Categories
Awards

Congratulations to all the nominees!!

Canadian-shot The Shape of Water leads race for British Academy Awards

Canadian-shot Cold War monster movie The Shape of Water led nominations Tuesday for the British Academy Film Awards, as organizers announced a new female host and promised to fight sexism and sexual misconduct in showbiz.

Guillermo del Toro’s fantastical thriller scored nominations in 12 categories, including best picture and best director, for the U.K. equivalent of the Oscars.

The film was also up for several Golden Globe nominations this year, including for best drama, but only took home awards for best director and best original score. It was shot in Toronto and Hamilton.

Canadian Christopher Plummer is also up for a supporting actor award for All the Money in the World. Plummer was a last-minute replacement for Kevin Spacey, who was cut from the already-completed film following allegations of sexual misconduct.

Two Canadian nominees are up for this year’s production design award: Dennis Gassner for Blade Runner 2049 and Paul Austerberry for The Shape of Water.

Three of the films nominated for best visual affects — The Shape of Water, Blade Runner 2049 and Star Wars: The Last Jedi — also made use of Canadian visual effects companies Mr. X and Rode.

Among the other Canadian BAFTA nominees this year are Quebec director Denis Villeneuve for Blade Runner 2049 and the film’s makeup artist Donald Mowat.

Scorching tragicomedy Three Billboards Outside Ebbing, Missouri and Winston Churchill biopic Darkest Hour gained nine nominations apiece, considered an indicator of likely success at Hollywood’s Academy Awards.

Three Billboards writer-director Martin McDonagh said he was thrilled by the positive response to the film and its “strong and outrageous and nuanced” central character, played by Frances McDormand. The story of a mother avenging the rape and murder of her daughter won four trophies at the Golden Globes in Los Angeles on Sunday.

“You never know if a film that is as dark as this, and has as many strange shifts in tone as this, is going to connect,” McDonagh said.

Other multiple nominees include sci-fi sequel Blade Runner 2049 and World War II drama Dunkirk, with eight each. Figure skating showdown I, Tonya is nominated in five categories.

The BAFTA nominations brought good news for two movies snubbed by the Golden Globes: Dunkirk and Jordan Peele’s comedy-horror story Get Out. The British academy embraced Christopher Nolan’s visually dazzling war picture with nominations for best film and best director, among other categories. Get Out gained nominations for its British star, Daniel Kaluuya, and for original screenplay.

Best picture nominees are The Shape of Water, Three Billboards, Darkest Hour, Dunkirk and lush romance Call Me By Your Name.

Best actress nominees are McDormand for Three Billboards, Annette Bening for Film Stars Don’t Die in Liverpool, Margot Robbie for I, Tonya, Sally Hawkins for The Shape of Water and Saoirse Ronan for Lady Bird.

Best actor contenders are Daniel Day-Lewis for Phantom Thread, Gary Oldman for Darkest Hour, Kaluuya for Get Out, Jamie Bell for Film Stars Don’t Die in Liverpool and Timothee Chalamet for Call Me By Your Name.

Nominees for best director are del Toro, McDonagh, Nolan, Canadian filmmaker Denis Villeneuve for Blade Runner 2049 and Luca Guadagnino for Call Me By Your Name.

The BAFTAs differ from their U.S. counterpart in having a separate category for best British film. Nominees are Three Billboards, Darkest Hour, chilling comedy The Death of Stalin, gay rural romance God’s Own Country, period drama Lady Macbeth and ursine adventure Paddington 2.

Winners will be announced at London’s Royal Albert Hall on Feb. 18, two weeks before the Oscars.

The ceremony will be hosted by Absolutely Fabulous star Joanna Lumley, who is taking over from longtime master of ceremonies Stephen Fry.

The evening is likely to echo the political tone of the Golden Globes, where many attendees wore black as a statement against sexual misconduct and Oprah Winfrey made a rousing speech calling for change.

BAFTA chair Jane Lush said the British film academy was determined the disturbing recent revelations should be “a watershed moment to be a catalyst for real, lasting change.”

Categories
Awards

So, to be clear, the Hollywood Foreign Press Association thinks that the two best films released in 2017 are LADY BIRD and THREE BILLBOARDS?! That’s laughable. LAUGHABLE!!

