Categories
Music

In other words, don’t expect the new stuff to be very good at all.

Shania Twain wants to ‘forget’ music she made with ex-husband

Shania Twain is moving on from the sound created by her ex-husband and former producer Robert John ‘Mutt’ Lange.

The country star, 51, has not released a studio record since 2002, a delay that in part is down to the turmoil in her professional and personal life caused by her break-up from her husband Robert John ‘Mutt’ Lange, who doubled as the producer of all her albums.

The couple’s 2010 divorce came after Robert admitted an affair with Shania’s best friend Marie-Anne Thiebaud. Shania ended up getting close with Marie-Anne’s betrayed husband Frederic Thiebaud, and the pair wed in 2011.

She is planning to release a new album this spring, and says she told those working on her record, including One Direction producer Jake Gosling and Bruce Springsteen collaborator Ron Aniello, to erase all her previous work from their minds.

“I told anyone getting involved musically to forget about my other records,” the musician tells Rolling Stone. “I didn’t want it to be related to Mutt’s productions at all. I wanted a more organic approach.”

When Robert was her producer Shania sold 85 million records and became country music’s biggest pop crossover star, but she now wants to move away from her pop roots.

“Most of them started off quite melancholy and a lot darker,” she explains of her new songs.

However she’s philosophical about how her split from the man she shared her life and music with has affected her.

“I’m a different singer now,” she shares. “There was a lot of coming to terms with that. It’s been one of the obstacles in my life I’ve just had to learn to live with.”

The country veteran’s new album is yet to receive an official title, but tracks include Swinging With My Eyes Closed, and Who’s Gonna Be Your Girl?, a ballad about the breakdown of her marriage.

Categories
Television

I’ve been over Fallon for a long, long time now. Colbert is great, but the best in late night right now is Seth Meyers.

Colbert beating Fallon in ratings since Trump took office

President Trump’s promise to change America is already producing results — at least when it comes to late night TV.

CBS’ “Late Show with Stephen Colbert” attracted more viewers than its rival, NBC’s “The Tonight Show Starring Jimmy Fallon,” during the week that ended Feb. 10 — the second week in a row the Peacock Network finished No. 2.

And Colbert’s margin of victory is growing.

In the week ended Feb. 3 — Colbert’s first week of new shows since Trump’s inauguration — “Late Night” edged out “Tonight” by a mere 10,000 viewers. Last week, that margin of victory grew to 130,000.

While Fallon still draws in a bigger audience of 18-to-49-year-olds, the demographic advertisers covet, his once comfortable margin of victory is getting slim.

In the last three weeks, including the five days of “Late Show” repeats during the week ended Jan. 27, Fallon’s margin of victory in the demo has gone from 0.36 to 0.19 to 0.17.

Colbert’s resurgence could be tied to his show having a sharper political bent than “Tonight.” Colbert’s opening monologue and at-desk banter is dominated by jokes and banter that take aim at Trump’s missteps.

Fallon’s show is more skit-focused and covers a wider range of topics.

On ABC, “Jimmy Kimmel Live” usually draw about 1 million fewer total viewers than his CBS and NBC rivals and trails significantly in the demo, statistics show.

Categories
Business

Actually, I’d make the argument that attendance is down due to poor films.

Cineplex revenue down due to poor attendance

Canada’s largest movie theatre chain is open to the idea of producing original content like Netflix and Amazon do, the head of Cineplex said Wednesday.

CEO Ellis Jacob said the Toronto-based company isn’t signing up to produce Hollywood blockbusters but he would consider smaller productions.

“It’s a matter of being opportunistic in certain circumstances,” Jacob said Wednesday following the company’s latest earnings release.

“For example, if there is a particular movie that a distributor has that we feel comfortable with, we may join venture with them. But as far as getting into large productions of movies, that’s not a business that we’re going to head down.”

Producing content can be financially risky. Companies generally need a large amount of capital up front in the hopes that a film would take off with audiences in order to generate a healthy return.

