It can’t be any worse than the theatrical cut…can it?! So..#ReleaseTheSnyderCut

Gal Gadot and Ben Affleck join calls to ‘release the Snyder cut’ of Justice League

On the 2-year anniversary of DC and Warner Bros.’ Justice League, Wonder Woman and Batman themselves have joined fans’ calls for the release of director Zack Snyder’s cut of the much-maligned 2017 film.

Both Ben Affleck and Gal Gadot tweeted “#ReleaseTheSnyderCut” on Sunday, with Gadot also posting a photo of her character, Diana Prince/Wonder Woman.

Affleck played Batman in 2016’s Batman v Superman: Dawn of Justice and 2017’s Justice League, which also starred Gadot. The Israeli actress previously embodied Wonder Woman in Patty Jenkins’ acclaimed movie of the same name that premiered in March 2017, and she’s also set to reprise her role in the 2020 movie Wonder Woman 1984.

Affleck and Gadot joined other DC actors, like Ray Fisher (Cyborg) and Christina Wren (Major Carrie Farris), who posted on social media for the anniversary to demand the release of Snyder’s original vision for Justice League.

Snyder departed as director of Justice League during production following his daughter’s death, and director Joss Whedon was brought on to finish the project. The movie debuted to the disappointment of many DC fans who felt the project wasted a roster of talented stars like Affleck, Gadot, Henry Cavill, Jason Momoa, and more. People have long speculated that there is a director’s cut of Snyder’s original vision for the movie, and thus the #ReleaseTheSnyderCut movement was born.

Momoa and director Kevin Smith added fuel to the fire this summer after they said they’ve either seen the Snyder cut or heard about it from reliable sources. In August, Momoa posted an Instagram video with Snyder, saying the director had shown him the cut and that it was “ssssiiicccckkkkkk.” Smith was less complimentary, saying the cut was “not a finished movie by any stretch of the imagination.”

Still, it is a big deal that Justice League’s own stars are calling for a redo of sorts. Fans are celebrating Affleck and Gadot for speaking out, and even Snyder himself has thanked the public’s support.

“This ancient Amazonian can’t be wrong,” Snyder tweeted on Sunday, sharing Gadot’s tweet. “Neither can Batman.” Just last month, he also thanked supporters for continuing to use the #ReleaseTheSnyderCut hashtag. “I’m honored to have such amazing fans,” he tweeted.


Hope to use my Honda to get to the theatre to see FORD V FERRARI this week.

Ford v Ferrari overtakes competition at the box office with estimated $31 million

Ford vs Ferrari zoomed past the competition, taking the top spot at the box office this weekend with an estimated $31 million, according to Comscore. The Disney drama overtook the competition, including Roland Emmerich’s Midway, which battled its way to second place this week with $8.8 million.

Sony’s Charlie’s Angels came in at a disappointing third with an estimated $8.6 million. Rounding out the top five are the John Cena-led Playing With Fire earning $8.6 million, and the romantic dramedy Last Christmas with $6.7 million.

Ford v Ferrari is not only going the extra mile with moviegoers, but there are rumblings of possible Oscar contendership for the drama directed by James Mangold and starring Christian Bale and Matt Damon.

In the film, the duo brings to life American car designer Carroll Shelby (Damon) and British driver Ken Miles (Bale) and the real-life events surrounding the 1966 24 Hours of Le Mans competition in France that saw the Ford defeat Ferrari. Jon Bernthal brings to life former Ford Vice President Lee Iacocca, the visionary behind the Ford GT40 and the drive to elevate the brand on the race track.

Josh Lucas, Ray McKinnon, Caitriona Balfe, Tracy Letts, and JJ Field also co-star.

EW gave the film a B+ calling it a “rare kind of David-and-Goliath story that actually asks you to root for Goliath.” Cinemascore confirms movie-goers loved it much more, the title earned an A+ from audiences. Overall, critics agree that Ford v Ferrari is a movie worth your money—it’s certified fresh by 92% of Rotten Tomato critics.

