot of recognizable bands,” said Zappa, who has established friendships with some of the biggest names in music. “I’ve been inundated with calls from famous bands, songwriters, different actors, who are just huge fans of ‘Fraggle Rock’ that they’re just like, ‘I’ll do anything.’ There’s a certain religious fervor with Fraggles.”
The most coveted assignment, however, will go to the group that reinterprets one of the most infectiously catchy theme songs in TV history. “[We won’t be] changing it lyrically, but that was such a recognizable song, a new version will probably be made,” Zappa said.
As for the film’s plot, Zappa said his script will tap into many of the same themes he tried to work into his book. “I’m writing about relationships that seem very similar to the experiences I’ve had in my own life,” he said. “Which aren’t necessarily normal ó the things I experienced growing up, my sense of humor. I would think some people may assume I’m a little odd, but I think the characters in ‘Fraggle Rock’ will have some larger-than-life human characters. There will also be some new puppets. Puppeteered characters that are sarcastic, silly, irreverent and don’t talk down to kids.”
If those sound like the kind of words that would have once come from the mouth of Jim Henson, then Ahmet Zappa is remembering everything just right. “We are moving as fast as humanly possible ó and Fraggily as possible,” he added, saying that some major “Fraggle” details should develop after the holidays, as the filmmakers continue to eyeball a late-’08 or early-’09 release date. “The Fraggles need to be here sooner, rather than later.”

Categories
Muppets

Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gimme!!! Gim

The Muppet Show Season 2 slated for early 2007 release
Numerous issues have delayed the DVD box set, but release is expected during the first quarter of 2007
Fifteen months ago “The Muppet Show Season 1” was released on DVD, and ever since fans have been asking when they would be able to get their hands on season 2.
Pinning down the release hasn’t been simple for Disney. Originally it was slated for February, then bumped to a tentative slot in late Summer and then inexplicably delayed again. Legal clearances, material creation/restoration, marketing schemes, leadership changes, production priority schedules — the reasons are complex and numerous.
Brain Henson said earlier this year when IGN asked about the Muppet Show Season 2, that “Disney is so formulaic and careful and secretive about their DVD release plans” that even he didn’t know when the set would be out.
Back in July Muppets.com launched a poll to allow fans to vote on the cover art for the upcoming second season release. Just a few weeks ago the poll was taken down, and the fans’ speculation started up again. What does it mean? Is it coming? Was it canceled? What’s going on?
Well, we just got word from a reliable source within Buena-Vista Home Entertainment that there is no need to panic. The set is indeed coming. It’s taken a while but it will be worth the wait. We were told they are “expecting release in the first quarter of 2007” (after the holidays’ DVD production pushes).
They’d like to tell more about it, but everything is “top secret” right now. An official announcement with all the details is around the corner.
The set will be out in 2007 and season 3 is also expected for the future (although there are no details on timing).

Categories
Muppets

I want to watch them all!!