Golden Globes triumphs for Big Little Lies, Three Billboards Outside Ebbings, Missouri

With a red carpet dyed black by actresses dressed in a colour-co-ordinated statement, the Golden Globes were transformed into an A-list expression of female empowerment in the post-Harvey Weinstein era.

“For too long women have not been heard or believed if they dared to speak their truth to the power of those men,” declared Oprah Winfrey, accepting the Cecil B. DeMille Award for lifetime achievement.

“But their time is up. Their time is up!”

Hollywood’s awards season is seen as wide open, but the early returns Sunday were good for one of the leading nominees: Three Billboards Outside Ebbing, Missouri. The fierce revenge tale won for best film drama, Frances McDormand won best dramatic actress for her role as a raging mother seeking answers, Sam Rockwell won for best supporting actor and writer-director Martin McDonagh won for best screenplay.

More than any award handed out Sunday at the Beverly Hilton Hotel in Beverly Hills, Calif., Winfrey’s moment — one greeted by a rousing, long-lasting standing ovation, one that left many attendees in tears — encapsulated the mood at an unusually powerful Golden Globes. The night served as Hollywood’s fullest response yet to the sexual harassment scandals that have roiled the film industry and laid bare its gender inequalities.

“A new day is on the horizon!” promised Winfrey, who noted she was the first black woman to be given the honour.

With a cutting stare, presenter Natalie Portman followed Winfrey’s speech by introducing, as she said, “the all-male” nominees for best director.

Host Seth Meyers opened the night by diving straight into material about the sex scandals. “Good evening ladies and remaining gentlemen,” he began. In punchlines on Weinstein — “the elephant not in the room” — Kevin Spacey and Hollywood’s deeper gender biases, Meyers scored laughs throughout the ballroom, and maybe a sense of release.

“For the male nominees in the room tonight, this is the first time in three months it won’t be terrifying to hear your name read out loud,” said Meyers.

The first award of the night, perhaps fittingly, went to one of Hollywood’s most powerful women: Nicole Kidman, for her performance in HBO’s The Big Little Lies, directed by Canadian Jean-Marc Vallée and a series she and Reese Witherspoon produced. She chalked the win up to “the power of women.”

Big Little Lies, which came in the leading TV nominee, won three acting awards, including supporting actress for Laura Dern. Like seven other female stars, Dern walked the red carpet with a women’s rights activist as part of an effort to keep the Globes spotlight trained on sexual harassment. Dern was joined by farmworker advocate Monica Ramirez, Michelle Williams with Me Too founder Tarana Burke, and Meryl Streep with domestic worker advocate Ai-jen Poo.

“May we teach all of our children that speaking out without fear of retribution is our new North Star,” said Dern, accepting her Globe.

Other winners continued the theme. Amazon’s recently debuted The Marvelous Mrs. Maisel, about a 1950s housewife who takes up stand-up comedy, won best TV series comedy, and best actress for Rachel Brosnahan. Elisabeth Moss, accepting an award for her performance in Hulu’s The Handmaid’s Tale, movingly dedicated her award to Margaret Atwood, whose book the show is based on, and the women who came before her and after her. The Handmaid’s Tale later added the award for best TV series, drama.

“‘We were the people who were not in the papers. We lived in the blank white spaces at the edge of print. It gave us more freedom. We lived in the gaps between the stories.’ Margaret Atwood, this is for you and all of the women who came before you and after you, who were brave enough to speak out against intolerance and injustice and to fight for equality and freedom in this world,” Moss said in her speech, referencing Atwood’s prose.

“We no longer live in the blank white spaces at the edge of print. We no longer live in the gaps between the stories. We are the story in print and we are writing the story ourselves. Thank you.”

Also successful was Guillermo del Toro’s Cold War-era fantasy The Shape of Water, which won for its score and del Toro’s directing. The emotional Mexican-born filmmaker wiped back tears and managed to quiet the music that urged him off.

Best actor in a comedy or musical went to James Franco for his performance as the infamous The Room filmmaker Tommy Wiseau. Franco dragged his co-star and brother, Dave, to the stage and called up Wiseau. When the Wiseau, wearing his trademark sunglasses, got to the stage, he moved for the microphone before Franco turned him back. “Whoa, whoa, whoa,” said Franco as the audience chuckled.