This is Mangold’s and Bale’s second collaboration, the pair worked together in 2007’s 3:10 to Yuma.

Elizabeth Banks‘s Charlie’s Angels is further proof that audiences love of nostalgia is flatlining. Based on the 1976 series of the same name, the reboot tells the story of three bad ass female detectives known as Angels who travel the world risking their lives to solve serious crimes and bringing bad guys to justice.

Newest franchise Angels Kristen Stewart, Naomi Scott, and Ella Balinska lead the continuation of the franchise, following the events that took place in 2000’s Charlie’s Angels and 2003’s Charlie’s Angels: Full Throttle that saw Drew Barrymore, Cameron Diaz, and Lucy Liu at the helm.

The new generation of super spies, unfortunately, fell flat for moviegoers who have a multitude of options to drop dollars on. It scored a B+ on Cinemascore, and critics didn’t rate it much better. EW gave the action comedy a B- saying it took “almost a whole movie for the new Charlie’s Angels to get going.”

It’s $8.6 million earnings this weekend fall way short of the McG directed films, even without adjusting for inflation. In 2000, Charlie’s Angels earned $40 million during its opening weekend and the 2003 sequel raked in $37.6 million.

The only other new title in the top ten is the Helen Mirren and Ian McKellan led crime thriller The Good Liar, landing in the seventh spot earning an estimated $5.7 million. Directed by Bill Condon, the film tells the story of career con artist Roy Courtnay (McKellan) who is surprised when he starts caring for a well-to-do widow Betty McLeish (Mirren) who was meant to be his mark. Can feelings get in the way of Courtnay’s swindle, or will he forge ahead with the crime and ruin her life forever?

The Good Liar co-stars Jim Carter as Courtnay’s longtime business partner Vincent, and Russel Tovey as McLeish’s grandson Steven who knows something is not right with Courtnay’s story.

Audiences via Cinemascore gave the film a B, critics averaging around the same via Rotten Tomatoes who gave it a 64%.

Overall, box office is down 6.2 percent year-to-date, according to Comscore. Check out the Nov. 15-17 numbers below:

Ford v Ferrari—$31 million
Midway — $8.8 million
Charlie’s Angels—$8.6 million
Playing With Fire — $8.6 million
Last Christmas — $6.7 million
Doctor Sleep — $6.2 million
The Good Liar—$6.2 million
Joker — $5.6 million
Maleficent: Mistress of Evil — $5.2 million
Harriet — $4.8 million


Well done, Disney+!! Now if you can fix the mistake(s) in STAR WARS: A NEW HOPE, then you’ll be amazing!!

After Backlash, Disney Plus Will Make ‘The Simpsons’ Available in Original Uncropped Format in Early 2020

Eep! After an outcry from “The Simpsons” aficionados, Disney has decided to offer classic episodes of the iconic animated sitcom on Disney Plus in their original 4-by-3 aspect ratio early next year.

The streaming service launched Nov. 12 in the U.S., Canada and the Netherlands with the full batch of “Simpsons” episodes in 16-by-9 HD format, which cropped out key details from older episodes — and angered many fans.

In a statement, Disney said it launched “The Simpsons” in 16:9 aspect ratio at launch “in order to guarantee visual quality and consistency across all 30 seasons.”

“Over time, Disney+ will roll out new features and additional viewing options,” the company said. “As part of this, in early 2020, Disney+ will make the first 19 seasons (and some episodes from Season 20) of ‘The Simpsons’ available in their original 4:3 aspect ratio, giving subscribers a choice of how they prefer to view the popular series.”

The problem with cropping older “Simpsons” eps in 16:9 format was that it literally destroyed some of the show’s jokes. In one widely cited example, Tristan Cooper of CH Media’s Dorkly and CollegeHumor pointed out this scene showing how Disney Plus users wouldn’t get the gag about how three varieties of Duff beer all come from the same source.

The Mouse House announced earlier this year that Disney Plus would be the exclusive subscription VOD home of “The Simpsons.” That came shortly after Disney closed a deal to buy big pieces of 21st Century Fox, including “Simpsons” producer 20th Century Fox Television.