Muppets gone wild
It’s cold, it’s cruel, but when Scorsese meets the ‘Street,’ the parodies flow in endless streams.
SWEEPING through the debris field that makes up today’s YouTube catalog, a few emerging schools of webcamography are evident: confessional videos by teenage girls, stolen footage of Jon Stewart and Asian game shows, caught-on-camera car accidents and faux pas, adorable pet moments and rampaging, ultra-violent, foul-mouthed Muppets.
Not surprisingly, it is that final genre that is attracting the great auteurs of the Internet today. Suddenly, everywhere you look across the Internet, Kermit and Miss Piggy, Ernie and Bert are cussing each other out like gangstas, battling to the death with armored weapons and restaging the edgiest films of our time..
The Muppet remix features the likes of “The Muppet Matrix” and “Murdah Muppets.” The Web and its accompanying tools of low-budget editing have granted filmmakers the power to manipulate and reframe the great characters of entertainment to their hearts’ desire. But with this freedom, an arms race has also begun, sending filmmakers in a competitive frenzy to place the Snuffleupagus in ever more compromising positions.
Among the recent entries to the unauthorized oeuvre: an animated shot-for-shot restaging of “The Matrix” trailer featuring Kermit in the Keanu Reeves role; a music video of rapping Muppets With Attitudes in which the N.W.A song “F*** tha Police” is cleverly dubbed into snippets of Muppet footage; and “C for Cookie,” a spoof of “V for Vendetta” in which an underground hero played by Cookie Monster fights for citizens’ rights to eat snacks all day long against an oppressive Big Brother-like dictator played by Oscar the Grouch. (Elmo tries his hand at the Natalie Portman role.)
Perhaps the most circulated recent entry into the genre is “Martin Scorsese’s Sesame Streets,” a series of respliced scenes from the Henson flagship show overdubbed with snippets of trademark dialogue from the director of “Taxi Driver” and “Goodfellas” canon. Panning over a scene of “Street’s” Muppet and human cast singing atop their urban stoop, to jazzy theme music, a narrator intones, “In a world so familiar, some secrets just can’t stay hidden.” Soon we hear Joe Pesci’s voice emanating from Grover, demanding of a little girl: “I make you laugh!?! I’m here to Ö amuse you!?!”; Big Bird confronting Snuffleupagus, “You talkin’ to me? Well, I’m the only one here, so you must be talkin’ to me”; and Ernie and Bert’s quiet domestic life recast as a fraught scene of betrayal and mistrust. “One neighborhood where time stands still and nothing is what it seems,” the narrator deadpans. “Sometimes the most dangerous place to go is back home.”
“Sesame Streets” is the work of Jim Paul and Max Stinson, two Chicago advertising executives who cut the piece for a film festival thrown by their firm and then uploaded it onto YouTube so they could share it with their friends, little realizing that it would soon be colonized by the voracious Internet audience, copied, linked to, e-mailed and reposted around the Net for an audience that now surpasses half a million viewers. In a case of how the Web’s power often leaps away from its creator’s intention, the pair were so unsuspecting that the video would have an audience outside their immediate circle that they didn’t even put their names on it, posting simply as “mscorsese.”
“We both like the Muppets,” Paul said by phone. “So this was an opportunity to take these two extreme worlds and put them together.”
Accustomed to working in the medium at their day jobs, the pair wanted to demonstrate how “you can take different audio and video, and take situations that actually exist and make it feel like something very different than how it was meant,” Stinson said.
Starting first by writing a “Mean Streets”-esque trailer script, they sifted through DVDs of “The Best of Grover” and “Follow That Bird” to find moments that would give new meaning to the words, and vice versa. One shot, for instance, of Bert looking through the window at a sleeping Ernie is as spine-tinglingly sinister as anything in “Cape Fear.” “We were looking for a moment of betrayal,” Stinson said, “and suddenly we saw that shot and it just changed the way you look at it.”
As the Muppet remix race builds, an almost diametrically opposed sub-genre is clogging the Internet airwaves: human re-stagings of the classic “M·h-N·-Mah-N·” song from “Sesame Street.” At a recent count, YouTube had more than 100 non-Muppet retellings of “M·h-N·-Mah-N·,” including a trash can “M·h-N·-Mah-N·,” several baby “M·h-N·-Mah-N·s” and a “Drunk ‘M·h-N·-Mah-N·.’ ”
Paul and Stinson cite as their inspiration an early giant of the genre, a widely forwarded trailer parody of “The Shining” that remixed scenes from the movie with upbeat music and narration to create an incredibly convincing romantic comedy trailer. However, the genre’s roots go back even further, before the dawn of the digital age, to at least 1987 when a filmmaker dubbed dialogue from “Apocalypse Now” over Winnie the Pooh cartoons and created a haunting nine-minute film, “Apocalypse Pooh Now” ó which in itself has found a new life today, widely forwarded and posted on the Internet.
In a parallel universe, a portal
AS soon as MySpace and YouTube made the passage from viral upstarts to new media establishment, the hunt for the next big thing went into hyperdrive. And it took tech writers and bloggers all of about seven minutes to crown an aspirant to the Online Hottie Throne. Second Life, the online virtual-world video game ó tomorrow belongs to you!
Second Life, which you will no doubt soon be seeing as the subject of magazine cover stories, business analyses and cultural critiques, is a role-playing video game in which players create alternative reality characters (avatars) for themselves. They then go about living lives in a world that allows them to create, do, build or be anything they can imagine. They can construct mansions and furnish them, recruit an army and go to war, have relationships and bizarre group sex, attend AA meetings, sit in a coffee house and complain about their real lives ó all are part of the experience. There is a Second Life currency, which people earn in an allowance, augment by taking on jobs (the illicit ones being the highest paid, shockingly) and trade in the open market for actual U.S. currency (as of this writing, the exchange rate of SL’s Linden dollars to U.S. dollars was 284.50 to 1).
Web die-hards complain that Second Life is merely a watered-down version of the already established virtual game World of Warcraft. To which cultural savants respond, the tiny difference of not being in a Tolkien-inspired realm of orcs and jousting is likely what will make SL, shall we say, welcoming to a broader community. Non-techies ask: Why would I want to play a game where I have to get a job? Because, you’ll be told, this is more than just a game ó Second Life, the prognosticators wax ó is how you’ll communicate, make friends and navigate your world in the future. YouTube plus MySpace times Google, more or less.
Time will tell, but the recent explosion of interest was sparked Oct. 18 when Second Life gained its millionth member. The same week the United States gained its 300 millionth citizen ó but SL is growing, they will tell you, much, much faster. Already Reuters has assigned a full-time reporter to the virtual kingdom. Symposiums cannot be far behind.