The Globes had long been the stomping grounds of disgraced mogul Harvey Weinstein, whose downfall precipitated allegations against James Toback, Kevin Spacey and many others. Weinstein presided over two decades of Globes winners and was well-known for his manipulation of the Hollywood Foreign Press Association, the 89-member group that puts on the Globes.

Though it bills itself as Hollywood’s biggest party, the Golden Globes stroke a slightly more formal, Oscar-like tone, complete with moments of appreciation for movie legends. Kirk Douglas, 101, appearing with his daughter-in-law, Catherine Zeta-Jones, received a warm standing ovation.

Best foreign language film went to Germany’s In the Fade. Allison Janney took best supporting actress in a comedy for the Tonya Harding tale I, Tonya. Aziz Ansari took best actor in a comedy series for his Netflix show Master of None.

Best animated film went to the Pixar release Coco. Pixar co-founder John Lasseter is taking a “six-month sabbatical” after acknowledging “missteps” in his workplace behaviour. Backstage Sunday, Coco director Lee Unkrich was asked about changes at Pixar. “We can all be better,” he said. “We have been taking steps and continue to move forward to create art.”

Sunday night’s black-clad demonstration was promoted by the recently formed Time’s Up, an initiative of hundreds of women in the entertainment industry — including Streep, Williams, Dern and Winfrey — who have banded together to advocate for gender parity in executive ranks and legal defence aid for sexual harassment victims.

Ashley Judd, the first big name to go on record with her Weinstein experience, and Salma Hayek, who last month penned an op-ed about her nightmare with Weinstein, arrived together.

“We feel sort of emboldened in this particular moment to stand together in a thick black line,” Streep said.

“It’s not a fashion statement. It’s a solidarity statement,” said The Crown actress Claire Foy.

Just about everyone, woman and man, celebrity and red-carpet reporters, was dressed in black Sunday, many of them wearing a Time’s Up pin. This Is Us star Chris Sullivan even sported black fingernails. Later, his co-star Sterling K. Brown won for best drama actor. Brown thanked This Is Us creator Dan Fogelman.

“You wrote a role for a black man that can only be played by a black man,” said Brown. “I’m being seen for who I am.”

Though the atmosphere was still buoyant and positive, the usually superficial red carpet had unusual exchanges. While being interviewed live on E!, Debra Messing called out the network for allegedly not paying its female hosts the same as its male hosts. E!’s Catt Sadler recently departed after she said she learned she was making about half the pay of her male counterpart, Jason Kennedy.

The exchange was just another illustration of how the #MeToo reckoning that has plowed through Hollywood has upended awards season.

Winners of the 75th annual Golden Globes
FILM

Musical or comedy film: Lady Bird.
Drama film: Three Billboards Outside Ebbing, Missouri.
Actress, musical or comedy: Saoirse Ronan, Lady Bird.
Actor, musical or comedy: James Franco, The Disaster Artist.
Actress, drama: Frances McDormand, Three Billboards Outside Ebbing, Missouri.
Actor, drama: Gary Oldman, Darkest Hour.
Supporting actor: Sam Rockwell, Three Billboards Outside Ebbing, Missouri.
Supporting actress: Allison Janney, I, Tonya.
Director: Guillermo Del Toro, The Shape of Water.
Original score: Alexandre Desplat, The Shape of Water.
Original song: This is Me (from The Greatest Showman).
Animated film: Coco.
Screenplay: Martin McDonagh, Three Billboards Outside Ebbing, Missouri.
Foreign-language film: In the Fade (Germany/France).
TELEVISION

Series, drama: The Handmaid’s Tale.
Series, musical or comedy: The Marvelous Mrs. Maisel.
Limited series or TV film: Big Little Lies
Actor, drama: Sterling K. Brown, This is Us.
Actress, drama: Elisabeth Moss, The Handmaid’s Tale.
Actress, musical or comedy: Rachel Brosnahan, The Marvelous Mrs. Maisel.
Actor, musical or comedy: Aziz Ansari, Master of None.
Actress, limited series or TV movie: Nicole Kidman, Big Little Lies.
Actor, limited series or TV movie: Ewan McGregor, Fargo.
Supporting actor: Alexander Skarsgard, Big Little Lies.
Supporting actress: Laura Dern, Big Little Lies.

Categories
Movies

I saw STAR WARS: THE LAST JEDI again this week and loved it just as much as the first time. Haters gonna hate.

