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DVD

Good luck to Heath!!

Previous posthumous Oscar nominees
Peter “I’m mad as hell” Finch’s death didn’t stop him from collecting an Oscar for his turn in Network in 1977.
Based on merit, sentiment and even hype, the late Heath Ledger will be Oscar-nominated as best supporting actor for his unsettling but dazzling performance as The Joker.
There is no guarantee that the expected nom, due Thursday, will lead to an Oscar win for Ledger, who died Jan. 22 when director Christopher Nolan was still editing The Dark Knight. In the past, six performers were posthumously nominated in an acting category.
Only one — Peter Finch for Network (1976) — won. We often accuse Academy members of overwrought sentimentality, but their record in this unique category suggests otherwise. They can be cold-blooded. Ledger’s saga must play out.
However, it is ridiculously easy for audiences and voters to see how good Ledger is in complementing and completing Christian Bale’s Batman. The Dark Knight is widely available on DVD. Delving into the past is more challenging. One of the six is still missing on DVD and most of the DVDs that do exist are older releases, so you might have to scrounge.
Jeanne Eagels in The Letter (1929)
Somewhat paralleling Ledger, the tragic Eagels was a highstrung insomniac, sublimely talented and died in 1929, aged 35, of a probable accidental overdose of sedatives.
However, she was also an alcoholic and heroin abuser. Cause of death was controversial. In life, despite notorious diva behaviour, she gave electrifying performances on stage and in this film. Her Oscar nom as best actress was never announced.
For the 1930 Oscars — honouring films of 1929 — only winners were made public. But the nomination list was later revealed. Eagels lost to Canadian Mary Pickford, who seduced the voting committee with a high tea and won for Coquette. Voting rules then changed. Sadly, The Letter is not available on DVD, although the film survives.
James Dean in East of Eden (1955) and Giant (1956)
The legendary Hollywood rebel and cult icon starred in only three films. He was nominated best actor for two, both posthumously. He famously died in a car accident in 1955, aged 24.
East of Eden last came to DVD in 2005 as a two-disc special edition. It is also in the 2005 box set, The Complete James Dean Collection. Giant also returned to DVD in 2005 and, obviously, is part of the same collection.
Spencer Tracy in Guess Who’s Coming to Dinner (1967)
The beloved star died of a heart attack in 1967, aged 67. He was nominated best actor nine times, winning twice. His longtime lover and co-star, Katharine Hepburn, won best actress for this film but Tracy lost this time. The film most recently came to DVD last February as a splendid 40th anniversary edition. It is also in the Stanley Kramer Film Collection.
Peter Finch in Network (1976)
The hell-raising Finch died of a heart attack in 1977, aged 64. As a posthumous best actor winner, he left behind his still potent “I’m mad as hell …” speech. Network was last seen on DVD in a two-disc special edition from 2006.
Ralph Richardson in Greystoke: The Legend of Tarzan, Lord of the Apes (1984)
Richardson, a knighted legend of British stage and screen, died of a stroke in 1983, aged 80. The delightful eccentric played the sixth earl of Greystoke in this Tarzan, earning only his second Oscar nom, both as best supporting actor, 35 years after his first. This Tarzan, no classic but worth a look, last came to DVD in 2004.
Massimo Troisi in Il Postino/The Postman (1994)
Troisi, an Italian, died of a heart attack in 1994, aged 41. In addition to his best actor nom, he was nominated as co-writer of Michael Radford’s enchanting film. Il Postino was last seen alone on DVD in 2000. It is also in two different Miramax box sets released later.

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DVD

Super, super, super, super sweet!!

Andy Richter Controls the Universe – Incredible News for Andy Richter Fans: The Complete Series is Coming to DVD!
ANDY RICHTER CONTROLS THE UNIVERSE was touted as “the funniest new sitcom of the spring” (2002) by TIME magazine and declared by US Magazine to have “scaled new heights.” Set in Chicago, the half hour comedy chronicles the day to day happenings of Andy Richter, an aspiring short story writer working for a large corporation writing “how to” manuals. Andy is constantly thinking about possibilities and how every moment in life could just as easily go another way. Stars: Andy Richter, Paget Brewster, Irene Molloy, Jonathan Slavin, James Patrick Stuart
After more than seven years writing and co-hosting Late Night with Conan O’Brien, sidekick Andy Richter moved to the forefront in 2002 with the first television series he starred in, Fox Network’s Andy Richter Controls the Universe. It ran over the course of two seasons, and while the mass ratings weren’t there for the broadcasts, the series has developed a very devoted following of fans who have passionately wanted a DVD release for the program. We’ve got great news for all of you this morning!
Paramount Home Entertainment has announced that Andy Richter Controls the Universe – The Complete Series is coming out on March 24th. The 417-minute collection of 19 episodes will be presented in full screen video, with English – Stereo audio and closed captioning for the hearing impaired. Pricing and package art aren’t available yet, but stay tuned.
Guest stars during the show’s run include Jon Cryer (Two and a Half Men), Erik Estrada (CHiPs), Molly Sims (Las Vegas), Conan O’Brien (Late Night with Conan O’Brien), Rose Marie (The Dick Van Dyke Show), Charles Robinson (Night Court) and June Lockhart (Lost in Space, Lassie, Petticoat Junction). Don’t miss them!

