Categories
Movies

I do hope to see GLASS this week. We’ll see what happens.

M. Night Shyamalan’s Glass to top MLK box office with $47 million

M. Night Shyamalan’s Glass isn’t quite running over, but it’ll be enough to top the box office over the long Martin Luther King Jr. holiday weekend.

The director’s superhero-themed sequel to Split and Unbreakable is on track to debut with an estimated $47.1 million in ticket sales at 3,841 theaters in the U.S. and Canada from Friday through Monday, making it the No. 1 film in North America by a wide margin. It also marks the third-best four-day MLK opening on the books, not adjusting for inflation, behind 2015’s American Sniper ($107.2 million) and 2014’s Ride Along ($48.6 million). That said, Glass is coming in a bit below expectations, as industry projections had it arriving with at least $55 million over four days.

From Friday through Sunday, Glass will take in about $40.6 million. By comparison, Split bowed with $40 million in 2017 (on its way to becoming a surprise hit), while Unbreakable opened with $30.3 million — about $49.7 million in today’s dollars — in 2000.

Shyamalan self-financed Glass, which reportedly cost about $20 million to make. It’s being distributed domestically by Universal Pictures, the studio behind Split, and internationally by Disney, the studio behind Unbreakable. Overseas, Glass will add about $48.5 million over the three-day period.

Featuring actors and characters from Split and Unbreakable, Glass stars Bruce Willis as a security guard with superhuman strength and a sixth sense about bad guys, who tangles with a murderous genius with brittle bones (Samuel L. Jackson) and an ex-zoo employee with multiple personalities (James McAvoy), one of whom is a feral killer known as the Beast. Critics’ reviews have been lukewarm, while audiences gave Glass a mediocre B CinemaScore.

In second place this weekend, the Kevin Hart and Bryan Cranston dramedy The Upside is holding strong with an estimated $15.7 million from Friday through Sunday ($19.5 million through Monday), which represents a decline of just 23 percent from last week’s debut.

Warner Bros’. Aquaman will take third place with about $10.3 million through Sunday ($12.8 million through Monday), breaking the $300 million mark at the domestic box office (it already hit $1 billion worldwide).

Also making a strong showing this weekend is Funimation’s anime import Dragon Ball Super: Broly, in fourth place with an estimated $8.7 million through Sunday ($9.7 million through Monday) at 1,250 theaters.

Overall box office is down 13.3 percent year-to-date, according to Comscore. Check out the Jan. 18-20 numbers below.

1. Glass — $40.6 million
2. The Upside — $15.7 million
3. Aquaman — $10.3 million
4. Dragon Ball Super: Broly — $8.7 million
5. Spider-Man: Into the Spider-Verse — $7.3 million
6. A Dog’s Way Home — $7.1 million
7. Escape Room — $5.3 million
8. Mary Poppins Returns — $5.2 million
9. Bumblebee — $4.7 million
10. On the Basis of Sex — $4 million

Categories
Concerts

It would be fun to go to them all!!

Billy Joel Sets Summer Tour of Baseball Stadiums

In addition to Billy Joel‘s monthly gig at Madison Square Garden, the singer will embark on a summer tour of concerts at the stadiums of seven Major League Baseball teams.

The one-show-a-month stadium tour kicks off March 9th at Phoenix’s Chase Field (home of the Diamondbacks) and continues April 26th (the Milwaukee Brewers’ Miller Park), May 24th (the Philadelphia Phillies’ Citizens Bank Park), July 26th (Baltimore Orioles’ Camden Yards), August 8th (Colorado Rockies’ Coors Field in Denver), September 14th (Boston Red Sox’ Fenway Park) and October 12th (Arlington, Texas’ Globe Life Park, home of the Rangers).

As Billboard reports, Joel’s show at Camden Yards in Baltimore marks the end of a 20-year-ban on concerts at that baseball stadium. (Orioles owner Peter Angelos once lamented that he was “not going to have [the stadium] become some kind of honky tonk for various and sundry rock ‘n’ roll bands,” the Baltimore Sun reports.)

Joel has also mapped out the next seven shows of his monthly Madison Square Garden residency, with the January though May concerts already sold out. Check out Joel’s site for ticket information for the stadium tour.