’Star Wars’ loses out to ’Jumanji,’ ’Insidious’ in its fourth weekend at box office

LOS ANGELES — Move over, “Star Wars,” there are some new box office champs this weekend. “Jumanji: Welcome to the Jungle” has topped the charts after three weekends in theatres, and newcomer “Insidious: The Last Key” opened in second, pushing “The Last Jedi” into third place.

Columbia Pictures says Sunday that the Dwayne Johnson and Kevin Hart-led “Jumanji” is estimated to have earned an additional $36 million this weekend, bringing its total to $244.4 million.

“This is all about ‘Jumanji’s’ staying power,” said Paul Dergarabedian, the senior media analyst for box office tracker comScore. “This is a movie that was overshadowed by all the excitement around ‘The Last Jedi,’ and yet ‘Jumanji’ just kept plugging away and drawing audiences throughout the holiday … This is kind of unheard of for a movie this size.”

In second place is the horror film “Insidious: The Last Key,” the fourth in the franchise, which earned $29.3 million. The Universal and Blumhouse Pictures film even outperformed the third chapter in the series. That film launched to $22.7 million in June of 2015.

“We could not be more thrilled with that debut. It’s a fantastic result,” said Jim Orr, Universal’s president of domestic distribution. “The release date worked in our favour. There hasn’t been a similar film in a couple of months. ”

Young audiences drove the “Insidious” box office with 59% under the age of 25. Whether or not they enjoyed the film is another question: It got a scary B- CinemaScore.

“Star Wars: The Last Jedi” fell to third place with $23.6 million in its fourth weekend in theatres. The space blockbuster has grossed $572.5 million to date.

“The Greatest Showman” took fourth place with $13.8 million and “Pitch Perfect 3” rounded out the top five with $10.2 million.

Awards seasons films continue to expand throughout January, too, like Aaron Sorkin’s directorial debut “Molly’s Game,” which added over 1,300 theatres this weekend and took in $7 million. The Jessica Chastain-starrer about the real life “poker princess” Molly Bloom is up for two Golden Globe awards Sunday evening — best actress and best screenplay.

The Winston Churchill film “Darkest Hour” starring Gary Oldman (who is up for a best actor Golden Globe) also added 790 theatres and took in $6.4 million.

The weekend is up around 18% from the same weekend last year, which Dergarabedian sees as a sign that perhaps the 2018 box office will be stronger and more steady than 2017.

“2017 was not consistent. It was volatile, it was a rollercoaster,” Dergarabedian said. “This sets the tone for what we’re hoping is a consistent and strong 2018 box office.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to comScore. Final domestic figures will be released Monday.

1.”Jumanji: Welcome to the Jungle,” $36 million.

2.”Insidious: The Last Key,” $29.3 million.

3.”Star Wars: The Last Jedi,” $23.6 million.

4.”The Greatest Showman,” $13.8 million.

5.”Pitch Perfect 3,” $10.2 million.

6.”Ferdinand,” $7.7 million.

7.”Molly’s Game,” $7 million.

8.”Darkest Hour,” $6.4 million.

9.”Coco,” $5.5 million.

10.”All the Money in the World,” $3.6 million.

Categories
Letterman

So excited! Can’t wait for this!! Welcome back, Dave!!

David Letterman’s new Netflix talk show will first feature Barack Obama

Veteran former U.S. talk show host David Letterman will return to television on Jan. 12 in a new Netflix show where his first guest will be former U.S. President Barack Obama, Netflix Inc said on Friday.

The company’s shares rose as much as 1.5 per cent to a record of $208.30 US.

Called My Next Guest Needs No Introduction with David Letterman, the six-episode series will also feature interviews with actor George Clooney, rapper Jay-Z, radio shock jock Howard Stern, comedian Tina Fey and Pakistani education activist and Nobel Peace Prize winner Malala Yousafzai, the streaming service said.

Netflix has been spending heavily to produce and acquire content as it races to dominate streaming television and beat competition from traditional media and other streaming players, such as Hulu and Amazon.com Inc’s Prime Video.

Letterman’s interview with Obama will mark the former president’s first television talk show appearance since he left office in January 2017.

Letterman, 70, left his job as host of The Late Show in May 2015, saying he wanted to spend more time with his family after more than 30 years on late night television.

