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Box Office: ‘Avengers: Infinity War’ Passes ‘Star Wars: Force Awakens’ With Record $250M U.S. Bow

The superhero mashup also scores the biggest opening ever globally with $630 million — almost $100 million than the previous record holder.
The galaxy has a new ruler.

Disney and Marvel’s Avengers: Infinity War kicked off the summer box office in high style, opening to a record-setting $250 million in North America and $380 million overseas for a global total of $630 million, the top worldwide start of all time. The superhero mashup accomplished the feat without China, where it doesn’t unfurl until May 11.

Fellow Disney title Star Wars: The Force Awakens ($248 million) was the previous record holder for biggest domestic opening, while Universal’s The Fate of the Furious had held the record for biggest global start ($541.9 million). As in North America, Infinity War set a slew of industry records overseas.

Infinity War’s box office victory was aided by the biggest Saturday of all time in North America ($83 million), reflecting a strong family turnout. The tentpole cost close to $300 to produce before a major marketing spend.

Directed by the Russo brothers, Avengers: Infinity War is most ambitious amassing of superheroes in history, and comes as Marvel Studios — led by Kevin Feige — celebrates its 10th anniversary. In 2009, Walt Disney Co. chief Bob Iger paid $4 billion to acquire Marvel Entertainment, even though many of the superhero characters in Marvel’s stable were unproven.

Infinity War is the first film to be shot entirely with IMAX cameras. IMAX theaters in turn delivered $41 million of the total global gross, the biggest showing ever for a Marvel title. The U.S. share was $22.5 million.

Infinity War follows the massive success of Marvel’s Black Panther, a cultural phenomenon and fanboy darling that currently ranks as the top-grossing superhero film of all time in North America with $688 million in ticket sales. The superhero, played by Chadwick Boseman, appears in the Avengers film and was no doubt a boost for Infinity War.

In a surprise twist, interest in Black Panther — now in its 11th weekend — once again spiked as Infinity War debuted. Black Panther moved back up the chart from No. 8 to No. 5, earning $4.4 million.

Marvel Studios is unrivaled in its success, boasting six of the top 10 opening weekends of all time. The Avengers ($207.4 million) previously held the record for the biggest superhero launch, followed by Black Panther ($202 million). They are the only two superhero titles to have crossed $200 million in their first weekend.

Infinity War also continues Disney’s domination at the box office. The studio has bragging rights to nine of the 10 biggest domestic openings, including the top three; Infinity War, Force Awakens and Star Wars: The Last Jedi ($220 million). Universal’s Jurassic World ($208.8 million) is No. 4.

Nabbing an A CinemaScore, Infinity War reunites the Avengers gang and friends, including Iron Man (Robert Downey Jr.), Black Panther (Boseman), Thor (Chris Hemsworth), Captain America (Chris Evans), Black Widow (Scarlett Johansson) and the Hulk (Mark Ruffalo), as they join forces with the Guardians of the Galaxy crew to stop the evil intergalactic despot Thanos (Josh Brolin).

Black Panther stars Danai Gurira, Angela Bassett, Letitia Wright and Winston Duke also appear in Infinity War, the third outing in the Avengers series. Other characters from the Marvel Cinematic Universe making a play include Spider-Man (Tom Holland) and Loki (Tom Hiddleston).

Chris Pratt, Dave Bautista and Bradley Cooper are some of the stars from the Guardians of the Galaxy franchise appearing in Infinity War.

No other wide release dared open opposite Infinity War. Save for Black Panther, most holdovers felt the pinch, although Paramount’s hit horror film, A Quiet Place, still made noise, grossing $10.7 million for a domestic total of $148.2 million. Overseas, the film earned another $6.6 million for a foreign total of $87.2 million and $235.4 globally.

A Quiet Place easily came in No. 2 domestically, followed by Amy Schumer comedy I Feel Pretty, which tumbled 49 percent in its second weekend to $8.1 million for a total $29.6 million. STX and Voltage are partners on the film.