“To say, OK, by making our own movies, (we’re) diversifying in that degree, the risk of how they do is still there,” Jacob said.

“I’m not saying it’s a bad business. I’m saying it’s not a business that we’re focused on to look at from a big numbers perspective.”

Cineplex said the idea came up earlier this month during a panel in Ottawa featuring Michael Kennedy, its executive vice-president.

Adam Shine, a media and telecom analyst at National Bank Financial, said he doesn’t see moviemaking becoming a core focus for Cineplex, especially as it has already dipped into other businesses such as gaming.

Earlier in the day, Cineplex reported a 12 per cent decline in attendance in its fourth quarter compared to the same period last year. It attributed that to a stronger movie lineup in the fourth quarter of 2015 that included some of the highest-grossing films of all time, such as Star Wars: The Force Awakens and The Hunger Games: Mockingjay Part 2.

The drop in attendance to 17.9 million visits from 20.4 million was partly offset by higher per-patron spending on tickets and concessions.

Cineplex’s net income was down 69.6 per cent, falling to $23.3 million or 37 cents per diluted share in the quarter ended Dec. 31 from $76.8 million or $1.20 per diluted share a year before.

Its 2015 fourth quarter profit included an unusual gain related to the acquisition of CSI and a favourable change in the value of a financial instrument linked to a 2013 acquisition.

Categories
Television

I don’t love the show, but I like it. Hope he makes it great!!

Dan Aykroyd will guest star on Workin’ Moms

The mothers of Workin’ Moms are getting a visit from a Blues Brother.

CBC says actor Dan Aykroyd will guest star on the Feb. 21 episode.

Aykroyd is a Canadian comedy legend, known as one of the early cast members of Saturday Night Live and for roles in movies like The Blues Brothers and Ghostbusters. He also appeared in the 1989 drama Driving Miss Daisy and was nominated for a supporting actor Oscar.

In Workin’ Moms, a new comedy created by Catherine Reitman, Aykroyd guests as the father of Reitman’s character Kate.

The series airs Tuesdays at 9:30 p.m.

Categories
Movies

I’m more excited about Alexandra Daddario than Dwayne Johnson but in the end here’s hoping it’s all fun.

Pamela Anderson doesn’t think Dwayne Johnson was the right choice for ‘Baywatch’

Pamela Anderson isn’t convinced Dwayne Johnson is the right choice for the upcoming Baywatch movie.

The Canadian actress and model rose to fame as C.J. Parker on the 1990s action-drama TV series about Los Angeles County Lifeguards, starring opposite David Hasselhoff in his role as lifeguard Mitch Buchannon.

A movie reboot of the show starring the former WWE wrestling star in the part originated by David is set to hit theatres in May, but Pamela has already admitted she isn’t keen on Dwayne’s take on the character.

“It was funny to look at The Rock and think he was supposed to be (David) Hasselhoff,” she said during an interview with ITV’s Loose Women which aired on Monday. “It just didn’t quite gel, no.”

The 49-year-old also dished that she has a cameo towards the end of the movie. And while she enjoyed making her guest appearance, she isn’t sure the film needed to be made in the first place.

“I’m doing a cameo at the end. They asked me to. But I like the TV show. I never wanted to do the movie, I don’t like when they do these remakes of TV shows because it was bad TV for a reason. It was good bad TV, now it’s going to be a spoofy movie,” she shared.

Meanwhile, the blonde bombshell also opened up about her recent visits to Julian Assange at the Ecuadorian Embassy in London. The controversial WikiLeaks founder sought asylum at the embassy in 2012 in order to avoid arrest and extradition to Sweden on rape and sexual assault allegations, claims which he denies.

“I think he’s a very important person. I think that history will look back on him and realize how important he is,” she said. “WikiLeaks is very heroic and very important – and it’s true news and that’s hard to find these days. If you want to get something from the horse’s mouth you go to WikiLeaks and really find out. I think that’s important in this political climate.”