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DVD

Ghostbusting, on Blu-ray!!

Ghostbusters are coming to Blu-ray in June!!
One of the most anticipated catalog releases, the original Ghostbusters is celebrating it’s 25th Anniversary and getting ready for the new video game from Atari.
The DVD and game will come the same day and the disc will include audio commentary with Ivan Reitman, Harold Ramis and Joe Medjuck, deleted scenes, storyboards, the featurettes The Making of Ghostbusters, Interviews with Cast and Crew and SFX Team.
These features come straight from the DVD release, but the Blu-ray will include Slimer Mode – whatever it is, it sounds awesome.
Other new features include the new featurette Ecto-1: Resurrecting the Classic Car, a car phoot gallery and a 32 page screpbook. BD-Live features are also included.
Stay-Puft in 1080p. What more can you ask for? The Blu-ray arrives on June 16th.

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DVD

I saw it in a theatre…they are right, skip it!!

Simon Pegg and Robert Weide Ask Fans NOT to Buy Their Movie on DVD
Itís typical for movie stars and directors do interviews and press to promote the release of their latest movies on DVD, but actor Simon Pegg and director Robert B. Weide are asking fans NOT to buy the Region 1 DVD of How to Lose Friends & Alienate People. Itís not a marketing gimmick, reverse psychology or anything like that ó Weide and Pegg made big compromises in the final cut of the film under the belief that cut material would eventually materialize on the DVD release.
ìIn any movie, there are a number of scenes that get cut in an effort to keep the film from running too long. Some are of little consequence, but others are important scenes that are very painful to lose. In this instance, there were a few scenes that I fought hard to keep, but eventually acquiesced with the knowledge that at least theyíd be available on the DVD. Well, not so in the U.S,î says Weide in an official press release. ìSimon and I worked very hard to make sure the DVD would be packed with bonus material. The British distributors (Paramount) solicited our input and included all of the extras. Sadly, the American distributors (MGM/Fox) locked us out of the process and managed to leave off most of the bonus material.î
The deleted scenes (with optional commentary), audio commentaries, a gag reel, and video diaries are included on the Region 2 release, but are completely missing from the Region 1 (US) release of the DVD. Weide explains that once he discovered the bonus material was omitted from the U.S. DVD, he was told by the American distributors that they wanted to include the special features, but had trouble clearing it. Weideís response? ìIt boils down to sloppiness and apathy. All of the material was absolutely cleared for all territories. There were just too many cooks in the kitchen and the left hand failed to communicate with the right hand. The ball was gently placed in those hands, and they dropped it.î
Weide reports that he sent numerous e-mails to those charged with integrating the bonus material, offering to clear up any problems or questions they might run into along the way. ìThe responses I received were somewhat dismissive, until they finally wrote me saying ëthank youíÖ they had all the material in hand. I later found out they never obtained it. If they had told me the truth, I would have had the tapes on their desk within 24 hours.î Weide says that by the time the truth was revealed, MGM told him that ìThe ship had sailed,î meaning the DVD replication had already taken place, and there was no going back.

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DVD

How many would you own, if you could?