His return to television for Netflix was announced in August 2017, when the quick-witted host said that Pope Francis and U.S. President Donald Trump would be top of his wish-list for the series.

Netflix said the new series would consist of 60-minute episodes centred around “one extraordinary figure whom Dave finds fascinating” and that the interviews would take place both inside and outside a studio setting.

The company, home to shows such as House of Cards and Stranger Things, streams to most countries in the world and has a customer base of about 115.6 million. The company’s shares have kept pace with its user growth and have risen nearly 60 per cent in the past one year.

Categories
Concerts

Nope. Not going. Hope all who do have a blast!!

Beyoncé, The Weeknd and Eminem to headline Coachella

Toronto singer The Weeknd will join superstar Beyoncé and veteran rapper Eminem to headline this year’s Coachella Music and Arts Festival.

Organizers announced the forthcoming lineup for this year’s festival on Tuesday. The event, held at the Empire Polo Club in Indio, Calif., takes place across two consecutive weekends in April, featuring the same lineup over each weekend.

The high-profile gig was an expected one for Beyoncé, who was set to make her debut as a solo headliner in 2017 after having previously made guest appearances with her husband, rapper Jay-Z, and her sister, Solange. However, she withdrew and postponed after becoming pregnant with twins and was replaced by Lady Gaga.

The festival’s recent pivot toward a hip hop and R&B-heavy offering continues with Eminem, who released his latest album Revival in December, and The Weeknd, whose most recent release was 2016’s acclaimed Starboy.

Other notable acts on the bill include SZA, HAIM, Tyler the Creator, Migos, Cardi B, St. Vincent, Jamiroquai, David Byrne formerly of the Talking Heads and Chic featuring Nile Rodgers.

Rising R&B singer Daniel Caesar, rapper Belly and electro-funk duo Chromeo are among the Canadians headed down to the festival.

The 2018 Coachella festival takes place April 13-15 and April 20-22.

Categories
Music

Great news, everyone!!

Pearl Jam Finally Reveal If They’re Making A New Album

Pearl Jam bassist Jeff Ament was recently interviewed on The Powell Movement, and he revealed that Pearl Jam are indeed hard at work on a new album, their first since 2013’s Lightning Bolt. Alternative Nation transcribed his comments.

“We’ve sort of been in writing mode here in Seattle the last couple of months. A typical day is getting together with anywhere from one to four of the guys and making music.”

He also discussed dealing with newfound fame with Pearl Jam in the early 90’s.

“The challenge for me was, I grew up in a small town, everybody knew each other, but everybody sort of left everybody alone. There wasn’t a ton of energy around how people interact in a small town. Immediately you go to a big city, and I wanted that energy, but then when the energy comes with non anonymity, it’s a weird thing.

It’s far worse now, now the average kid doesn’t have anonymity, because if he screws up, somebody’s got an iPhone on it, and all of a sudden it’s up on somebody’s Instagram account, and it’s forever. So in some ways, what I was going through in 1992 with the band and all of that is not that different than what a kid is dealing with.

It’s just the way technology has changed. I had a hard time with it, I think I always felt like I could sort of ride my bike around town and I could lurk around and do my thing, and nobodoy would bug me. I ended up going out to Montana to visit some friends, and there was something about that whole world where it seemed like there was less expectation on me.”

He mentioned that he fell in love with Montana, and he now lives there 3-6 months per year. He said if he didn’t have Pearl Jam obligations, he would live there permanently.

“I would probably be there full time if the band wasn’t going.”

Categories
Music

Vinyl sales are up? Really?!?

People Paid for Music in 2017: Streaming Subscriptions and Vinyl Sales Rise

The numbers have arrived, and as it turns out, the music industry had a good year in 2017. Paid subscription streams rose 54 percent over last year and made up 80 percent of all streams in 2017, according to a new report on U.S. music consumption by data tracker BuzzAngle Music. Audio streams reached an overall record high of 376.9 billion, which is up 50% over 2016’s numbers. It was a good year for vinyl sales, too, which were up 20% over sales in 2016. Vinyl accounted for 10% of all physical album sales (which is up from 8% last year).

Downloads, however, are down once again. The daily average of 1.67 billion streams per day dwarves the number of song downloads for the entire year (563.7 million). Only two songs had more than two million downloads total (compared to five songs that surpassed that total in 2016 and 16 songs in 2015). Overall album and song sales continued to decline, as well, by 14.6% and 23.2% respectively.