Categories
Muppets

Could this be the greatest news ever?!?!

“Fraggle” to rock big screen with Ahmet Zappa
LOS ANGELES (Hollywood Reporter) – Jim Henson’s “Fraggle Rock” is coming to the big screen.
The 1980s cult hit TV show is being developed by Ahmet Zappa — younger son of Frank Zappa — into a full-length live-action musical fantasy starring the classic characters.
“(Zappa) recently created his own fantasy property (‘Mighty McFearless’), and we had him in to talk about books and movies,” said Lisa Henson, who serves as co-CEO of the Jim Henson Co. with her brother, Brian.
“During that conversation, I had an intuition that he might be a ‘Fraggle Rock’ fan. He jumped out of his seat when he heard our idea of making ‘Fraggle Rock’ into a feature-length movie.”
Zappa — a musician and TV personality who will serve as the project’s executive producer — is developing a treatment in which puppet stars Gobo, Wembley, Mokey, Boober and Red will travel from beneath the Rock and venture into the human world for the first time.
“The Fraggles didn’t really get into the human world on the series, so we plan to make the movie more about the intersection between the Fraggles and the humans,” Lisa Henson said.
Zappa is informally talking to musician friends about writing original songs for the movie. The original Henson puppets will be refurbished and updated for the film, with little expectation of computer-generated enhancements.
A release date has yet to be determined. Lisa Henson plans to hire a screenwriter and director once an initial treatment is completed.
“We’re taking the movie as far as we can independently because the company has a big personal investment in how the movie turns out,” she said.
“Fraggle Rock” premiered on HBO in 1983 and over five seasons garnered multiple awards and a global fan following. The show was created by Jim Henson as an international co-production and was adapted for each territory to meet the needs of its audience.

Categories
Muppets

Woo hoo!!!