“The Simpsons,” from creator and executive producer Matt Groening, was renewed for Seasons 31 and 32 earlier this year by the Fox broadcast network (now part of the new Fox Corp.). At the end of Season 32, the show will have produced 713 episodes total. “The Simpsons” is the longest-running primetime scripted TV show in history, having surpassed “Gunsmoke” last year during season 29.


I was hoping to be in it too, but I never got a callback. Oh well, I’ll probably still go and see it. :D

Bill Murray confirmed for Ghostbusters 2020

Bill Murray is returning to screens for the upcoming Ghostbusters 2020.

The 69-year-old actor has long been rumoured to be reprising his role as fan-favourite Dr. Peter Venkman in the new movie, but now co-creator Dan Aykroyd has confirmed the news during an appearance on The Greg Hill Show.

Aykroyd noted that Murray, Sigourney Weaver, and Annie Potts all completed filming on the movie, adding: “Jason Reitman wrote a beautiful, heartfelt script that takes the real DNA from the first two movies and transfers that directly to the third, the next generation.

“It hands the legacy off to a new generation of stars, and players, and actors, and characters,” he explained.

New cast members in the upcoming flick include Paul Rudd, The Sinner’s Carrie Coon, Stranger Things’ Finn Wolfhard, and Gifted’s Mckenna Grace.

While Murray rose to fame on Saturday Night Live, and has appeared in comedies including Scrooged, Groundhog Day, and the first two instalments of the Ghostbusters franchise, the comedy legend recently landed himself a new side gig after applying to work at an airport restaurant in Atlanta, Georgia.

The star has since been offered the position at Chinese eatery P.F. Chang’s, with a post on its official Twitter page reading: “Bill, you’re hired! When can you start?”

Murray has yet to publicly respond to the offer.


Hope to see DOCTOR SLEEP this week and maybe LAST CHRISTMAS soon. MIDWAY? Maybe one day, but I’m in no rush.

Roland Emmerich’s Midway shoots to top of box office with $17.5 million

The box office got a huge refresh during Veteran’s Day weekend, with nearly every title in the top five a new release. However, the sluggish returns in spite of a slate of new content didn’t bode well for 2019 box office health.

Appropriately for the holiday weekend, Roland Emmerich‘s epic World War II film Midway took the number one spot with estimated earnings totaling $17.5 million. But with a budget around $100 million, this is not a big win for the German-born director. The story was much the same for the new releases in the second and third place slots.

Midway spooked the Ewan McGregor-led Doctor Sleep—the follow-up to The Shining that apparently nobody wanted—into second place with $14.1 million. With a budget reported around $14 million, this is also a disappointment for Warner Bros.

John Cena‘s Playing With Fire that sees firefighters turn into babysitters takes the third place slot with an estimated $12.8 million, followed by the romantic dramedy Last Christmas which earned an estimated $11.6 million this holiday weekend.

Emmerich’s newest title tells the real life events around the Battle of Midway that took place from June 4 to 7, 1942—six months after Japan’s attack on Pearl Harbor. It follows the lives of military pilots and soldiers who helped the United States beat the Imperial Japanese Navy, changing the course of history.

Woody Harrelson stars as Chester Nimitz, a fleet admiral in the U.S. Navy who led forces to victory during the most critical period of the war in the Pacific. Patrick Wilson brings to life Edwin T. Layton, an intelligence officer who helped convince Nimitz that Midway was Japan’s next target with the help of intelligence information.

Luke Evans and Ed Skrein portray squadron commanders Wade McClusky and Dick Best, who are credited with leading plane squadrons that destroyed Japanese carriers.

Rounding out the star-studded cast are Aaron Eckhart, Darren Criss, Nick Jonas, Dennis Quaid, Mandy Moore, and Alexander Ludwig.