Billy Joel Tour Dates

March 9 – Phoenix, AZ @ Chase Field
April 26 – Milwaukee, WI @ Miller Park
May 24 – Philadelphia, PA @ Citizens Bank Park
July 26 – Baltimore, MD @ Camden Yards
August 8 – Denver, CO @ Coors Field
September 14 – Boston, MA @ Fenway Park
October 12 – Arlington, TX @ Globe Life Park

Categories
Awards

Congrats, Corey!!

Corey Hart to be inducted into Canadian Music Hall of Fame during Juno Awards

Singer-songwriter Corey Hart will be inducted into the Canadian Music Hall of Fame during the Juno Awards in March, and the show in London, Ont., will be carried live by CBC.

“I am deeply humbled by this invitation into the Canadian Music Hall of Fame,” the Montreal-born Hart said in a release Wednesday. “It’s an incredible honour to be acknowledged alongside so many other talented and venerable Canadian artists.”

The Hall of Fame, which was established by the Canadian Academy of Recording Arts and Sciences (CARAS) in 1978, acknowledges artists who have made an outstanding contribution to the international recognition of Canadian music. Other inductees include Anne Murray, Joni Mitchell, k.d. lang, Leonard Cohen, Neil Young, Oscar Peterson, the Tragically Hip and Shania Twain.

Hart, who gave adoring fans hits including Sunglasses at Night and Never Surrender, and has sold over 16 million albums, said it’s even more symbolic to get the honour as he releases his first collection of new studio music and prepares for his first Canadian tour in over 20 years. The Never Surrender Tour begins in St. John’s on May 31, following the May 3 release of Dreaming Time Again. The first album track, Dreaming Time Again, is out today (Wednesday).

Allan Reid, president and CEO of CARAS and the Juno Awards, said, “We are proud to welcome Corey into the Canadian Music Hall of Fame. He was one of the biggest Canadian success stories of the ’80s and ’90s, and even though he stepped back from the spotlight, he remained active in writing and producing for other artists.”

A new exhibition honouring Hart will launch beginning March 22 at Studio Bell, home of the Hall of Fame in Calgary.

The 48th Juno Awards will be carried live by CBC, CBC Radio and CBC Gem, and globally at cbcmusic.ca/junos on March 17, beginning at 8 p.m. ET.

Categories
People

So sad, may she rest in peace.

Suzanne Pleshette, sexy star of ‘Bob Newhart Show,’ dies at 70

Suzanne Pleshette, the dark-haired, smoky-voiced actress who played Bob Newhart’s confident and sexy wife, Emily Hartley, for six years on the popular 1970s sitcom “The Bob Newhart Show,” has died. She was 70.

The widow of comic actor Tom Poston, Pleshette died of respiratory failure Saturday evening at her Los Angeles home, Robert Finkelstein, an entertainment lawyer and family friend, told the Associated Press. Pleshette underwent chemotherapy in 2006 for lung cancer.

A stage-trained New York actress who made her movie debut in the 1958 Jerry Lewis comedy “The Geisha Boy,” Pleshette appeared in such films as “The Birds,” “Nevada Smith,” “Youngblood Hawke,” “A Rage to Live” and “Fate Is the Hunter.”

She also appeared with Troy Donahue, to whom she was married for eight months in 1964, in the 1962 romantic drama “Rome Adventure” and the 1964 western “A Distant Trumpet.”

On Broadway in 1961, Pleshette replaced Anne Bancroft in the role of Annie Sullivan in “The Miracle Worker,” opposite Patty Duke as Helen Keller.

And on television in 1991, she earned an Emmy Award nomination for the title role in the TV movie “Leona Helmsley: The Queen of Mean.”

But she had a flair for comedy.

Among her screen credits are “40 Pounds of Trouble,” “If It’s Tuesday, This Must Be Belgium,” “Support Your Local Gunfighter,” “The Shaggy D.A.,” “The Adventures of Bullwhip Griffin,” “The Ugly Dachshund” and “Blackbeard’s Ghost.”

Pleshette, however, is best remembered for playing what New York Times critic Frank Rich once described as “the sensible yet woolly wife” on “The Bob Newhart Show,” which ran from 1972 to 1978. Her role as Emily earned her two Emmy nominations.

Pleshette retired from acting after marrying her second husband, wealthy businessman Tom Gallagher, in 1968. She told TV Guide in 1972 that after she’d been hanging around the house for six months, “my loving husband said, ‘You’re getting to be awfully boring. Go back to work.’ ”

After trying to figure out how she could return to work without having to get up at 5 a.m. or go out of town for weeks on movie locations, she recalled, “I said to myself, ‘What can you do best?’ ‘Talk,’ I said. ‘So what better than the talk shows on TV?’ I said. I picked up the phone and asked my agent to try to book me with Johnny Carson.”