Categories
Awards

The tribute to Prince was amazing. The rest of the evening will be forgotten by the middle of the week, except by those who are fans of the artists who did it. Nothing that happened will cross over and become culturally relevant. So, here’s to next year!!

Adele sweeps Grammy awards in shock victory over Beyoncé

Adele won the top three Grammy awards on Sunday, taking home the statuettes for album, record and song of the year in a shock victory over Beyoncé.

Adele won all five Grammys for which she was nominated, including for her comeback album “25” and her single “Hello.”

Beyoncé, who had gone into Sunday’s awards show with a leading nine nominations for her “Lemonade” album, won just two.

“My queen and my idol is Queen B. I adore you,” Adele said to Beyoncé as she accepted her award.

“The ‘Lemonade’ album was so monumental,” she added.

Beyoncé and Adele also had the most talked-about moments on a night marked by political statements, an emotional tribute to British pop star George Michael, and a rocking memorial to pioneering funk musician Prince.

In her first public appearance since her announcement 12 days ago that she is expecting twins, Beyoncé donned a sheer, glittering gold dress and halo to sing ballads “Love Drought” and “Sandcastles” from her album “Lemonade.”

Moments later, Adele literally stopped the show after flubbing the start of a tribute to the late British pop star Michael.

“I’m sorry. I know it’s live TV,” she said, cursing, stopping her slow ballad version of Michael’s “Fastlove” and asking to start again. “I can’t mess this up for him (Michael),” she said.

Adele, 28, was competing head-on with Beyoncé, 35, the only other artist to be nominated this year for all three top awards – album, song and record of the year.

Chance the Rapper was named best new artist while Twenty One Pilots won the Grammy for best pop duo/group performance for “Stressed Out.”

The other big Grammy winner was late British singer David Bowie, who won all five of the nominations for his final album “Blackstar,” including best rock song.

Categories
Awards

Congratulations to all of the winners!!

Grammys 2017: The Complete Winners List

Here’s a full rundown of all the Grammy winners:

Album of the Year: 25, Adele
Record of the Year: “Hello,” Adele
Song of the Year: “Hello,” Adele
Best Rap Album: The Coloring Book, Chance the Rapper
Best Urban Contemporary Album: Lemonade, Beyonce
Best Country Solo Performance: “My Church,” Maren Morris
Best Rock Song: “Blackstar,” David Bowie
Best Pop Duo/Group Performance: “Stressed Out,” Twenty One Pilots
Best New Artist: Chance the Rapper
Best Pop Solo Performance: “Hello,” Adele
Best Traditional Pop Vocal Album: “Summertime: Willie Nelson Sings Gershwin,” Willie Nelson
Best Pop Vocal Album: 25, Adele
Best Dance Recording: “Don’t Let Me Down,” The Chainsmokers Featuring Daya
Best Dance/Electronic Album: Skin, Flume
Best Contemporary Instrumental Album: Culcha Vulcha, Snarky Puppy
Best Rock Performance: “Blackstar,” David Bowie
Best Metal Performance: “Dystopia,” Megadeth
Best Rock Album: Tell Me I’m Pretty, Cage the Elephant
Best Alternative Music Album: Blackstar, David Bowie
Best R&B Performance: “Cranes in the Sky,” Solange
Best Traditional R&B Performance: “Angel,” Lalah Hathaway
Best R&B Song: “Lake By the Ocean,” Hod David & Musze, songwriters (Maxwell)
Best R&B Album: Lalah Hathaway Live, Lalah Hathaway
Best Rap Performance: “No Problem,” Chance the Rapper Featuring Lil Wayne & 2 Chainz
Best Rap/Sung Performance: “Hotline Bling,” Drake
Best Rap Song: “Hotline Bling,” Aubrey Graham & Paul Jefferies, songwriters (Drake)
Best Latin Pop Album: Jesse & Joy, Un Besito Mas
Best Country Album: Sturgill Simpson, A Sailor’s Guide to Earth
Best Country Song: Tim McGraw, “Humble and Kind”
Best Country Duo/Group Performance: Pentatonix, “Jolene (feat. Dolly Parton)”
Best Roots Gospel Album: Joey+Rory, Hymns
Best Large Jazz Ensemble Album: Ted Nash Big Band, Presidential Suite: Eight Variations on Freedom
Best Jazz Instrumental Album: John Scofield, Country for Old Men
Best Jazz Vocal Album: Gregory Porter, Take Me to the Alley
Best Improvised Jazz Solo: John Scofield, “I’m So Lonesome I Could Cry”
Best Chamber Music/Small Ensemble Performance: Third Coast Percussion, “Steve Reich”
Best Dance Recording: The Chainsmokers, “Don’t Let Me Down (feat. Daya)”
Best New Age Album: White Sun, White Sun II
Best Gospel Performance/Song: Tamela Mann, “God Provides”
Best Contemporary Christian Music Performance/Song: Hillary Scott & The Scott Family, “Thy Will”
Best Gospel Album: Kirk Franklin, Losing My Religion
Best Contemporary Christian Music Album: Hillary Scott & The Scott Family, Love Remains
Best World Music Album: Yo-Yo Ma and The Silk Road Ensemble, Sing Me Home
Best Children’s Album: Secret Agent 23 Skidoo, Infinity Plus One
Best Spoken Word Album: Carol Burnett, In Such Good Company: Eleven Years Of Laughter, Mayhem and Fun in the Sandbox
Best Musical Theater Album: The Color Purple
Best Compilation Soundtrack for Visual Media: Miles Ahead
Best Score Soundtrack for Visual Media: John Williams, Star Wars: The Force Awakens
Best Song Written for Visual Media: Justin Timberlake, “Can’t Stop the Feeling!”
Best Instrumental Composition: Ted Nash, “Spoken at Midnight”
Best Arrangement, Instrumental or A Cappella: Jacob Collier, “You and I”
Best Arrangement, Instruments and Vocals: Jacob Collier, “Flintstones”
Best Recording Package: David Bowie, Blackstar
Best Boxed or Special Limited Edition Package: Edith Piaf, Edith Piaf 1915-2015
Best Album Notes: Eubie Blake and Noble Sissle, Sissle and Blake Sing Shuffle Along
Best Historical Album: Bob Dylan, The Cutting Edge 1965-1966: The Bootleg Series, Vol.12 (Collector’s Edition)
Best Engineered Album, Non-Classical: David Bowie, Blackstar
Best Remixed Recording: Bob Moses, “Tearing Me Up (RAC Remix)”
Best Surround Sound Album: Ludovic Morlot & Seattle Symphony, Dutilleux: Sur Le Même Accord; Les Citations; Mystère De L’instant & Timbres, Espace, Mouvement
Best Engineered Album, Classical: Mark Donahue and Fred Vogler, Corigliano: The Ghosts of Versailles
Producer of the Year, Classical: David Frost
Best Orchestral Performance: Boston Symphony Orchestra, “Shostakovich: Under Stalin’s Shadow – Symphonies Nos. 5, 8 & 9”
Best Music Video: Beyoncé, “Formation”
Best Music Film: The Beatles, The Beatles: Eight Days a Week the Touring Years
MusiCares Person of the Year: Tom Petty

Categories
Movies

I saw THE LEGO BATMAN MOVIE this weekend with my Niece and Nephew and we all loved it!

Box office report: LEGO Batman whips Fifty Shades Darker while John Wick surges

Though the race was closer than expected, Fifty Shades Darker ultimately submitted to The LEGO Batman Movie at the finish line, as the animated family feature launches with a $55.6 million weekend haul.

The third film to be released under the Warner Bros. Animation umbrella, LEGO Batman, a spinoff of the 2014 blockbuster The LEGO Movie, clocks in around $14 million softer than its forerunner, but its worldwide totals are still impressive: After three days in over 60 global territories, the film sold around $93 million worth of tickets, bounding past its $80 million production budget.