It’s worth noting that no studio was willing to give Emmerich the enormous budget he was seeking to make this passion project. He raised $24 million in equity from Chinese investors along with $76 million from independent investors, totaling $100 million for the budget. The Hollywood Reporter says Midway has been billed as “one of the most expensive indie films ever made.”

Investors will no doubt keep their eyes locked on the international box office in hopes it can help them at least break even, which is something Emmerich consistently manages to do. His biggest domestic box office win to date is with 1997’s Independence Day, which grossed $306 million domestically, and $817 million internationally.

Doctor Sleep is a massive financial disappointment. With a $14.1 million opening, it clocked in over $10 million below its $25 million expectations. The horror title takes place nearly four decades after the events from The Shining. This is especially notable during a time where seemingly everything based in the Stephen King universe inspires pandemonium from his dedicated fan base.

The R-rated film follows a now adult Dan Torrance (McGregor), who meets a young girl with similar powers as him. He seeks to protect her from a cult hoping to cultivate said power in exchange for immortality.

EW gave the film a dismal C+ rating calling it “a mess.” Adding, “It’s way too long, clashing somber sobriety with loony cheap thrills. The Shining homages turn shameless and cheap. The jump-scares are more funny than scary. Dan is a problem. McGregor used to be such a live-wire performer, but he’s frozen stolid here. It’s admirable to explore how family alcoholism and a childhood history of abuse can still affect a man forty years past his murderdad. But the language of pop therapy can make for deadly dialogue.”

Although King himself wasn’t a fan of the big screen adaptation of Stanley Kubrick’s The Shining, it was the latter’s imagery that inspired Doctor Sleep director Mike Flanagan. Fans might not have turned out in droves to see this film, at least Flanagan can go to sleep knowing King enjoyed his film. Fans don’t agree, however—it earned a tepid B+ from Cinemascore viewers.

John Cena knows how to win WWE title matches and the box office, but his comedy Playing With Fire only landed in third place this weekend. Cena portrays fire superintendent Jake Carson (John Cena), who alongside his team of expert firefighters (Keegan-Michael Key, John Leguizamo and Tyler Mane) helps rescue three siblings (Brianna Hildebrand, Christian Convery and Finley Rose Slater) who are in the path of a wildfire that’s coming towards them.

Although the reviews for the PG-rated film are predominantly lackluster, Cinemascore says moviegoers saw it a bit more favorably, granting it a mediocre B+.

The romantic dramedy Last Christmas played with everyone’s hearts and minds, but it still became the fourth most watched film of the weekend. Despite the star power involved, fans weren’t biting on the George Michael inspired drama with a massive twist many saw coming since the trailer dropped.

Game of Thrones star Emilia Clarke stars as Kate, a young woman who works as an elf at a year long Christmas shop in London who has made more bad decisions in her life than she has bells on her shoes. She meets Crazy Rich Asians star Henry Golding‘s character Tom in the Paul Feig directed film, and her life promises to never be the same.

The film, loosely inspired by the George Michael hit of the same name, co-stars Emma Thompson (who also co-wrote the screenplay), Michelle Yeoh, Patti LuPone, Rob Delaney, and Peter Serafinowitcz. Reviews of the film have not been favorable, with EW calling it a “ridiculous holiday trifle” and branding it with a C+. Audiences agreed, giving it a terrible B- Cinemascore.

Rounding out the top five is last week’s box office winner, Terminator: Dark Fate with an estimated $10.8 million in ticket sales.

Overall, box office is down 5.2 percent year-to-date for the second week in a row, according to Comscore. Check out the Nov. 8-10 numbers below:

Midway — $17.5 million
Doctor Sleep — $14.1 million
Playing With Fire — $12.8 million
Last Christmas — $11.6 million
Terminator: Dark Fate — $10.8 million
Joker — $9.2 million
Maleficent: Mistress of Evil — $8 million
Harriet — $7.2 million
Zombieland 2: Double Tap — $4.3 million
The Addams Family — $4.2 million


Congrats to all the winners!!!