She made a couple of dozen appearances on the Carson show over the next few years, including one with fellow guest Newhart — a show seen by writers David Davis and Lorenzo Music, the creatorsof the upcoming Newhart show.

“Suzanne started talking, and I looked at Lorenzo and Lorenzo looked at me,” Davis told TV Guide. “There she was, just what we were looking for.

“She was revealing her own frailties, talking freely about being over 30. She was bubble-headed but smart, loving toward her husband but relentless about his imperfections. We were trying to get away from the standard TV wife, and we knew that whoever we picked would have to be offbeat enough and strong enough to carry the show along with Newhart. We didn’t dream Suzanne would accept the part.”

Pleshette told the magazine that “Bob is just like my husband, Tommy, letting me go bumbling and stumbling through life. And the way it’s written, the part is me. There’s the stream of non sequiturs by which I live. There are fights. I’m allowed to be demonstrative. But the core of the marriage is good.”

Off-camera, Pleshette was known for being what an Orlando Sentinel reporter once described as “an earthy dame, an Auntie Mame who isn’t afraid to tell a dirty story.” Or, as TV Guide put it in 1972: “Her conversations — mostly meandering monologues — are sprinkled with aphorisms, anecdotes, salty opinions and X-rated expletives.”

She enjoyed talking so much that during the making of “The Geisha Boy,” Lewis took to calling her “Big Mouth.”

Newhart, according to the TV Guide article, “was finding himself outtalked by Suzanne on the set about 12 to 1 but professed to be unperturbed by the phenomenon.”

“I don’t tangle,” Newhart said, “with any lady who didn’t give Johnny a chance to exercise his mouth — even to sneer — for 10 whole minutes.”

Although Newhart got a new TV wife, played by Mary Frann, for his 1982-90 situation comedy “Newhart,” Pleshette had the last laugh — making a memorable surprise guest appearance as Newhart’s previous TV wife, Emily, at the end of the series’ final episode.

In it, Dick Loudon, the Vermont innkeeper Newhart played on “Newhart,” is knocked out by a stray golf ball. Then the show cuts to a darkened bedroom as he wakes up and turns on the light to reveal Chicago psychologist Bob Hartley’s bedroom from “The Bob Newhart Show.” The Vermont-set “Newhart” and its colorful characters, it turns out, had only been a dream, and Pleshette’s Emily tells Bob he should watch what he eats before going to bed.

In a 1990 interview with “CBS This Morning,” Pleshette recalled that when the “Newhart” studio audience first saw the familiar bedroom set from the old series, she heard gasps.

“And then they heard this mumble under the covers, and nobody does my octave, you know,” she recalled. “And I think they suspected it might be me, but when that dark hair came up from under the covers, they stood and screamed.”

For her and Newhart “to be together again with the old rhythms, looking into each other’s eyes, was just wonderful,” she said. And, she said, it was “very touching and so dear” that the studio audience “remembered us with such affection.”

Pleshette was born Jan. 31, 1937, in New York City. Her mother had been a dancer, and her father was the manager of the New York and Brooklyn Paramount theaters during their big-band days.

After attending the New York High School of the Performing Arts — “I found myself there,” Pleshette later said — she spent a semester at Syracuse University and a semester at Finch College before moving on to the Neighborhood Playhouse School of the Theatre and acting teacher Sanford Meisner.

Pleshette also starred in the short-lived sitcoms “Suzanne Pleshette Is Maggie Briggs” (1984) and “The Boys Are Back” (1994-95) and the dramatic series “Bridges to Cross” (1986) and “Nightingales” (1989).

More recently, she played the lusty grandmother in the sitcom “Good Morning, Miami” (2002-03).

Pleshette was married to Gallagher from 1968 until his death in 2000.

She first met — and dated — Poston when they appeared together in the 1959 Broadway comedy “Golden Fleecing.” They were both dealing with the deaths of their spouses in 2000 when they got back together. They were married the next year.

“They are a romantic duo,” actor Tim Conway, a friend of Poston’s, told People magazine in 2001. “It’s almost embarrassing. You have to put cold water on them.”

Poston died in April at age 85 after a brief illness.