Dwayne Johnson’s action-adventure appeared to be the hardest hit by Infinity War, falling 65 percent to $7.1 million for a domestic total of $77.9 million at the end of its third weekend.

In a smart counter-programming move, Bleecker Street opened LGBT drama Disobedience in five theaters. The film, starring Rachel Weisz and Rachel McAdams, grossed $241,246 for a strong per screen average of $48,255, the second best of the year to date for a specialty pic behind Wes Anderson’s Isle of Dogs. The film made its world premiere at the 2017 Toronto Film Festival, and also stars Alessandro Nivola.

Disobedience played to a predominantly female audience with a strong LGBT base, according to Bleecker Street. It also played well in art houses.

Weekend Box Office 4/29/18
3-Day Weekend Box Office Estimates
WEEKEND CUME THEATERS WEEK
1. Avengers: Infinity War $250M $250M 4,474 1
2. A Quiet Place $10.7M $148.2M 3,565 4
3. I Feel Pretty $8.1M $29.6M 3,440 2
4. Rampage $7.1M $77.9M 3,508 3
5. Black Panther $4.4M $688M 1,650 11

Marvel Studios’ Kevin Feige on the future of the Avengers

LOS ANGELES — Marvel Studios President Kevin Feige has a lot to smile about.

The 44-year-old producer is celebrating the 10th anniversary of Marvel Studios and the release of Avengers: Infinity War — the 19th film in an interconnected series that has included such heroes as Iron Man, Captain America and, more recently, Black Panther.

Over the last decade, Feige has essentially built up Hollywood’s most bankable brand that has fetched over $14.8 billion in worldwide box office with every new release branded an “event.”

“I would say we dreamed of this,” Feige tells Sun Media in a Beverly Hills hotel.

“I would say while we were doing the first Iron Man film, there were two thoughts in our heads. One was, ‘Get it done and get it in theatres.’ The other goal was, ‘Make Tony Stark a household name. We wanted to get people who didn’t read the comics or see him in the cartoon series to realize he’s one of the coolest superheroes that’s ever existed.”

To play the role of Tony Stark/Iron Man, the studio tapped Robert Downey Jr., who a decade ago was only a few years removed from two drug arrests in 2000 and 2001.

But Downey and Feige succeeded in making Iron Man a hit, giving birth to the Marvel Cinematic Universe.

“The secondary goals that we dreamed about was to bring the interconnected universe from the comic books up on to the big screen,” he continues.

“At that point, Avengers 1 was a far-off distant dream, but this has always been in the back of our heads.

“When we were casting Guardians of the Galaxy and looking for Star-Lord, we were saying things like, ‘You know, if things go right, we have to find a great actor to play Peter Quill because someday that actor might have to do scenes with the Avengers.’

“We sat around and said things like that. And now, here it is.”

Feige, whose comic book chops helped land him an associate producer credit on 2000’s X-Men movie, is now eyeing a Marvel movie slate that goes well into the 2020s.

And thanks to Disney’s acquisition of Fox (which owns Marvel characters like X-Men, Fantastic Four and Deadpool), he might just be making superhero movies until the day he dies.

This summer, Marvel will release Ant-Man and The Wasp and next year it will release Captain Marvel (with Brie Larson as Carol Danvers/ Captain Marvel) before Avengers 4 closes out what he calls a “22-film narrative arc.”

A sequel to Spider-Man: Homecoming with Tom Holland will kick off a whole new slate of Marvel stories in July 2019.

With Infinity War eyeing a record haul at the global box office this weekend, Feige talked about making the biggest superhero movie of all time and what’s next for the Marvel Cinematic Universe.

Q – The MCU kicked off 10 years ago with Robert Downey Jr. and Iron Man. What made him the perfect actor to front Marvel’s superhero franchise?

A – He’s an unparalleled talent. He’s an amazing actor. He has an amazing personality and an amazing persona that we thought could be tapped into in an amazing way.

We knew he was a great actor and we knew he was unbelievably charismatic and he’d be able to bring Tony Stark to life in an unbelievable way.