As family-oriented fare often does, LEGO Batman seemingly pleased the crowds it attracted, receiving an A- grade from polled moviegoers on CinemaScore. With such a strong audience-to-product connection, the original LEGO Movie‘s box office domination directly impacted the iconic toy brand’s sales, as profits rose by nearly 15 percent with additional double-digit sales growth in the U.S., U.K., Russia, France, and China in 2014.

Effective counter-programming to LEGO Batman‘s cross-demographic appeal, Fifty Shades Darker held its own against the blockbuster, taking in an estimated $46.8 million between Friday and Sunday for a solid No. 2 finish. The romance-tinged drama, a sequel to the 2015 E.L. James adaptation Fifty Shades of Grey, effectively courted its target audience, as Universal’s tracking indicates 70 percent of the opening weekend crowd was comprised of women. Around 56 percent of the total audience was under the age of 30.

The $55 million film commanded a further $100.1 million from 57 international territories for a global take of $146.9 million — enough to push the film to the top of the worldwide chart. The original Fifty Shades flick made just over $570 million around the world in 2015.

John Wick: Chapter 2 wrote the week’s biggest success story at No. 3, amassing a whopping $30 million over its first three days in wide release — more than doubling the $14.4 million bow posted by its 2014 predecessor. Tracking suggested an opening in the high teens, though the action sequel successfully tapped into the first film’s hungry cult audience, who gave star Keanu Reeves his highest opening weekend since The Day the Earth Stood Still tallied a $30.5 million start in 2008. Chapter 2 averaged $9,642 at 3,113 theaters and an A- grade on CinemaScore.

Rounding out the top five are M. Night Shyamalan’s Split ($9.3 million), which tumbles three spots after spending three consecutive weeks atop the North American chart, and perennial crowd-pleaser Hidden Figures, which adds around $8 million to its ballooning $131.5 million total.

Outside the top 10, a compilation of the Academy’s Oscar-nominated short films averages $3,587 at 184 sites for an estimated $660,000 finish. Belle director Amma Asante’s A United Kingdom, starring Rosamund Pike and David Oyelowo, notches a decent number from four theaters, pulling in approximately $70,000 in limited release.

The week’s highest per-location average (an estimated $40,510 from a single theater), however, hails from Ceyda Torun’s documentary Kedi, which follows Istanbul’s curious population of cats.

Per comScore, overall box office is up around 1.7 percent from the same frame last year. Check out the Feb. 10-12 weekend estimates below.

1. The LEGO Batman Movie – $55.6 million
2. Fifty Shades Darker – $46.8 million
3. John Wick: Chapter 2 – $30 million
4. Split – $9.3 million
5. Hidden Figures – $8 million
6. A Dog’s Purpose – $7.4 million
7. Rings – $5.8 million
8. La La Land – $5 million
9. Lion – $4.1 million
10. The Space Between Us – $1.8 million

Categories
Music

The business of Prince continues.

Prince’s Digital Catalog Returning to Streaming Music

Prince’s digital catalog is heading back to streaming services like Spotify and Apple Music after over 18 months as an exclusive to Tidal, multiple sources have confirmed.

A majority of the musician’s catalog will be available on Sunday to coincide with the Grammys’ tribute to the singer, though it is unclear exactly when the catalog will be available.

Prince pulled his music from the major streaming services in June 2015. A month later, he aligned with Jay Z’s Tidal, offering the service his “Baltimore” and then-upcoming LP Hit n Run, as well as the exclusive streaming rights of his back catalog and other goodies from his legendary vaults. A surprise second new LP, Hit n Run Phase Two, arrived in December 2015.

“After one meeting, it was obvious that Jay Z and the team he has assembled at Tidal recognize and applaud the effort that real musicians put in2 their craft 2 achieve the very best they can at this pivotal time in the music industry,” Prince said of his Tidal deal.

However, four months after Hit N Run Phase Two landed, Prince died unexpectedly at his Paisley Park compound, leaving his estate without specified heirs or an appointed executor. Placed under the administration of a Minnesota bank as well as Prince’s siblings, the estate would later establish a publishing deal with Universal Music for Prince’s catalog, a pact that threatened Prince’s Tidal agreement.