Details on survivors were not immediately available.

Categories
Awards

Overall it wasn’t a great show, but there were some nice moments. Well done, Hollywood Foreign Press Association!!

GOLDEN GLOBES: ’Bohemian Rhapsody’ wins in upset

In a Golden Globes chock full of upsets, the Freddie Mercury biopic “Bohemian Rhapsody” took best picture, drama, over Bradley Cooper’s heavily favoured “A Star is Born” and Glenn Close bested Lady Gaga for best actress.

Few winners were seen as more certain than Lady Gaga as best actress in a drama at Sunday’s ceremony at the Beverly Hilton Hotel in Beverly Hills, California. But the veteran actress Close pulled off the shocker for her performance in “The Wife,” as the spouse of a Nobel Prize-winning author. Close said she was thinking of her mother, “who really sublimated herself to my father for her whole life.”

“We have to find personal fulfilment. We have to follow our dreams,” said Close, drawing a standing ovation. “We have to say I can do that and I should be allowed to do that.”

Minutes later, the surprise was even greater when “Bohemian Rhapsody” won the night’s top award, shortly after Rami Malek won best actor for his prosthetic teeth-aided performance as Mercury.

“Thank you to Freddie Mercury for giving me the joy of a lifetime,” said Malek. “This is for you, gorgeous.”

Politics were largely absent from the ceremony before Christian Bale took the stage for winning best actor in a musical or comedy for his lead performance in Adam McKay’s “Vice.”

“What do you think? Mitch McConnell next?” joked the Welsh-born actor, referring to the Senate’s majority leader. “Thank you to Satan for giving me inspiration for this role.”

Oh and Andy Samberg opened the Globes, put on by the Hollywood Foreign Press Association, on a note of congeniality, including a mock roast of attendees and a string of jokes that playfully commented on critiques of Hollywood. Oh performed an impression of a sexist caveman film executive who casts like the title of Damien Chazelle’s Neil Armstrong drama: “First … man!”

Noting the success of “Crazy Rich Asians,” Oh alluded to films with white stars in Asian roles like “Ghost in the Shell” and “Aloha,” the latter of which prompted Emma Stone, who starred in “Aloha,” to shout out “I’m sorry!” from the crowd.

But Ottawa-born Oh, who later also won for her performance on the BBC America drama series “Killing Eve,” and Samberg closed their opening monologue on a serious note explaining why she was hosting.

“I wanted to be here to look out at this audience and witness this moment of change,” said Oh, tearing up and gazing at minority nominees in attendance. “Right now, this moment is real. Trust me, this is real. Because I see you. And I see you. All of these faces of change. And now, so will everyone else.”

Some of those faces Oh alluded to won. Mahershala Ali, whom the foreign press association overlooked for his Oscar-winning performance in “Moonlight,” won best supporting actor for “Green Book.” While the Globes, decided by 88 voting members of the HFPA, have little relation to the Academy Awards, they can supply some awards-season momentum when it matters most. Oscar nomination voting begins Monday.

The biggest boost went to “Green Book,” Peter Farrelly’s interracial road trip through the early ’60s Deep South, which has struggled to catch on at the box office while coming under substantial criticism for relying on racial tropes. It won best film, comedy or musical, and best screenplay. “If Don Shirley and Tony Vallelonga can find common ground, we all can,” said Farrelly, the director best known for broader comedies like “There’s Something About Mary.”

As expected, Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt won best song for the signature tune from “A Star Is Born,” the film most expected to dominate the Globes.

“Can I just say that as a woman in music, it’s really hard to be taken seriously as a musician and as songwriter and these three incredible men, they lifted me up,” Gaga said.

Though the Globes are put on by foreign journalists, they don’t including foreign language films in their two best picture categories (for drama and musical/comedy). That left Netflix’s Oscar hopeful, Alfonso Cuaron’s memory-drenched masterwork “Roma” out of the top category. Cuaron still won as best director and the Mexican-born filmmaker’s movie won best foreign language film.

“Cinema at its best tears down walls and builds bridges to other cultures. As we cross these bridges, these experiences and these new shapes and these new faces, we begin to realize that while they may seem strange, they are not unfamiliar,” Cuaron said accepting the foreign language Globe. “This film would not have been possible without the specific colours that made me who I am. Gracias, familia. Gracias, Mexico.”