‘Apollo 11’ Wins Top Prize at Critics’ Choice Documentary Awards

“Apollo 11” has been named the best nonfiction film of 2019 at the fourth annual Critics’ Choice Documentary Awards, which took place on Sunday evening at BRIC in Brooklyn, New York.

The chronicle of NASA’s 1969 moon mission won five awards in total, topping all other films at the ceremony voted on by film and television critics and journalists in the Critics’ Choice Association.

“Apollo 11” won in the Best Documentary Feature category that also included “American Factory,” “The Biggest Little Farm,” “The Cave,” “Honeyland,” “The Kingmaker,” “Knock Down the House,” “Maiden,” “One Child Nation,” “They Shall Not Grow Old” and the two-part HBO documentary series “Leaving Neverland.” (The Critics’ Choice rules do not differentiate between film and television docs.)

The Best Director category ended in a tie between Steven Bognar and Julia Reichert for “American Factory” and Peter Jackson for “They Shall Not Grow Old.”

Tamara Kotevska and Ljubomir Stefanov’s film “Honeyland,” which is also competing in the Oscars international race as the entry from North Macedonia, won the award for Best First Documentary Feature.

In other awards, “Apollo 11” won for science/nature documentary, “Toni Morrison: The Pieces I Am” for biographical documentary, “Linda Ronstadt: The Sound of My Voice” for music documentary, “American Factory” for political documentary, “Maiden” for sports documentary and “Apollo 11” for archival documentary.

“They Shall Not Grow Old,” Jackson’s reconstruction of World War I footage, was named the year’s most innovative documentary.

“The Biggest Little Farm” won for its cinematography, “Apollo 11” for its editing and score and “Western Stars” for its narration, which was written and performed by Bruce Springsteen.

Nine months after winning the Academy Award for Best Documentary Short, “Period. End of Sentence.” won the Critics’ Choice award in the same category.

“American Factory” went into the show with the most nominations, seven, while “Apollo 11” and “They Shall Not Grow Old” received six.

In the first three years of the Critics’ Choice Documentary Awards, which was spun off from the Critics’ Choice Awards as a separate show in 2016, the winner has gone on to win the Oscar for Best Documentary Feature only once, with “O.J.: Made in America” in 2016. The next two years, the Critics’ Choice winner — “Jane” in 2017 and “Won’t You Be My Neighbor?” in 2018 — was not even nominated for the documentary Oscar.

Veteran director Frederick Wiseman received the D.A. Pennebaker Award, a lifetime-achievement honor renamed this year in honor of the late documentary pioneer. Michael Apted received the Landmark Award for his work on the “Up” series of documentaries, which began examining the lives of a group of British children with “7 Up” in 1964, when they were seven years old, and has included a new film every seven years to this year’s “63 Up.”

The show was hosted by Jonathan Scott of HGTV’s “Property Brothers.”

The winners:

Best Documentary Feature: “Apollo 11”
Best Director: (TIE) Steven Bognar and Julia Reichert, “American Factory” and Peter Jackson, “They Shall Not Grow Old”
Best Cinematography: John Chester, “The Biggest Little Farm”
Best Editing: Todd Douglas Miller, “Apollo 11”
Best Score: Matt Morton, “Apollo 11”
Best Narration: Bruce Springsteeen (narrator and writer), “Western Stars”

Best First Documentary Feature: Tamara Kotevska and Ljubomir Stefanov, “Honeyland”
Best Archival Documentary: “Apollo 11”
Best Biographical Documentary: “Toni Morrison: The Pieces I Am”
Best Music Documentary: “Linda Ronstadt: The Sound of My Voice”
Best Political Documentary: “American Factory”
Best Science/Nature Documentary: “Apollo 11”
Best Sports Documentary: “Maiden”
Most Innovative Documentary: “They Shall Not Grow Old”

Best Short Documentary: “Period. End of Sentence.”