Here Are 23 Great Movies That Are Not Available On DVD In North America (Region 1)
1. The Tarnished Angels (1958)
It should be so simple. The technology exists to distribute old movies, and there are people out there who want to see them. And yet every movie buff has had the experience of reading up on some great film or filmmaker, then hitting the video store and discovering that for one reason or anotherórights issues, perhaps, or lack of broad public interestóthe movies they want to see are unavailable on DVD. A few years back, when Todd Haynesí Far From Heaven and FranÁois Ozonís 8 Women were reigniting interest in í50s ironist Douglas Sirk, those curious to learn more about the director were disappointed to discover that more than 75 percent of his films are locked away, out of general circulation. The most egregious absentee: The Tarnished Angels, a 1958 romance based on William Faulknerís Pylon, about a barnstorming pilot, his neglected wife, and the reporter who exposes their dreary lives. Abandoning the bright colors of All That Heaven Allows and Written On The Wind for stark black-and-white and empty spaces, Sirk tells a story every bit as melodramatic as his earlier films, yet darker and graver. Itís arguably Sirkís most sophisticated, powerful workóand damnably underseen.
2. The African Queen (1951)
Thereís no excuse for John Hustonís classic The African Queen to still be lacking an American DVD release. Never mind the historical qualities of the film that won Humphrey Bogart his only Oscar; never mind that itís an enduring classic. More to the point, itís one of the most entertaining of Hustonís many crackerjack features, and it represents a winning chance to see Bogie playing against type as a bowing-and-scraping social underling to Katharine Hepburn, who herself plays directly to type as a stuffy, virginal, patrician missionary in Africa. Their obligatory romance is a little stiff, for reasons that become clear in Hepburnís unintentionally revealing book The Making Of The African Queen, Or, How I Went To Africa With Bogart, Bacall, And Huston And Almost Lost My Mindósurely the much-needed DVD release would be an excellent reason to bring this book back into printóbut itís hard to beat the scene where Bogie finally realizes Hepburn isnít kidding about her crazy scheme to fight a German battleship with his broken-down wreck of a steamship, and she isnít going to back down, either.
3. Penn & Teller Get Killed (1989)
In olden times, before Penn Jillette and his silent partner Teller were readily available all over TV, fans had a choice of catching their magic act onstage or tuning into the goofy gem Penn & Teller Get Killed, a sort of mockumentary-adventure in which the partners play increasingly elaborate gags on each other, with fatal (hey, itís right there in the title) results. Itís maybe a little visually dated (check out Pennís hip í80s combination Jheri-curl/pigtail ído!) but itís surprisingly random and funny. And it was the last feature helmed by Bonnie And Clyde director Arthur Penn. Criterion! Get on this!
4. Los Angeles Plays Itself
Technically speaking, you can watch Los Angeles Plays Itself on DVDóif you happen to be taking a class with director Thom Andersen, or youíre a personal friend of his, or youíre lucky enough to attend one of its rare academic screenings. Otherwise, youíre out of luck, and thatís nothing short of tragic. An epic, far-reaching treatise on how the capital of moviemaking has been depicted across a century of film, Los Angeles Plays Itself is nothing short of a work of genius. Its structure is perfect, its scope is definitive, it virtually invents a new language of documentary filmmaking, and it can be counted as one of the best movies about movies ever made. But because the legal clearances for so many L.A.-based movies proved impossible to get, Andersen is restrained from any kind of commercial release, and that isnít likely to change any time soon.
5. Brewster McCloud (1970)
Pretty much the entire Robert Altman filmography has made its way to DVD by nowóeven much of his early TV workóbut a few holes remain. No H.E.A.L.T.H. No Come Back To The Five And Dime, Jimmy Dean Jimmy Dean. No That Cold Day In The Park. And no Brewster McCloudóthe eccentric comedy Altman made between M*A*S*H and McCabe & Mrs. Miller, and easily the best as-yet-unavailable Altman. Riffing freely on The Wizard Of Oz and í60s cop showsówith Bud Cort starring as a boy who lives in the Houston Astrodome and wants to flyóBrewster McCloud is hopelessly shaggy, but pure Altman.
6. Looking For Mr. Goodbar (1977)
Echoes of Looking For Mr. Goodbar, Robert Brooksí adaptation of the Judith Rossner novel based on the real-life murder of a 27-year-old New York teacher, can be found in everything from Twin Peaks to Madonnaís ìBad Girlî music videoóyet the movie has languished in VHS purgatory for years. Why? Either Richard Gere is personally blocking the release to prevent the world from seeing him do push-ups while wearing a jock strap in a high-quality video format (unlikely), or maybe Paramount doesnít think thereís a market for a flawed movie that can be read as a dark, disturbing cautionary tale about the dangers of promiscuous sex (more likely). But Looking For Mr. Goodbar shouldnít be kept off the DVD shelves because of its more sensational aspectsóin fact, it should be seen in part for those aspects. As an artifact depicting the gritty, decadent days of singles bars, pickup scenes, and disco in run-down í70s New York, the movie is invaluable. And Diane Keatonís performance as a benign schoolteacher by day, ìliberatedî woman looking for no-strings sex by night, is worth the DVD treatment all on its own.
7. Island Of Lost Souls (1932)
An adaptation of H.G. Wellsí The Island Of Dr. Moreau, Island Of Lost Souls stars a never-creepier Charles Laughton as the mad scientist whose experiments with animal-human hybrids yield disturbing results. They also force viewers to question what makes us human in ways that have only grown more relevant since the rise of the animal-rights movement and the coming of science that mirrors the work in Moreauís lab. The all-time-terrible sort-of remake Island Of Dr. Moreau, on the other hand, is widely available on DVD. (Bonus: Itís where Devo got the phrase ìAre we not men?î)