Netflix also won numerous awards for the series “The Kominsky Method,” which won both best actor in a comedy series for Michael Douglas (he dedicated the honour to this 102-year-old father, Kirk Douglas) and for best comedy series over favoured nominees like “The Marvelous Mrs. Maisel” (whose star, Rachel Brosnahan still won) and “Barry.”

“Netflix, Netflix, Netflix,” said series creator Chuck Lorre.

Olivia Colman, expected to be Lady Gaga’s stiffest competition when the two presumably go head-to-head at the Oscars, won best actress in a comedy/musical for her Queen Anne in the royal romp “The Favourite.” ”I ate constantly throughout the film,“ said Colman. ”It was brilliant.“

Best supporting actress in a motion picture went to the Oscar front-runner Regina King for her matriarch of Barry Jenkins’ James Baldwin adaptation “If Beale Street Could Talk.” King spoke about the Time’s Up movement and vowed that the crews of everything she produces in the next two years will be half women. She challenged others to do likewise.

“Stand with us in solidarity and do the same,” said King, who was also nominated for the TV series “Seven Seconds.”

A year after the Globes were awash in a sea of black and #MeToo discussion replaced fashion chatter, the red carpet largely returned to more typical colours and conversation. Some attendees wore ribbons that read TIMESUPx2, to highlight the second year of the gender equality campaign that last year organized the Globes black-clad demonstration. Alyssa Milano, the actress who was integral in making #MeToo go viral, said on the red carpet that in the past year a “really wonderful sisterhood has formed.”

“Spider-Man: Into the Spider-Verse” won for best animated film. Ryan Murphy’s “The Assassination of Gianni Versace: American Crime Story” won for both best limited series and Darren Criss’ lead performance.

For its sixth and final season, FX’s “The Americans” took best drama series over shows like Amazon’s conspiracy thriller “Homecoming” and Oh’s own “Killing Eve.” Richard Madden, the breakout star of the terrorism suspense series “Bodyguard,” won best actor in a drama series. Ben Wishaw took best supporting actor in a limited series for “A Very English Scandal.”

The press association typically likes having first crack at series that weren’t eligible for the prior Emmys. They did this year in not just “The Kominsky Method” and “Bodyguard” but also the Showtime prison drama “Escape at Dannemora.” Its star, Patricia Arquette, won for best actress in a limited series.

Usually the Hollywood Foreign Press Association’s ceremony is known for its freewheeling frivolity and fun. The free-flowing booze helps. But the 2018 Globes were the first major televised awards in Hollywood following the downfall of Harvey Weinstein and the subsequent push for greater gender equality in the film industry.

Last year’s show, like a lot of recent awards shows, saw ratings decline. Some 19 million tuned in to the Seth Meyers-hosted broadcast, an 11-per cent decline in viewership. This year, NBC has one thing in its favour: an NFL lead in. Ahead of the Globes, NBC broadcast the late afternoon wild card game between the Chicago Bears and the Philadelphia Eagles, which proved to be a nail-bitingly close game — likely delivering the network a huge audience.

Jeff Bridges received the Globes’ honorary Cecil B. DeMille Award. In remarks about everything from Michael Cimino to Buckminster Fuller and, of course, to his “Big Lebowski” character the Dude, Bridges compared his life to a great game of tag. “We’ve all been tagged,” said Bridges. “We’re alive.” He ended by “tagging” everyone watching. “We can turn this ship in the way we want to go, man,” said Bridges.

A similar television achievement award was also launched this year, dubbed the Carol Burnett Award. Its first honoree was Burnett, herself.

“I’m kind of really gob-smacked by this,” said Burnett. “Does this mean that I get to accept it every year?”

Complete list of winners at 76th Golden Globe Awards

FILM

Drama: “Bohemian Rhapsody”

Actress, Drama: Glenn Close, “The Wife”

Actor, Drama: Rami Malek, “Bohemian Rhapsody”

Comedy or Musical: “Green Book”

Actor, Comedy or Musical: Christian Bale, “Vice”

Actress, Comedy or Musical: Olivia Colman, “The Favourite”

Actress-Supporting Role: Regina King, “If Beale Street Could Talk”

Actor-Supporting Role: Mahershala Ali, “Green Book”

Foreign Language Film: “Roma”

Best Director: Alfonso Cuaron, “Roma”

Screenplay: Nick Vallelonga, Brian Currie, Peter Farrelly, “Green Book”