Most Compelling Living Subjects of a Documentary (non-competitive category):
Dr. Amani Ballor, “The Cave”
David Crosby, “David Crosby: Remember My Name”
Tracy Edwards, “Maiden”
Imelda Marcos, “The Kingmaker”
Hatidze Muratova, “Honeyland”
Alexandria Ocasio-Cortez, Amy Vilela, Cori Bush, and Paula Jean Swearengin, “Knock Down the House”
Linda Ronstadt, “Linda Ronstadt: The Sound of My Voice”
Dr. Ruth Westheimer, “Ask Dr. Ruth”

D.A. Pennebaker Award: Frederick Wiseman
Landmark Award: Michael Apted for the “Up” series


Here’s hoping he wins!!!

Man sues Madonna, saying her 10:30 p.m. concert start is too late

“There’s something that you all need to understand,” Madonna said during her Las Vegas concert, while perched atop a piano, legs swinging. “And that is, that a queen is never late.”

The mega star spoke those words to fans during the show this week, posting the video to Twitter on Saturday.

And despite the cheers that came from the crowd, not everyone agrees. One Florida fan is betting the law won’t agree either.

Nate Hollander is taking the singer to court over her late start times.

Hollander filed a lawsuit Monday in Miami-Dade County court against both Live Nation and Madonna. He alleges that the change in start times for her Madame X Tour is a breach of contract made between the singer and the ticket buyer.

In August, when Hollander bought the tickets to Madonna’s December 17 show at the Fillmore Miami Beach, the concert was scheduled to begin at 8:30 p.m., the lawsuit alleges. But on October 23, Madonna and Live Nation changed the start time for that show and several others to 10:30 p.m., the suit alleges.

For those like Hollander, who bought tickets and now don’t want to attend a concert that late, a refund has not been offered, he alleges.

And attempts to resell won’t make up for the money lost, as tickets have now “suffered an extreme loss of value” because of the time change, he alleges. That makes reselling “impossible,” he said.

Hollander originally bought three tickets to Madonna’s Miami Beach show, spending $1,024.95, he says in the filing. But, since the show is now starting later than originally planned, he claims that he and other ticket holders “suffered actual and consequential damages including, but not limited to, loss of consideration paid and the devaluation of the ticket.”

CNN has reached out to Madonna and Live Nation via email and voicemail, but requests for comment have not been returned.


It was all about DOLEMITE IS MY NAME on Netflix this weekend and the re-release of ONCE UPON A TIME IN HOLLYWOOD on the big screen.

Joker narrowly reclaims top box office spot from Maleficent sequel with $18.9 million

It’s a battle of the baddies at the box office this weekend with Joker narrowly reclaiming the top spot from Maleficent: Mistress of Evil.

Joker continues to dominate the box office in its fourth week in theaters, besting Maleficent: Mistress of Evil by a very small percent but just enough to return to the top. The Joaquin Phoenix-led film earned approximately $18.9 million over the weekend, while the Disney sequel took in $18.5 million.

This total adds to the Joker‘s box office domination, earning the title of highest-grossing R-rated film beating previous record-holders Deadpool and Deadpool 2. The Todd Phillips directed drama has earned an estimated $277.6 million domestically to date, according to Comscore.

The third and fourth spot are also returning titles that are perfectly themed for the spooky October holiday of Halloween. The Addams Family follows Angelina Jolie’s Maleficent: Mistress of Evil in third place with $11.7 million followed by Zombieland: Double Tap, which earned $11.6 million for fourth place.

Rounding out the top five is a new addition this week — Countdown earned an estimated $9 million during its opening weekend. Just in time for Halloween, the horror thriller, stars Peter Facinelli, Tichina Arnold, Elizabeth Lail, and Anne Winter. It tells the story of a nurse who discovers a phone app that tells her when someone is going to die.

Countdown raked in the dollars despite its bad reviews, with audiences agreeing, in hindsight, it was probably worth skipping. Filmgoers gave the Justin Dec-directed title a dismal C+ Cinemascore, while Rotten Tomato critics declared it decidedly rotten with a 26% on their Tomatometer.

Also making its debut in theaters this week is Deon Taylor’s Black and Blue led by James Bond star Naomie Harris and action star Tyrese Gibson. It earned an estimated $8.3 million at the box office, placing it in the number six spot at the box office and an opening spot in the weekend’s top 10.