I’ve said it before and I’ll say it again: the MCU would not exist without Robert Downey Jr.

Q – You’ve been building up this world for 10 years. What does Infinity War and next year’s Avengers 4 represent to fans?

A – I think with Infinity War and Untitled Avengers 4 next year, certainly for us, we have two of the biggest and most unique adventure films that have ever been made. We’re certainly working with the biggest canvas that we’ve ever painted on. At the same time, I think it’s an amazing honour to have so many characters that so many people care so deeply about.

And while the spectacle and action is fun and is required, it’s seeing these characters and seeing them change and seeing them grow and seeing them interact with heroes they’ve never met before that’s the real fun of these movies. I hope people will watch Infinity War and then perhaps watch the next Avengers film next year and realize that what they’ve seen over 10-plus years is an unprecedented character arc, at least for film. Unprecedented character arcs for these heroes, whether they’ve been around for three years, five years or all 10 years.

Q – You’ve talked to me about Spider-Man: Homecoming 2 kicking off something new. I know on our visit to the set of Infinity War last year, Robert Downey talked about tapping out. Are the changes that are about to happen in Infinity War and Avengers 4 finite?

A – I would say that almost all of them are permanent changes. We pull examples from comics all the time and I would say in the comics sometimes characters come back to life the next day, and sometimes characters that they swore would never come back — Bucky Barnes will never come back to life — come back and it’s awesome like in the Winter Soldier. I don’t know what’s going to happen in five years or 10 years, but in terms of the more immediate future that we’re building and creating now, they will be finite.

Q – How different will Infinity War and Avengers 4 be from one another and is Thanos the main villain in both?

I don’t want to be that specific about it. I will say that tonally, in ways that people will not be able to tell until they see Avengers 4, tonally they are very different movies by design. But they connect very directly; as directly as any of our films have been connected. So Infinity War is a complete story, but people are going to want to know what happens next right away.

A – How do Ant-Man and The Wasp and Captain Marvel connect Infinity War and Avengers 4?

You’ll see. For the most part they are very much their own adventures, they’re very much their own standalone stories, but they will connect in ways that will be apparent when you see them and will be very apparent in Avengers 4.

Q – Why did you choose to set Captain Marvel in the ’90s?

A – The answer is, you’ll see in the storytelling of the movie (laughs). But it allows us to play in an area that we have never played in before and tapping into a ’90s action genre was fun for us and being able to see an earlier part of the MCU before Nick Fury knew anything about aliens or anything about super-powered people and also tapping into the Kree-Skrull War, which in the comics was a huge part of the comic mythology, seemed like a fun thing to try and a fun way to give Carol Danvers her own standalone origin story.

Q – Black Panther was a massive hit, both with comic book movie fans and casual moviegoers alike. Are you constantly looking for ways to bring new people into the MCU?

A – Absolutely. We’re trying to appeal to people who just want to go see a movie on a weekend and we want to appeal to people like us who want to delve deeper. The movies need to work for both, and since Iron Man 1 that’s what we’ve wanted to do. Really, it was only comic book fans that knew who Iron Man was back in 2008. Even a lot of comic book fans didn’t know who the Guardians of the Galaxy were in 2014. So we always want to tell stories as if no one knows who they are. We approach it as if there’s no fan base. Let’s make a movie that’s going to build that fan base. At the same time, we’re fans, so we’re not going to do anything that betrays what the core elements of character are in the books.

But certainly Panther is a wonderful example of attracting people who not only aren’t fans of comic book movies, they’re people who hadn’t been to a movie in a long time, period! Selfishly, as the producer, I love that, and I hope all those people come out to see Infinity War and get invested in the MCU going forward and then look back and say, ‘What have I missed?’

Q – I always ask you about the blueprint. Going forward, the movies that Marvel has coming five, 10 years from now, are they always going to be threaded back to the beginning? Is the MCU a world with no real end?

A – Yes. … It’s a world I hope continues far into the future in the same way all of these storylines have continued in the comics. We’re one decade in. In the comics, some of these heroes are five, six, seven decades in. So I do hope they continue for a long time.