8. The Decline Of Western Civilization Part II: The Metal Years (1988)
Over the course of three Decline Of Western Civilization documentariesónone of which are on DVDóPenelope Spheeris captured illuminating snapshots of the Los Angeles music scene at crucial, wildly divergent moments. While the first and third films centered on hardcore punk bands, the infamous second installment documented the cityís fame-hungry glam-metal groups. Twenty years later, The Decline Of Western Civilization Part II: The Metal Years remains the definitive film about one of the most excessive (and unintentionally hilarious) scenes in rock history. Which makes it doubly frustrating that the movie is so hard to actually see. VHS copies still pop up in thrift stores, bootleg DVDs are available online, and the movie occasionally plays on TV. But a film with so many memorable scenesóthe most famous being Chris Holmes from W.A.S.P. pouring vodka over himself in a swimming pool while his mother looks onódeserves a legitimate release.
9. The Magnificent Ambersons (1942)
Warner Brothers owns the RKO catalog, thus owns the DVD rights to The Magnificent Ambersons, which is good news for Orson Welles fans, since Warner Home Video has consistently been among the best in the business at assembling archival material and other special features on their DVD releases of old movies. When Warner finally does release The Magnificent Ambersonsóitís only a matter of time, surelyóexpect Wellesí version of Booth Tarkingtonís decade-spanning family tragicomedy to include all kinds of treats, like Wellesí Mercury Theater radio version, and perhaps the 1925 silent-movie version. But unless Warner can come through with the big getóWellesí original 40-minute third act, which has long been missing since his studio bosses snipped itóno DVD release will feel completely satisfactory. If anything, the fact that Warner has dragged its feet so long on putting Ambersons out has raised hopes that theyíre waiting for what would be the ultimate bonus feature.
10. Urgh! A Music War (1981)
Some movies not currently available on DVD never made it to VHS either, but there are a large number of cult filmsómany from the early ë80sóthat were home-video staples not so long ago, yet have gone largely unseen for the better part of a decade. Urgh! is a classic example: Itís a punk/new-wave concert film featuring dynamic performances by the likes of Wall Of Voodoo, The Go-Goís, Dead Kennedys, The Police, The Fleshtones, Gang Of Four, X, and XTC, and it was a popular rental for music buffs two decades ago, as well as a staple of USAís Night Flight and the early days of VH1. But disputes over music rights have kept the filmóand its reported hours of outtakesóoff DVD for now.
11. Drowning By Numbers (1988)
It isnít just Drowning By Numbersóthe work of controversial English formalist Peter Greenaway is only spottily available on DVD. His early experimental shorts and his first major feature, The Falls, came out recently, but a number of his later, better-known films, including Prosperoís Books; The Cook, the Thief, His Wife And Her Lover; and the notorious Baby Of M‚con are either out of print or simply unavailable in the United States. But this 1988 film may be the greatest loss: Itís a formalist masterpiece, exploring Greenawayís obsessions with mathematics, game-playing, and painting with incredible skill and subtlety. Itís also one of his most relatable films, with a delightfully nasty plot (three women all attempt to murder their husbands by drowning), clever dialogue, and tremendous performances, especially by Joan Plowright, Juliet Stevenson, and Bernard Hill.
12. Grindhouse (2007)
Yes, Planet Terror and Death Proof are available separately on DVD, in extended versions that frankly arenít as good as the shortened versions that screened theatrically in the U.S. Also missing on the DVDs: the fake trailers that linked the two films, and the overall spirit of collaboration and experimentation that yokes Planet Terror and Death Proof together. In its original form, Grindhouse is both riotous and generousóone of the best movies of 2007. How is it that one of the best movies of 2007 is not yet available on DVD?
13. Mickey One (1965)
Two years before Bonnie And Clyde (and well before Penn & Teller Get Killed) director Arthur Penn teamed up with Warren Beatty for this absurdist noir exercise, which stars Beatty as a traveling stand-up comic who inadvertently pisses off the mafia and constantly worries that his success on stage will draw the mobís attention. Nonsensical, existential, highly stylish, and frequently funny, Mickey One is one of the first and best American responses to the French New Wave. The film was revived in the mid-í90s for a few festival and repertory screenings, but no home-video release has followed.
14. Greed (1924)
Regularly, and deservedly, included on lists of the greatest films of all time, Eric Von Stroheimís adaptation of Frank Norrisí novel McTeague began as a 10-hour epic, then got clipped to two and a half hours before dying at the box office. An incinerator took the cut footage decades ago, but at any length, Greed retains its power. Von Stroheim brings a painterís eye for composition to the then-still-new language of movies, and he takes a devastating route toward an old conclusion about humanityís willingness to be corrupted. In 1999, Turner Classic Movies aired a sort-of restoration that used stills to reconstruct about 90 minutes of the cut footage. What the approach lacked in grace, it compensated for with clarity. Of course, on DVD, viewers could choose to watch either version. And yetÖ
15. Bigger Than Life (1955)