Animated: “Spider-Man: Into the Spider-Verse”

Original Score: Justin Hurwitz, “First Man”

Original Song: “Shallow,” ”A Star Is Born“

TELEVISION

Drama: “The Americans”

Actress, Drama: Sandra Oh, “Killing Eve”

Actor, Drama: Richard Madden, “Bodyguard”

Musical or Comedy: “The Kominsky Method”

Actress, Musical or Comedy: Rachel Brosnahan, “The Marvelous Mrs. Maisel”

Actor, Musical or Comedy: Michael Douglas, “The Kominsky Method”

Limited Series or Movie Made for Television: “The Assassination of Gianni Versace: American Crime Story”

Actress, Limited Series or Movie Made for Television: Patricia Arquette, “Escape at Dannemora”

Actor, Limited Series or Movie Made for Television: Darren Criss, “The Assassination of Gianni Versace: American Crime Story”

Actress, Supporting Role, Limited Series or Movie Made for Television: Patricia Clarkson, “Sharp Objects”

Actor, Supporting Role, Limited Series or Movie Made for Television: Ben Whishaw, “A Very English Scandal”

Categories
Business

Whether it made more money or not, AQUAMAN is nowhere near as entertaining as WONDER WOMAN. It’s not even close!!

Aquaman overtakes Wonder Woman at global box office

Aquaman just swam past another superhero box office milestone.

As of Wednesday, the film has overtaken 2017’s smash Wonder Woman in global ticket sales, putting Warner Bros.’ Dec. 21 release in second place among all DC Extended Universe titles.

Aquaman now has $822.9 million in international sales, edging past Wonder Woman’s cume of $821.8 million.

The King of Atlantis has been helped enormously by overseas interest, with international sales responsible for 75 percent of the film’s revenue — a significantly greater percentage than the other DCU titles (China leads the way, where Aquaman has grossed a whopping $275 million to become the country’s second-biggest superhero film of all time behind Avengers: Infinity War). If you look at domestic ticket sales, however, Aquaman is still running well behind Wonder Woman, $189 million to $330 million. Wonder Woman also remains the best reviewed of the DCEU titles (ranked 93 percent fresh to Aquaman‘s 64 percent — though the ultra-fantastical still rates higher than all other DECU titles).

Aquaman is also on track to easily become the DCEU’s top global title, with only 2016’s Batman v Superman: Dawn of Justice ($873.6 million) yet to surpass — and that should happen by the end of the week. The James Wan film already shot past 2017’s Justice League ($657 million) during its first week of U.S. release, then surpassed 2013’s Man of Steel ($668 million) and 2016’s Suicide Squad ($746 million).

Next up for the DCEU is Shazam!, which comes out April 5.

Categories
Movies

I finally saw AQUAMAN!!!

Aquaman threepeats at the box office with $30.7 million

New year, same box office champ.

Warner Bros’. superhero flick Aquaman is kicking off 2019 by topping the box office for a third consecutive weekend, earning an estimated $30.7 million at 4,184 theaters in the U.S. and Canada from Friday through Sunday. The weekend’s only new major release, Sony’s horror thriller Escape Room, is on pace for second place, taking in an estimated $18 million at 2,717 theaters and coming in ahead of expectations.

Through Sunday, Aquaman has grossed about $259.7 at the domestic box office and $681 million overseas ($56.2 of that coming this weekend), for a worldwide total of $940.7 million. This week, it became the highest-grossing entry in Warner Bros. and DC’s interconnected cinematic universe, surpassing Wonder Woman ($821.8 million) and Batman v Superman: Dawn of Justice ($873.6 million) in worldwide ticket sales.

Directed by James Wan (Furious 7, the Conjuring movies), Aquaman stars Jason Momoa as the eponymous undersea hero, who battles his power-hungry half-brother and tries to protect both Atlantis and the surface world. The cast also includes Amber Heard, Patrick Wilson, Nicole Kidman, and Yahya Abdul-Mateen II.

Meanwhile, Escape Room is off to a strong start, as it had been expected to debut in the $10 million range and only cost about $9 million to make. Directed by Adam Robitel and starring Deborah Ann Woll, Taylor Russell, and Logan Miller, the film follows a group of strangers who get caught in a deadly escape room. Critics’ reviews were unenthusiastic, and audiences gave it a B CinemaScore.