But, storylines can come to an end. The best stories do come to an end. Return of the Jedi was an ending for a long time and as a 10-year-old in 1983 that carried me through 30 years until there was a sequel. That hasn’t happened before in the superhero genre. A new actor comes in and a new storyline starts right away. We wanted to do it this way because we think that the best stories have a definitive ending to a storyline. That’s certainly what’s going to happen next year with Avengers 4.

The Universe, the world, many of the characters we’ve introduced will continue onward in unexpected ways, some of which I don’t even know yet. But bringing a definitive conclusion at the 22-film mark, and just over 10 years, seemed like the right thing to do.

Avengers: Infinity War is in theatres now.

A Quiet Place reclaims box office crown, besting Rampage and I Feel Pretty

A Quiet Place is still making noise at the box office.

In its third weekend in theaters, Paramount and John Krasinski’s nearly dialogue-free horror movie is on track to earn an estimated $22 million from 3,808 theaters in the U.S. and Canada, reclaiming the No. 1 spot from the Dwayne Johnson-led action movie Rampage and holding off Amy Schumer’s new comedy, I Feel Pretty.

Through Sunday, A Quiet Place will have grossed about $132.4 million in North America, plus $74.8 million overseas, for a worldwide total of about $207.2 million. The film, which cost a modest $17 million to make, is now Paramount’s highest-grossing domestic release in nearly two years, since Star Trek Beyond in July 2016 (which earned $158.8 million).

A Quiet Place tells the story of a family living in silence in order to hide from aliens that hunt their prey by sound. Krasinski directed and costars with his wife, Emily Blunt.

Narrowly missing out on the top spot is Warner Bros’. Rampage, taking in an estimated $21 million (from 4,115 theaters). That works out to a drop of just 41 percent from last week’s debut and brings the movie’s domestic total to $66.6 million after 10 days in theaters.

The movie — which stars Johnson as a primatologist and ex-soldier dealing with mutated mega-animals — will need to perform well overseas to be considered a success, and this weekend it will add about $57 million from 61 foreign markets, lifting its international total to about $216.4 million.

Debuting in third place, STX’s I Feel Pretty will gross about $16.2 million, from 3,440 theaters. While that figure is slightly above industry projections, it’s also lower than the $19.5 million managed by Schumer’s Snatched and the $30 million collected by her hit Trainwreck.

Written and directed by Abby Kohn and Marc Silverstein, I Feel Pretty stars Schumer as an ordinary woman who struggles with her self-image until she hits her head and wakes up feeling beautiful and confident. The movie has received poor reviews from critics, but moviegoers gave it a decent B-plus CinemaScore.

Another comedy debuting this weekend and garnering a B-plus CinemaScore is Fox’s Super Troopers 2, landing in fourth place with an estimated $14.7 million. The sequel, which hails from the Broken Lizard comedy group and was partially crowdfunded, will far exceed industry projections, which put it in the range of $6 million to $8 million.

Jay Chandrasekhar directed and costars in the movie, which centers on a motley crew of state troopers embroiled in an international border dispute. Reviews have been largely negative.

Blumhouse and Universal’s horror holdover Truth or Dare rounds out the top five with an estimated $7.9 million, while Lionsgate’s crime thriller Traffik, starring Omar Epps and Paula Patton, will open with about $3.9 million — in line with expectations and good for the No. 9 spot.

According to ComScore, overall box office is down 2.2 percent year-to-date. Looking ahead, next week brings the release of Disney and Marvel’s presumptive juggernaut Avengers: Infinity War.

Check out the April 20-22 figures below.

1. A Quiet Place — $22 million
2. Rampage — $21 million
3. I Feel Pretty — $16.2 million
4. Super Troopers 2 — $14.7 million
5. Truth or Dare — $7.9 million
6. Ready Player One — $7.5 million
7. Blockers — $7 million
8. Black Panther — $4.6 million
9. Traffik — $3.9 million
10. Isle of Dogs — $3.4 million