Nicholas Rayís melodrama Bigger Than Life has been hailed as a penetrating exploration of the American psyche and the calamitous ramifications of the winner-takes-all mindset. Alas, contemporary film buffs mostly have to take the reviewsí word for it, since Rayís searing drama about a family man (James Mason) whose life steadily unravels once he begins taking personality-warping cortisone shots has inexplicably never been released on DVD. And speaking of RayÖ
16. Johnny Guitar (1954)
How Nicholas Rayís florid Western never made it onto DVD remains baffling for several reasons: Ray (Rebel Without A Cause) is beloved among auteurists, and this film specifically has both a cult and a camp following; the basic premise was lifted whole for Sergio Leoneís masterpiece Once Upon A Time In The West; and it offers the strange spectacle of Joan Crawford, in all her grotesque splendor, teaming up with Sterling Hayden. Crawford stars as a saloon owner who wants to expand her empire once a railroad is built through town, but she gets resistance from the citizenry, particularly a moral scold (Mercedes McCambridge) consumed by jealousy. Their rivalry gives the film a uniquely feminist twist, because the men look weak by comparison; even the towering Hayden becomes a pussycat in Crawfordís arms. Freud scholars will have a ball.
17. Let It Be (1970)
The 1970 documentary Let It Be, about the troubled sessions for the eponymous Beatles album, includes one of the most iconic sequences in the bandís historyóthe rooftop concert at the Apple Building where the Fab Four played together in public for the last time. If Let It Be consisted only of this performance, it would be essential viewing for Beatles fans. But the movie also shows, in often-painful detail, just how much John, Paul, George, and Ringo did not like being in the same room together by the end of the bandís career. Nearly 40 years have passed since, but the bitter acrimony depicted in Let It Be apparently still cuts close to the bone for the surviving principals; late Apple Corps. head Neil Aspinall said last year that the film is still ìtoo controversialî to be released on DVD.
18. The Landlord (1970)
Few directors have enjoyed the kind of run that director Hal Ashby had in the í70s. For many film fans, Ashbyís winning streak begins with 1971ís Harold And Maude, and continues through The Last Detail, Shampoo, Bound For Glory, Coming Home, and Being There. But Ashbyís 1970 directorial debut, The Landlord,is just as great as the other movies he made during the decade, and itís the only one not available on DVD. The movie stars Beau Bridges as a rich kid who takes over an inner-city building to turn it into a splashy bachelor pad, and ends up romantically involved with two black tenants. Like Ashbyís other work, The Landlord concerns issues of class and transcending rigid authority, and it exhibits the massively influential indie-quirk style made famous by Harold And Maude. Itís time the movie was released on DVD so cinephiles can finally get a complete picture of Ashbyís golden era.
19. Park Row (1952)
Thereís been a welcome tide of Samuel Fuller films arriving on DVD over the past several yearsóincluding the scandalous White Dog, newly available from the Criterion Collectionóbut the movie Fuller considered his personal favorite isnít currently on the market. Set during the New York newspaper wars of the mid-1880sóand informed by Fullerís own experiences as a teenage copyboy and cub reporteróPark Row gives the seat-of-the-pants world of yellow journalism the two-fisted action of a gangster film. Itís both enormously entertaining and informative; Park Row may be the only action-packed, tough-talking period picture that also explains how to sort type.
20. Homicide (1991)
David Mametís films have often fallen through the cracks for one reason or anotherótoo stylized for the mainstream, too unironically pulpy for the arthouse crowdóbut the lack of attention paid to the twisty crime drama Homicide is especially unfortunate, since itís the kind of masterfully plotted, carefully controlled think-piece that Mamet has largely abandoned over the past decade, in favor of mild sensationalism. Joe Mantegna stars as a sweet-talking cop whose investigation of a low-profile murder leads him to confront his Jewish identity. Deliberately paced and frequently surprising, Homicide promises to plunge the audience into a typically Mamet-esque underworld, but instead it sticks us into Mantegnaís shut-out, insecure point of view.
21. The Phenix City Story (1955)
Sure, Phil Karlsonís indie crime saga The Phenix City Story was daring stuff for 1955, with its indictment of the real-life corruption in a small Alabama town. And the movieís fairly unflinching depictions of racism, prostitution, and authoritarian power grabs are still provocative today. But not so daring and provocative that Phenix City Story shouldnít be on DVD.
22. Housekeeping (1987)
Always making a great foil to the commercial comedies of the í80s, Glaswegian director Bill Forsyth put out a series of gentle, magical romantic comedies like Gregoryís Girl and Local Hero. But his reputation didnít survive the VHS era, and even if it had, his 1987 gem Housekeeping was always just a minor criticís favorite, appearing as part of the National Society Of Film Criticsí great book, Produced And Abandoned. Roger Ebert revived the film for his Ebertfest 2008 in Urbana-Champaign, Illinois, so perhaps Housekeeping will finally get another chance to disarm audiences with its daffy humor and gorgeous evocation of the Pacific Northwest in the late í50s. Based on the Marilynne Robinson novel, the film stars a superb Christine Lahti as an eccentric spinster who takes in two sisters after their mother goes for a ìSunday driveî and never comes back. Housekeeping was promoted as a comedyóand granted, Lahtiís habits are definitely funnyóbut itís also a bittersweet look at how a family reconstitutes itself out of tragedy.
23. Phantasm II (1988)
Available on DVD in the U.S.: Phantasm, Phantasm III: Lord Of The Dead, Phantasm IV: Oblivion. Not available: Phantasm II. No, it doesn’t make any sense to us either.