The fissure in the relationship between the Prince estate and Jay Z’s Tidal and parent company Roc Nation was further exposed in November, when the two sides went to court to determine whether Tidal held the exclusive rights to Prince’s digital catalog following the late icon’s death; in a separate action, the Prince estate sued Tidal for streaming 15 Prince albums without permission.

The estate also argued that Tidal never had an exclusivity deal with Prince in writing, and that the streaming service didn’t make good on a $750,000 advance owed to the singer. In Tidal’s suit, the service accused the Prince estate of secretly negotiating with other streaming services.

While the lawsuits continue to play out in court, a judge subsequently ruled on January 30th that Tidal and Roc Nation did in fact pay $3 million to Prince as part of his initial deal with the streaming service, including the $750,000 that the estate called into question.

Following Universal’s acquisition of Prince’s publishing rights, the estate reopened dialogue with services like Spotify and Apple Music, with a target of reintroducing the catalog in time for the Grammys. Amazon Music and IHeartRadio also confirmed that music from Prince’s catalog will be available on their services, with the latter offering the catalog on new subscription services iHeartRadio Plus and iHeartRadio All Access.

Before any deals between the streaming services and the estate were officially announced, Spotify not-so-subtly began trumpeting the arrival of Prince’s catalog in late January with a series of purple billboards in New York’s Union Square subway station.

Last October, Warner Bros. and NPG Records announced the releases of a remastered version of Purple Rain and the greatest hits collection Prince 4Ever. The latter, released last November, included “Moonbeam Levels,” a previously unreleased song recorded in 1982 during the 1999 sessions.

On Thursday, the singer’s estate announced an agreement with Universal Music Group to release his music recorded after 1995 alongside music from his vault, including outtakes, demos and live recordings.

Categories
People

This is very, very sad and shocking news. May he rest in peace.

Mike Ilitch, owner of Red Wings, Tigers, dead at 87

Mike Ilitch, founder of the Little Caesars Pizza empire and owner of the Detroit Red Wings and the Detroit Tigers, has died. He was 87.

Ilitch, who was praised for keeping his professional hockey and baseball teams in Detroit as other urban sports franchises relocated to new suburban stadiums, died Friday at a hospital in Detroit, according to family spokesman Doug Kuiper.

“He made such a positive impact in the world of sports, in business and in the community, and we will remember him for his unwavering commitment to his employees, his passion for Detroit, his generosity to others and his devotion to his family and friends,” his son Christopher Ilitch said in the statement Friday night.

Ilitch and his wife, Marian, founded Little Caesars in suburban Detroit in 1959, and eventually grew the business into the world’s largest carry-out pizza chain with several spin-off companies. Under his ownership and open checkbook, the Red Wings soared back to stability and won four Stanley Cup championships, and the Tigers — who’d scouted a young Ilitch in the 1940s — made it to the World Series.

He was as much a fan of the often-struggling Detroit as he was of sports. When approached in 2009 by organizers of the Motor City Bowl in Detroit, Ilitch agreed to sponsor the annual college football bowl game despite a poor local economy. The game was renamed the Little Caesars Pizza Bowl.

“It’s a sporting event, and we need sporting events,” Ilitch said at the time. “It picks our community up to no end, with all the great colleges we have in this state and the professional teams that we have. Thank God for `em, especially at times that are rough right now.”

The son of Macedonian immigrants, Ilitch was born on July 20, 1929. He played baseball at Detroit’s Cooley High School and was signed by his hometown Tigers after his four-year stint in the U.S. Marines, spending three years in the team’s farm system before a knee injury ended his playing career.

But he found his niche in business. His family’s companies had combined revenues of $2.4 billion in 2011.

It started with that first Little Caesars restaurant in Garden City, a working-class suburb west of Detroit. A food service distribution company soon followed to supply ingredients and other products for the growing number of restaurants. Blue Line Foodservice grew into one of the largest program account food service distribution companies in the U.S.