It was a huge year for Luis Fonsi and Daddy Yankee’s “Despacito.” It was the most streamed song of the year and became the first to cross the one billion streams mark. Ed Sheeran’s “Shape of You” followed with 979.3 million streams overall. Kendrick Lamar’s “HUMBLE.” was the most audio-streamed song of the year—a tally that excludes video streams—with over 555.2 million plays. Drake and Future were, respectively, the two most streamed artists of 2017.

Ed Sheeran’s ÷ was the top album of the year overall with 2,645,600 total project consumption units. Taylor Swift’s Reputation led in pure album sales with 1,899,772 sold. November 10, the day Reputation was released, was the biggest day for album sales in 2017. Sixteen songs were streamed more than 500 million times in 2017 (compared to six in 2016 and two in 2015).

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Bruuuuuuuuce!!

Today is a great day in music history!!

HOW ONE AMAZING NIGHT LED TO BRUCE SPRINGSTEEN’S ‘NEBRASKA’

Following the massive success of 1980’s double album The River, many expected Bruce Springsteen to follow up his first No. 1 album with another set of radio-friendly rock songs. Instead, the songwriter released Nebraska, a stark acoustic record that was mostly recorded in one session, on Jan. 3, 1982.

Ironically, the recording of Nebraska began as an exercise in then-new technology. For years, Springsteen had recorded demos into a boom box. But he decided to invest in a Teac Tascam 144 four-track cassette recorder so that he could add an extra guitar or percussion to give the E Street Band a better idea of what he wanted.

Mike Batlan, his then-guitar tech, set up the portable studio in Springsteen’s bedroom in Colts Neck, N.J. on the morning of Jan. 3 and went to work. In a marathon session that took them deep into the night, Springsteen recorded guitar-and-vocal tracks for 15 songs, with overdubs on a few. Two others, “My Father’s House” and “The Big Payback,” were recorded a few months later.

But when the band tried to record Spingsteen’s new material, only four of the songs – “Born in the U.S.A.,” “Pink Cadillac,” “Downbound Train” and “Child Bride,” which was later rewritten as “Working on the Highway” – translated to a full-band arrangement. Three of those wound up on Born in the U.S.A. two years later, while “Pink Cadillac” was the b-side of “Dancing in the Dark.”

The problem was that the songs continued the dark themes found on the second disc of The River, like “Stolen Car” and “Wreck on the Highway.” While the songs weren’t necessarily autobiographical, the demons haunting the characters reflected Springsteen’s own desperation and isolation – even as he was becoming a big star – that stemmed largely from his troubled relationship with his father. The characters were lost and adrift, and the raw, ghostly sound of the demos worked better than the E Street Band’s bar-band rock.

Five of the songs – “Atlantic City,” “Highway Patrolman,” “Johnny 99,” “State Trooper” and the title track – deal with characters who have turned to a life of crime. It didn’t make sense to put a heavy back beat to, say, “My Father’s House,” or a soul-inflected Clarence Clemons sax solo on “Used Cars.” Springsteen’s harmonica did the trick.

Unable to get the sound he wanted from the band, Springsteen asked engineer Toby Scott if there was any way to put out the cassette of the demos. Scott was able to do his magic, and Nebraska was released, to minimal hype, on Sept. 30, 1982.

To this day, the “Electric Nebraska” sessions, outside of those four songs, have not been released either officially or on bootleg. But Springsteen has since figured out how to rock out on half of the Nebraska material. “Atlantic City,” “Mansion on the Hill,” “Johnny 99,” “Open All Night” and “Reason to Believe” have all been somewhat regularly performed by the full band on various tours.

Meanwhile, Springsteen has revisited this period’s stripped-down approach on two other albums; 1995’s The Ghost of Tom Joad, and Devils & Dust from a decade later. Neither of them, however, have the consistency and power of what was recorded in a New Jersey bedroom on that January day in 1982.

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James Bond

Just make great movies, with great actors, and we’ll all be happy.

Will James Bond Continue To Be A Handsome White Dude After Daniel Craig Leaves?