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DVD

I’ll take the Blu-ray please!!

South Park season 12 is around the corner
The 12th season is coming to DVD and – for the first time – to Blu-ray early next year from Warner.
All fourteen uncensored episodes from South Park’s twelfth season are now available in this exclusive three-disc set. In this collection, South Park follows the new President-elect from his acceptance speech to his first official day of duty as Commander in Chief. The boys keep busy helping a pop-princess who’s down on her luck, negotiating a truce for striking Canadians, and preventing giant rodents from destroying the world. For them, it’s all part of growing up in South Park.
The set will contain all the episodes as well as a behind the scenes look at the making of an episode from start to finish and a special featurette on the making of Major Boobage.
Arriving on March 10th, the four boys who started as pieces of construction paper will go 1080p.

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DVD

Love that blu-ray!!

10 questions about Blu-ray you’ll want the answers for
This was to be the season Blu-ray won our hearts ó and it still may. But the economic downturn has thrown a tough new hurdle at the high-def disc. Blu-ray faces strapped consumers worried about investing in a new format, a new library and still-pricey players. But it’s the best video source around, and if you have or plan to get a new HDTV, you may be considering Blu-ray, too. USA TODAY tech writer Mike Snider offers an FAQ.
Demystifying Blu-ray
Q: Why do they call it Blu-ray?
A: Because Blu-ray Disc players and PC drives, as well as Sony’s PlayStation 3, use a blue laser beam to read data from discs, rather than the older red lasers used for DVDs. A blue laser can be focused more tightly, so disc makers can pack more data on a disc the same size as a DVD. Blu-ray Discs can hold up to 50 gigabytes, compared to a DVD, which holds less than 10 GB. That added capacity can hold video up to six times the resolution of DVD, plus more bonus features and improved surround soundtracks.
Q: Can you really see the difference between Blu-ray and DVD?
A: Side-by-side, most people can easily see Blu-ray’s improvement in picture quality. The video resolution, called “1080p” because it constantly (or progressively, hence the p) redraws 1,080 lines across the screen (each line containing 1,920 pixels), surpasses the best HDTV broadcast or cable signals. “Once you start seeing high-definition (video) on a 1080p monitor, DVD cannot compare,” says Peter Bracke, editor of HighDefDigest.com. “Even my mom is impressed with it.”
And filmmakers are doing their bit as well to make Blu-ray stand out. “We spent more time on (the Blu-ray image) than on the theatrical release, making sure every single color and shade is there for a reason,” says Hellboy II: The Golden Army director Guillermo Del Toro. “The movie has never looked and sounded better.”
Q. What do I need to watch Blu-ray?
A: Other than a BD player, you’ll probably want an HDTV, to get the full quality and widescreen effect. (When watched on a older, standard-shaped tube set, the image is severely letterboxed with dark bands above and below.) Before buying a Blu-ray player to connect to an older TV, check the player’s back panel: Not all have the kinds of outputs needed to connect to older sets. Most players send audio and video to newer TVs and displays via a single cable called HDMI. And don’t get caught up in the various flavors of HDTV ó 720p, 1080i and 1080p ó because Blu-ray players can send an HD signal to any of them. As for screen size, most viewers won’t get much benefit, Bracke says, unless it’s at least 40 inches (diagonally).
Q: Are all Blu-ray players the same?
A: No. But most important, all Blu-ray players will play standard DVDs ó and most “up-convert” those DVDs so they look closer to HD quality. Most players handle music CDs as well. If you are particularly interested in checking out picture-in-picture commentary tracks and online bonus features on discs, look for players that include Profile 1.1 (picture-in-picture capability) and BD-Live or Profile 2.0 (online connections) among the specifications.
Initially, the only player that was fully equipped was Sony’s PS3 game system, but many current Blu-ray players in the $250 range have both sets of features. “It’s bad for early adopters, but for mainstream consumers it won’t matter because by the time they jump in, it will all be settled,” Bracke says.
Two recent entries, the LG BD300 ($350) and the Samsung BD-P2550 ($370) also let Netflix subscribers stream movies.
Q: Should I buy now or wait for prices to drop?