Ilitch Holdings Inc. was established in 1999 to manage the family’s interests in food, sports and entertainment, and the company remained family focused. His son, Christopher, was president and CEO, while his wife, Marian, was vice chairwoman as well as sole owner of MotorCity Casino, one of Detroit’s three casinos.

Ilitch broke into sports ownership in 1982, when he paid a reported $8 million for the struggling Red Wings. Once a National Hockey League powerhouse, the team had bottomed out to mediocrity, but it began winning again under Ilitch. The Red Wings took home the Stanley Cup in 1997, 1998, 2002 and 2008.

Ilitch was inducted into the NHL Hockey Hall of Fame in 2003, and into the U.S. Hockey Hall of Fame and Michigan Sports Hall of Fame a year later.

“Mr. and Mrs. Ilitch are incredibly passionate about Detroit and their teams,” Red Wings general manager Ken Holland told The Associated Press in a 2010 interview. “They create a family atmosphere with stability, loyalty and a personal touch. But we all understand we have to produce to be around for a long time.”

As part of his long-term plan to build a Detroit-based business empire, Ilitch also bought Olympia Entertainment, which manages several restaurants, sports and entertainment venues, in 1982.

Husband and wife bought the downtown Fox Theatre five years later and started a massive, $12 million restoration. It reopened a year later and became a lucrative venue for musicals, plays and other productions. The Little Caesars world headquarters also was moved downtown.

Then, in 1992, the man who once dreamed of playing for the Detroit Tigers bought the team for $85 million. He moved it in 2000 from the storied but fading Tiger Stadium to Comerica Park, across from the Fox Theatre.

Unlike previous owners of both sports franchises, Ilitch opened his checkbook to sign top players — finding solid success in hockey, and a rollercoaster in baseball.

The Tigers lost an American League record 119 games in 2003, but advanced to the World Series three years later, losing in five games to the St. Louis Cardinals. Near the end of a disappointing 2008 season, Ilitch said he and the team would review everything done to put the roster together but focusing on the $138 million payroll wasn’t the priority.

“I’m not afraid to go out and spend money,” he said. “It’s been very costly, but I’m not going to change my ways.”

The Tigers made the American League playoffs in 2011, a return to winning that brought more fans to Comerica Park.

Tigers general manager Dave Dombrowski said Ilitch was simply driven to win.

“He has a good feel for sports, baseball in particular, and that’s always good when you’re working for someone like that,” Dombrowski said in 2010, shortly after Ilitch announced he would try to buy the Detroit Pistons. Ilitch had jumped in amid speculation another buyer might move the pro basketball team.

“When I read in the paper there was the chance that this great sports town could lose one of its professional sports franchises, I just didn’t see how we could let that happen,” Ilitch told The Associated Press in 2010. “The Pistons, just like the Red Wings, Tigers and the (Detroit) Lions, have a rich and storied tradition in this community.”

California billionaire and Michigan State University graduate Tom Gores eventually bought the Pistons and kept the team at its stadium in Auburn Hills, north of Detroit.

Ilitch’s admiration of Detroit also was put on display in 2009, when General Motors — struggling under the threat of bankruptcy — discontinued its sponsorship of the popular General Motors Fountain at Comerica Park. Instead of selling the space to other bidders, Ilitch gave the advertising spot to each of the area’s car companies that season at no cost.

“He cares about the city of Detroit. This is something he wanted to do. It’s for the Big Three,” Ron Colangelo, the Tigers’ spokesman, said at the time.

Philanthropy always was a major focus. In 1985, he established the Little Caesars Love Kitchen, a restaurant on wheels to feed the hungry and help with food distribution following national disasters.

Ilitch founded the Little Caesars Veterans Program in 2006 to provide honorably discharged veterans the chance to own a Little Caesars franchise, and his Ilitch Charities invests in programs promoting economic and job growth. Contributions, sponsorships and in-kind donations from the Ilitch companies total more than $4 million per year.

Ilitch is survived by his wife, seven children and numerous grandchildren.