New Muppet CD coming for Christmas
Disney is planning to release an all-new Muppet album just in time for Christmas. The album is entitled “A Green (and Red) Christmas” and is set for release on October 17, 2006.
The album will feature 12 newly recorded holiday songs (both old favorites and newly written songs) by all your favorite Muppets. The CD is already up for preorder at Amazon.com for the low price of $9.99.
So be sure to set your calendars because this year you’ll be able to bring in the holidays with some special (and new) Muppet cheer.
“A Green and Red Christmas” Track Listing
‘Zat You, Santa Claus? – The Electric Mayhem
A Red and Green Christmas – Kermit & Miss Piggy
The Christmas Party Sing-Along – Rowlf
Merry Christmas Baby – Pepe
The Man with the Bag – Floyd, Animal & Zoot
Santa Baby – Miss Piggy
It’s the Most Wonderful Time of the Year – Gonzo & Rizzo
North Pole Comedy Club – Fozzie, Statler & Waldorf
Run, Run Rudolph – The Electric Mayhem
Christmas Smorgasbord – Swedish Chef
The Christmas Queen – Miss Piggy
Have Yourself a Merry Little Christmas – Kermit
This will be the third CD Disney has released since they bought the Muppets in February 2004. The Muppet Christmas Carol Soundtrack was reissued last Christmas while a Best of the Muppets/Muppets’ Wizard of Oz CD was released in May 2005.

Categories
Muppets

I want it now!!!

Fraggle Rock Season 2 on track for September release
The second season release from HIT Entertainment will include twenty-four episodes, cast and crew interviews and the original Fraggle Rock pitch book by Jim Henson with designs by Michael Frith.
Get ready to laugh your cares away, Fraggle fans. Straight from the mouths of HIT Entertainment representatives, the Fraggle Rock Season 2 DVD box Set is going to hit the shelves September 5th as was announced in January.
Selling at $49.98 and sporting a feature running time of 680 minutes total, the collection comes with a replica the original pitch book by Jim Henson and illustrated by Michael K. Frith, measuring 4.5î wide by 6.5î high. More organized than the notepad scribblings reproduced for the Season 1 set, the pitch book illustrates a more finely formed world of the Fraggles, yet one still not quite fully-evolved.
The DVD special features include a whole new round of exclusive interviews with the following participants: producer Lawrence S. Mirkin; writers Sugith Varughese, David Young, Robert Sandler, David Young and Susan Juhl; performers Karen Prell, Steve Whitmire, Dave Goelz, and Jerry Nelson; creative consultants Duncan Kenworthy and Jocelyn Stevenson; and composer Phil Balsam. A special tribute to the late Jerry Juhl will also be included.
Karen Prell, performer of Red Fraggle, reflects on a particular episode from Season 2. “In ‘A Cave of One’s Own,’ Mokey and Red become roomates, which leads to my favorite love-hate relationship of the whole series, Red vs Lanford, Mokey’s cranky plant.”
“Red and Lanford may have hated each other, but Lanford’s puppeteer, Rob Mills, and I had an absolute blast playing off each other and coming up with violent ways for the characters to attack each other. Rob was also the body performer for Junior Gorg in the first three seasons. He got the job performing Lanford because he had an arm long enough to reach from a hole in the cave wall WAY out to where Lanford’s head had to be. Good thing – he was the perfect performer for the job!”
The episodes found on the DVD collection are as follows:
Wembleyís Egg
Boober Rock
The Trash Heap Doesnít Live Here Anymore
Redís Sea Monster
Uncle Matt Comes Home
Booberís Dream
Mokey and the Minstrels
All Work and All Play
Sir Hubris and the Gorgs
A Friend in Need
The Wizard of Fraggle Rock
The Doozer Contest
Redís Club
The Secret of Convincing John
Mannyís Land of Carpets
Junior Sells the Farm
Fraggle Wars
The Day the Music Died
Doomsday Soup
A Cave of Oneís Own
Wembly and the Great Race
Doozer Is As Doozer Does
Booberís Quiet Day
The Invasion of the Toe Ticklers