Rounding out the top five this weekend are Disney’s musical sequel Mary Poppins Returns, with an estimated $15.8 million; Sony’s animated adventure Spider-Man: Into the Spider-Verse, with an estimated $13 million; and Paramount’s Transformers spin-off Bumblebee, with an estimated $12.8 million.

Overall box office is down 5.1 percent year-to-date, according to Comscore. Check out the Jan. 4-6 numbers below.

1. Aquaman — $30.7 million
2. Escape Room — $18 million
3. Mary Poppins Returns — $15.8 million
4. Spider-Man: Into the Spider-Verse — $13 million
5. Bumblebee — $12.8 million
6. The Mule — $9 million
7. Vice — $5.8 million
8. Second Act — $4.9 million
9. Ralph Breaks the Internet — $4.7 million
10. Holmes and Watson — $3.4 million

Categories
People

Horrible news…Rest In Peace, Beard Guy. You’ll be missed, Mike.

Walk Off the Earth band member Mike Taylor dies

BURLINGTON, Ont. — The Burlington, Ont.-based band Walk off the Earth has announced the death of keyboardist and vocalist Mike Taylor.

In a post on various social media sites Sunday evening, the band says Taylor died “peacefully from natural causes last night in his sleep.”

His bandmates express their “deepest sympathies” for Taylor’s two children and ask for privacy for his family.

“It is with profound sadness that we announce the passing of our beloved brother and band member, Mike ’Beard Guy’ Taylor,” the post stated.

“Mike had a love for life that was unmatched and a willingness to give that went beyond ordinary means.”

Burlington Mayor Marianne Meed Ward also expressed her condolences on Twitter, calling Taylor’s death a “tragic loss.”

“Our city’s condolences go out to the family, friends and bandmates of Mike. We are thinking of you,” Meed Ward tweeted.

Walk off the Earth was founded in 2006 and shot to fame in 2012 when their cover of Gotye’s “Somebody That I Used to Know” went viral.

A YouTube video for the song, featuring all five band members simultaneously playing a single guitar and singing in harmony, has garnered more than 185 million views.

The band was scheduled to kick off a 2019 world tour with a New Year’s Eve show in Niagara Falls, Ont., on Monday night.

A representative for Walk off the Earth says they won’t be performing, but the show itself — which also features The Sheepdogs and Burton Cummings — will go on.

Categories
People

Very Sad News. May He Rest In Peace.

Dr. Hook singer Ray Sawyer dies at 81

Dr. Hook & The Medicine Show star Ray Sawyer has died at 81.

The singer, famous for his cowboy hat and eye-patch, passed away in Florida on Monday morning after suffering a brief illness.

The news broke on the band’s Facebook page.

“Ray Sawyer, an original member of Dr. Hook from 1969-1981, passed away this morning,” the statement read. “We send our condolences to his family at this difficult time.”

Born in Alabama in 1937, Sawyer was working as a logger in Oregon when he lost of his right eye in a car crash. His trademark eyepatch reminded his bandmates of Peter Pan’s nemesis Captain Hook and they named their act Dr. Hook & the Medicine Show. The band released its first album in 1972.

With Sawyer in the band, the abbreviated Dr. Hook scored hits with songs like Sylvia’s Mother, When You’re in Love With a Beautiful Woman, and Cover of the Rolling Stone. He was inducted into the Alabama Music Hall of Fame in 2005.

Categories
Movies

Pay them all Disney, you’ve got the money.

Robert Downey Jr.’s Marvel contract expires with Avengers: Endgame

In just a few short months, Marvel Studios will unleash Avengers: Endgame, a landmark entry in the Marvel Cinematic Universe which is set to serve as the culmination of the first three Phases of the MCU, as well as a “new beginning” for the hugely successful superhero universe.

As such, it’s expected that we’ll be saying goodbye to at least one of the MCU’s longest serving heroes in Endgame. We already know that Chris Evans (Captain America) and Chris Hemsworth’s (Thor) contracts are up with the fourth Avengers movie, and now it seems we can also add Robert Downey Jr. to that list.

Now of course, this doesn’t necessarily mean that Tony Stark, Steve Rogers and Thor are all going to die in Endgame (the likelihood of Marvel killing off three of the original Avengers in the same movie is surely pretty low indeed). It’s entirely possible that Marvel could negotiate new contracts with the stars, although that being said, it’s closing in on thirteen years since Downey was cast as Iron Man, and one has to assume that he’s not going to want to remain in the role forever.