A: That depends. Earlier this year, players sold for at least $400, but special holiday deals have resulted in entry-level models “for as low as $149, and $249 for really good, fully featured models,” says Bill Hunt, editor of TheDigitalBits.com. “And if you don’t already have an HDTV, some manufacturers are going to be offering combo deals, where you’ll get a player free or nearly so when you buy an HDTV. With the economy the way it is, major retailers are all offering terrific bargains, too.” As newer, more expensive models continue to hit stores, older ones will be reduced in price. “If you love movies, buy now,” says TVPredictions.com’s Phil Swann. “If you don’t, wait. Prices will (continue to) fall.”
Players “have gotten to where they are more in the consumers’ sweet spot,” says NPD Entertainment analyst Russ Crupnick, but price resistance has shifted to the software side as many Blu-ray Discs cost $25, he says. “Consumers have become increasingly price-sensitive, thanks to DVD.”
Q: Do I need to replace all my DVDs with Blu-ray Discs?
A: No. Remember, Blu-ray players will play DVDs and most will boost the video resolution (or “up-rez” them), so “there is no reason for the consumer to think that all of their video library is going to be antiquated,” says Panasonic’s Rich Simone. Adds Swann, “I would recommend getting new releases in Blu-ray, either by rental or purchase, and watch your old ones using the up-converting feature.”
Studios will try to entice movie lovers to repurchase films they may have already on DVD (and perhaps videocassette) by remastering the video and adding new extra features. “They can see them in the way the director originally intended them to be seen,” says Sony Pictures Home Entertainment’s Rich Marty. “DVD is a huge market, and those will continue to look great, but now they have a choice. We think once they see them in high-def, it’s going to be a no-brainer.”
Q: What features do Blu-ray movies have that DVDs don’t?
A: Most bonus features such as commentaries, documentaries and deleted scenes are “the same kind of thing DVD has, except that it tends to be more interactive and complex on Blu-ray,” says Hunt. Some discs have interactive games, such as the Casino RoyaleCollector’s Edition’s multiplayer Bond trivia game. A few of the newest releases take advantage of bonus features delivered via the Internet: Last month, Del Toro conducted an online chat with owners of the Hellboy II Blu-ray Disc.
“It is my hope when we are proposing, planning and designing the interactive instruments for The Hobbit (Part 1 is scheduled for 2011), we can take full advantage of it,” Del Toro says. “We are trying to make people very aware that there are features locked in the Blu-ray Disc that allow them to go interactive with the Net.” And The Dark Knight director Christopher Nolan will have a Dec. 18 screening of the Blu-ray Disc (9 p.m. ET/6 PT), during which those who own it can watch and chat online with him during the film. (More details at thedarkknight.warnerbros.com/dvdsite/event.) Another online feature lets viewers post their own feature-length commentary to share with friends.
But overall, while Hollywood may tout next-generation interactive features, Swann says, “the real feature is the picture.”
Q: Will my sound system work with Blu-ray?
A: The simple answer is Blu-ray will sound as good as DVDs do on your system. Many HDTVs and displays have built-in speakers, but surround-sound fanatics will want to make sure their receiver has digital audio inputs. And movie fans who want to get the most out of Blu-ray’s improved soundtracks will want to look for higher-priced players that either decode or pass along ultra-high-resolution sound formats Dolby TrueHD and DTS-HD Master Audio. Discs such as Dark Knight (out Tuesday) can hold one or more soundtracks with up to seven speaker channels (plus a subwoofer) for those fortunate enough to have top sound equipment. The result sounds “as good as the studio masters in some cases,” Hunt says.
Q: How large a selection is available on Blu-ray?
A: So far, about 1,000 Blu-ray Discs have been released, compared with more than 93,700 DVDs, according to The DVD Release Report. Releases have ramped up this fall, Hunt says. “There’s an amazing lineup of both new and catalog movies coming out now, with an even more amazing slate on the way next year,” from The Dark Knight and Iron Man to Sleeping Beauty and Casablanca.
Still, Bracke says, “It’s going to be a long time until the volume of Blu-ray titles matches DVD. ”
Q: Rather than buying Blu-ray, shouldn’t I just wait for HD movie downloads?
A: Current movie downloads can take two hours or more to arrive, and even those labeled high definition do not match the quality of Blu-ray. “Blu-ray is going to give you to the best-looking high-definition video quality you’ll see anywhere ó better than video-on-demand or downloading, or HD cable, or even HD satellite,” Hunt says. “Blu-ray simply offers the best video and audio quality available, with the most advanced bonus features.” And discs also are more convenient, whereas, “HD downloads are years away from being a convenient alternative,” Swann says.