The drama tells the story of rookie cop Alicia West (Harris), who is caught between a rock and hard place after witnessing corrupt cops killing an informant. With the help of her old neighborhood friend Mouse (Gibson), the pair race against the clock to get the evidence she caught on her body cam before the bad guys have a chance to destroy it.

Black and Blue is a balanced and timely story that proves that the only color that turns good people bad is green. The film co-stars Mike Colter, Frank Grillo, Beau Knapp, and Nafessa Williams.

EW gave the film a B, emphasizing that “Taylor’s rogue-cop drama still manages to land more visceral hits than other recent films that have tried and failed to do the same.”

Another new release for the weekend, Benedict Cumberbatch’s The Current War: Director’s Cut, nabs the ninth place spot, opening to an estimated $2.7 million across 1,022 locations. Cumberbatch brings to life Thomas Edison who is battling against time and two businessmen who think they have a better idea to bring electricity to the United States.

The businessmen, George Westinghouse and his partner Nikolai Tesla, are portrayed by Michael Shannon and Nicholas Hoult, respectively.

Originally to be distributed by The Weinstein Company, The Current War found its buzzy awards season release stopped in its tracks back in 2017 when the first allegations against Weinstein broke. The Current War was shelved until May when a new distributor announced the Alfonso Gomez-Rejon-directed historical drama would finally be released in October. Jake Gallenhaal was originally attached to the role of Westinghouse when the film was announced in 2012.

Overall box office is down 5.1 percent year-to-date, according to Comscore. Check out the Oct. 25-27 numbers below:

Joker — $18.9 million
Maleficent: Mistress of Evil — $18.5 million
The Addams Family — $11.7 million
Zombieland 2: Double Tap — $11.6 million
Countdown— $9 million
Black and Blue—$8.3 million
Gemini Man — $4 million
The Lighthouse—$3 million
The Current War: Director’s Cut—$2.7 million
Abominable — $2 million


He was amazing in everything. May he Rest In Peace.

Actor Robert Forster dead

Oscar nominated actor Robert Forster has died aged 78.

The star’s publicist told The Hollywood Reporter he passed away in Los Angeles, California on Friday, after losing his battle with brain cancer.

The prolific actor amassed over 100 film and TV credits during his career, but scored his Academy Award nomination for his role as Max Cherry in Quentin Tarantino’s 1997 film Jackie Brown.

His last movie role was a reprisal of his Breaking Bad character, Ed, in El Camino: A Breaking Bad Movie, which was released on Netflix the same day as his death.

Robert’s Breaking Bad co-star Bryan Cranston took to Twitter to share his condolences, writing: “I’m saddened today by the news that Robert Forster has passed away.

“A lovely man and a consummate actor. I met him on the movie Alligator (pic) 40 years ago, and then again on BB. I never forgot how kind and generous he was to a young kid just starting out in Hollywood. RIP Bob.”

Robert made his movie debut opposite Marlon Brando and Elizabeth Taylor in 1967’s Reflections in a Golden Eye. He went on to have a celebrated career, which even included stints on Broadway, beginning in 1965 with Mrs. Dally.

The actor is survived by his children, Bobby, Elizabeth, Kate and Maeghen; his grandchildren, Tess, Liam, Jack and Olivia; and his longtime partner, Denise Grayson.


I watched ZOMBIELAND – DOUBLE TAP this weekend and all I will say is LOWER YOUR EXPECTATIONS!!!

Joker laughs at the competition with second winning weekend in a row

Joaquin Phoenix’s Joker continues to prove that movies rooted in comic books are not a fad, as it takes the top spot at the box office for a second week in a row.

The psychological thriller earned an estimated $55 million domestically, bringing its two-week total to $192.7 million. New releases rounded out the top three with animated The Addams Family nabbing second place with an estimated $30.3 million and Will Smith’s action thriller Gemini Man falling into third with an estimated $20.5 million.