The times are a changin’ for the James Bond franchise. Eon Productions is still looking for a director to succeed Sam Mendes and oversee James Bond 25, as well as figure out if the movie will remain at Sony Pictures or be released by a different studio. Once James Bond 25 is out of the way, it will be the end of an era, as it will mark Daniel Craig’s last time playing 007. It will be a long time until we learn who Craig’s Bond replacement will be, but Eon producer Barbara Broccoli hasn’t ruled out that the next person to play the spy who’s fond of drinking shaken, not stirred, martinis won’t be the traditional white man. When asked if the next James Bond could be a woman and/or person of colour, Broccoli responded:

“These films tend to reflect the times so we always try to push the envelope a little bit. Anything is possible.”

While this is by no means confirmation that the next time we see James Bond, it will be a woman or person of color portraying the spy, Barbara Broccoli’s comment to Daily Mail reveal that the option, among others, hasn’t been ruled out. For over 50 years, James Bond has been played by a white man, and while each have ranged in age and occasionally had different hair color, there haven’t been many major visual differences between these incarnations. Given the loose continuity between each “generation” of James Bond movies, the franchise could certainly “relaunch” with a different kind of actor donning the tuxedo, much like how 2006’s Casino Royale was a reboot that introduced Daniel Craig as a Bond who was just beginning his career as a 007 agent. This doesn’t work quite as seamlessly as Time Lords regenerating on Doctor Who, but it’s a creative direction that’s at least on the table.

For now, though, Eon Productions is working on making sure that Daniel Craig’s tenure as James Bond ends with a bang. After months of rumors and speculation, Craig finally confirmed that he would play Bond for a fifth time. Neil Purvis and Robert Wade returned to pen the script, and last August, it was reported that Denis Villeneuve, David Mackenzie and Yann Demange were the frontrunners for the directing gig, though Villeneuve has since taken himself out of the running due to already being committed to the Dune reboot. So far Craig is the only actor confirmed to appear in James Bond 25, but it was rumored last September that Léa Seydoux might briefly reprise her role as Dr. Madeleine Swann, who debuted in Spectre.

James Bond 25 will be released in theaters on November 8, 2019, so keep checking back with CinemaBlend for updates on that movie, as well as what’s in store for 007 after that. Don’t forget to also browse through our 2018 premiere guide to see what’s being screened over the next 12 months.

Categories
People

Good luck to them!!

300 Hollywood A-listers launch campaign against sexual harassment

More than 300 female actors, directors, screenwriters and other entertainment industry players launched a new campaign Monday to battle sexual harassment in workplaces across the U.S. and to fight for gender equality.

The campaign, organized by a group calling itself Time’s Up, includes a $13-million (US) fund to provide legal and communications support to victims of workplace sexual harassment, particularly in more vulnerable jobs such as in the service sector, agriculture and manufacturing.

Among the donors to the fund, according to a statement from Time’s Up, are Hollywood actresses Jennifer Aniston, Meryl Streep and Reese Witherspoon, as well as producers Shonda Rhimes and J.J. Abrams, talent agencies Creative Artists and William Morris Endeavor, and filmmaker Steven Spielberg’s foundation.

“The magnitude of the past few months highlights the fact that sexual harassment against women in the workplace is endemic and touches every industry,” Tina Tchen, a U.S. lawyer who will co-lead the Time’s Up legal fund, said in a statement. “This is the first of many concrete actions we will take.”

An open letter published by the movement acknowledges that the high profile of the U.S. media and entertainment industry has given many of its talents a prominent platform to bring forward revelations of sexual assault and harassment against dozens of men in positions of power. But “farmworker women and countless individuals employed in other industries have not been afforded” these platforms, the group says — which is in part why it decided to raise money for its legal fund.

“We particularly want to lift up the voices, power and strength of women working in low-wage industries where the lack of financial stability makes them vulnerable to high rates of gender-based violence and exploitation,” the open letter says.

The letter was published as a full-page ad in the New York Times and the Spanish-language newspaper La Opinion.

Time’s Up is also campaigning for more women in positions of power and for pay equity, and is supporting the push for women to wear black, in solidarity with those who have been sexually harassed, at Sunday’s Golden Globes awards gala.

The movement came together in the wake of a series of high-profile sexual misconduct allegations that have emerged across the U.S. and around the world — largely against men in the media and entertainment industries — following the scandal around disgraced Hollywood producer Harvey Weinstein.

The revelations have underscored what observers say is the pervasive nature of gender-based harassment, violence and discrimination in workplaces.