Categories
DVD

Can’t wait to see this!!

Instrumental Interplay At Heart Of Rush DVD
For its new DVD, “Snakes & Arrows Live,” Rush took a somewhat different approach than on its last two video releases, 2003’s “Rush in Rio” and 2005’s “R30: 30th Anniversary World Tour.”
“With this one we wanted to focus on the playing,” singer/bassist/keyboardist Geddy Lee tells Billboard.com. “So a lot of the camera work features the interaction between Neil (Peart), Alex (Lifeson) and myself, a lot of the details that you don’t normally cover in a DVD performance. So for fans of the music who love to see what everybody’s fingers are doing and how we interact back and forth with each other, that became the overriding focus on this one.”
“Snakes & Arrows Live” was shot with 21 High Definition cameras during a two-night stand in October 2007 at the Ahoy Rotterdam Arena in the Netherlands — the same shows that produced the “Snakes & Arrows Live” album that came out in April. The two releases were separated, Lee says, because Rush wanted to have something out for its 2008 North American tour and also because “we needed more time to spend on the DVD to make it more special.”
Besides the 24-song concert, the “Snakes & Arrows Live” DVD also includes four “authorized bootleg” songs from Atlanta in 2008, alternate versions of the songs “Far Cry” and “The Way the Wind Blows,” a performance of “Red Sector A” from the 2004 R30 Tour and the “What’s That Smell?” filmed comedic skit that opened the second half of the Snakes & Arrows Tour shows.
Mostly, though, Lee says the DVD confirms to him that “we were playing really well and that everything in the show kind of revolves around that and there was great energy coming from us. That’s what I was seeing on the screen.”
Lee says “Snakes & Arrows Live” will have to hold Rush fans over for a while. The trio is currently “on a break” and “a little burnt out right now,” though he has every confidence there will be another Rush album in the future.
“I think we’re gonna stay quiet for awhile and then start writing — when we’re going to start writing I can’t say just yet,” Lee notes. “It may be in the fall, maybe the spring, maybe the following spring. But eventually we’ll start writing some songs and recording them, and hopefully that will be followed up by another tour down the road a couple years from now.”

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DVD

This is exciting!!

Wall-E DVDs To Feature Advanced Definition
Pixar Animation Studios director Andrew Stanton says that the Richmond, CA-based company has gone to extraordinary lengths to preserve precise details in its Blu-ray version of Wall-E, due to be released on November 18.
The Video Business website quoted Stanton as saying, “This is the first time where a format exactly represents how good a film looks in the building here. … It used to be that you’d only go downhill from here after [creating films in the studio]. We sweat over every pixel.”
Pixar’s general manager, Jim Morris, suggested that the extra work poured into the Blu-ray edition, was initially a matter of Pixar pride. “This is a filmmaker’s dream. They didn’t think that anyone cared about that level of technicality as much as they do, and now they are happy that people do.”

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DVD

Love that Orson Welles!!

ORSONíS ‘EVILí
On Dec. 5, 1957, filmmaker Orson Welles wrote a desperate and heartfelt 58-page memo to executives at Universal Studios, begging them to make specific changes to his film “Touch of Evil,” which had been reshot and re-edited without his participation or consent.
This memo – included with the film’s new 50th anniversary DVD release – is perhaps the ultimate document of a filmmaker pleading for the maintenance of his artistic vision. After Welles filmed “Touch of Evil,” a film noir crime drama starring Charlton Heston and Janet Leigh, he left halfway through the post-production process to try to secure financing for his next film.
As Heston recalls on the DVD extra “Evil Lost and Found,” which details the film’s restoration process, this was “a big no-no,” as studio executives found Welles’ version too dark and confusing, and decided to drastically change the picture without his input.
Welles wrote the memo after viewing the end result, which he felt destroyed his intent for the film. The studio ignored his requests, and the episode sank his career. He never made another film in the US.
The DVD includes both the 96-minute version the studio released and a 111-minute restored version constructed in 1998 by editor Walter Murch based on Welles’ memo. (There is also an early preview version included in the set.)
Of the 58 pages, Welles spent eight begging for more cross-cutting between Leigh’s scenes and Heston’s, to establish (as we see in the restored version) a more equal balance between the two characters. As Murch explains, “by trying to make the film simpler, [Universal] complicated things, because the audience was led to believe the film was about Heston,” when the reality was more complex.
Comparing the versions is informative, but the memo itself illustrates both the depth of Welles’ genius and how the stubbornness that accompanied it doomed his career.