Since October is a great month for all things creepy, kooky, mysterious, and spooky, it’s no surprise that MGM’s animated The Addams Family took the number two spot with an estimated $30.3 million, though the film outpaced expectations. Unlike Joker and It: Chapter Two (currently in eighth place with an estimated $3.2 million), The Addams Family brings PG-rated fun that’s suitable for the whole family.

The film, which follows the family as they relocated to New Jersey, stars the star-studded voices of Oscar Isaac, Charlize Theron, Chloe Grace Moretz, Bette Midler, Allison Janney, Aimee Garcia, and Finn Wolfhard. The film drew mediocre reviews, but a more positive B+ CinemaScore. from audiences.

The animated take on the altogether ookie family performed better than either of the previous two Addams Family big-screen adaptations, 1993’s Addams Family Values, which opened to $14.1 million, and 1991’s The Addams Family, which opened to $24.2 million. However, this does not account for inflation. It’s likely the film could get a sequel with strong brand recognition and opening weekend numbers that exceeded projections.

Box office action star Will Smith takes the third spot with Gemini Man, earning an estimated $20.5 million. The action thriller, directed by Ang Lee, follows an elite assassin named Henry Brogan (Smith) who suddenly becomes the target of a mysterious young operative that somehow knows his every move. The film also stars Mary Elizabeth Winstead, Clive Owen, and Benedict Wong.

Gemini Man has been ravaged by critics, excepting praise for the de-aging technology on display, and audiences aren’t much more positive, bestowing it with a decent B+ Cinemascore. Though the film marked the largest ever opening for director Ang Lee, it’s less than stellar for Smith, marking it his sixteenth highest opening behind more somber, dramatic fare like The Pursuit of Happyness.

People put their mobile devices away to catch Lionsgate’s comedy Jexi in theaters, making an estimated $3.1 million during its opening weekend. Led by Adam Devine, the comedy tells the story of what can happen when you love your phone more than anything else in your life. It’s also a warning for those that can’t live without their virtual assistants, as they could surprise you one day and show you just how intelligent they really are.

Jexi co-stars Alexandra Shipp as Devine’s potential love interest, if only his assistant Jexi (voiced by Rose Byrne) doesn’t ruin his life first. Michael Peña plays his boss, and Wanda Sykes is a hilarious mobile phone company employee. Justin Hartley, Charlyne Yin, Ron Funches, and Kid Cudi also co-star

The Jon Lucas and Scott Moore-directed film has not received positive reviews from critics, earning a dismal 15 percent rating on Rotten Tomatoes. And while it’s probably safe to say that Jexi won’t be winning any Academy Awards, Cinemascore confirms theatergoers are feeling tepid about this title, too—they gave it a B-.

Bong Joon Ho’s critically lauded Parasite had a big debut earning $376,264 with screenings available at just three theaters. This is the highest per-location opening of 2019, a huge feat for the foreign release that was awarded the coveted Palm d’Or from the 2019 Cannes Film Festival earlier this year.

The dark comedy follows Kim Ki-Taek (Kang-ho Song), an unemployed driver and his family. His luck drastically changes for the better when they’re employed by the Park family. But it’s short-lived as everything falls apart when they become entangled in a tragic series of events. The film has earned rave reviews and could be a strong contender in the Oscars race as awards season ramps up.

Holdovers round out the top five with animated flick Abominable taking fourth place with an estimated $6.2 million in ticket sales. Downton Abbey continues to prove its box office power, putting the feather in the cap of the top five, with a fifth-place finish of an estimated $4.9 million.

Overall box office is down 5 percent year-to-date, holding steady from last week, according to Comscore. Check out the Oct. 11-13 numbers below:

Joker — $55 million
The Addams Family—$30.3 million
Gemini Man— $20.5
Abominable — $6.2 million
Downton Abbey — $4.9 million
Hustlers — $3.9 million
Judy— $3.3 million
It Chapter Two — $3.2 million
Jexi— $3.1 million
Ad Astra — $1.9 million