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Awards

He’s always been unfunny and inappropriate. The Juno Awards has gotten away with his “jokes” in the past, but this time he did go too far.

Juno co-host Russell Peters’ comments ‘inappropriate’: Mélanie Joly

Comedian Russell Peters’s performance as host of the Junos on Sunday night is getting a bad review from Heritage Minister Melanie Joly.

Peters, who hosted the music awards ceremony in Ottawa along with musician Bryan Adams, introduced the minister before she presented an award alongside artist Coleman Hell.

“With him is the minister of heritage, Melanie Joly,” Adams said.

“I don’t know why, but she’s hot, so who cares?” Peters replied.

Peters also commented on the number of young women in the audience, suggesting it was a “felony waiting to happen.”

Speaking outside the House of Commons on Monday, Joly said Peters’ comments were inappropriate, adding this type of humour does not have a place at the Junos.

The minister said she is proud to represent an industry worth $53 billion, noting Canada is the third largest exporter of music in the world.

“We need to make sure that all our role models are supporting the importance of gender parity,” Joly said. “I really hope that he takes that into consideration and understands … the importance of what he said.”

Peters was not immediately available for comment on Monday.

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Awards

No matter what else did or didn’t happen, The Tragically Hip and their heartbreaking story was THE Canadian music story of the last year and CTV played them off and didn’t let them finish their speech on these Juno Awards. That was and is unforgivable!!!

Leonard Cohen, Gord Downie and Sarah McLachlan dominate 2017 Juno Awards

OTTAWA – Even from the afterlife, Leonard Cohen is still dominating the Canadian music scene, with his swan song You Want it Darker taking home Album of the Year honours at the Juno Awards in Ottawa Sunday.

The record, the 14th and final album from the legendary Montreal-born songwriter, was released on Oct. 21, just three weeks before Cohen passed away at age 82.

Cohen was also posthumously awarded Artist of the Year at Saturday night’s gala, and his legacy was honoured in an emotional tribute Sunday courtesy of Feist, who performed Cohen’s Hey That’s No Way to Say Goodbye, following an introduction from Prime Minister Justin Trudeau and Sophie Grégoire Trudeau.

Trudeau called Cohen “one of the greatest artists Canada has ever produced,” and recalled the friendship the Montrealer enjoyed with his father, Pierre Elliott Trudeau.

“We recognized ourselves in what he wrote,” said Grégoire Trudeau.

Cohen was also nominated for Songwriter of the Year, an award that went to Gord Downie, who also won three Juno awards the previous night, including Rock Album of the Year for The Tragically Hip’s Man Machine Poem, and for Adult Alternative Album of the Year for his own Secret Path, the story of Chanie Wenjack.

In a pre-recorded message, Downie thanked Canadians for their support of Secret Path, saying he hoped the album would be used to teach younger generations about truth and reconciliation.

“Thank you for following the sound you’ve sort of been hearing your entire life, for recognizing that we aren’t completely Canada yet,” Downie said. “My dream would be that this record might help people.”

The Tragically Hip were also named Group of the Year on the biggest night in Canadian music, with bandmates Rob Baker and Paul Langlois thanking just about everyone ever associated with the band, including Downie, before they were ushered off stage to the sound of their own music on the house speakers.

Shawn Mendes was awarded the Fan Choice award in the show’s finale.

Russell Peters and Bryan Adams showed off some early comic hijinks in an introductory skit featuring a cameo from the Prime Minister, who made a special request – an unnecessary one, as it turned out — for Adams’ iconic Summer of ’69, which was later performed with an all-star cast.

Peters and Adams stepped in to host after crooner Michael Bublé cancelled to care for his young son, who was diagnosed with liver cancer last fall.

The show kicked off earnestly with Buffy Sainte-Marie recognizing the “enduring presence of all First Nations, Inuit and Metis,” amid traditional indigenous dancers and the thundering beats of Ottawa’s A Tribe Called Red, featuring Tanya Tagaq.

Breakthrough Artist of Year winner, Edmonton singer-songwriter Ruth B., was elated as she took the stage. “The one thing I always wanted to hear on this stage — it doesn’t matter where you come from, no matter what you do, if you have a passion, follow it,” she said.

Jess Moskaluke won for Country Album of the Year for her sophomore album Kiss Me Quiet. “This is probably the coolest thing I’ve ever done – I didn’t even put shoes on,” she laughed.

Rap superstar Drake, who was honoured Saturday with an award for international achievement, was shut out of six other nominations — for the year’s best single, album, artist, rap recording and producer.

Drake also lost out on the Juno Fan Choice award to Shawn Mendes, who was nominated along with Hedley, Justin Bieber, Alessia Cara, Belly, Ruth B., The Weeknd, Tory Lanez and The Strumbellas.

Alessia Cara, with a shout-out to her Brampton hometown, took the award for Pop Album of the Year.

Sarah McLachlan was inducted into the Canadian Music Hall of Fame. “I have the best job in the world,” said McLachlan. “Music is my church. It’s my comfort and salvation. Because of music my life has deeper meaning and a powerful sense of purpose.”

McLachlan performed World On Fire in a broadcast that also featured songs from Dallas Smith, Shawn Mendes, July Talk, The Strumbellas, Ruth B., Arkells, Alessia Cara and Billy Talent.

But they saved the best for last, with Adams rocking out Summer of ’69, joined by an all-star cast of the evening’s winners and nominees.

ahelmer@postmedia.com
twitter.com/helmera

TOP JUNO AWARDS, 2017

Album of the Year:
You Want It Darker, Leonard Cohen

Artist of the Year:
Leonard Cohen

Group of the Year:
The Tragically Hip

Rock Album:
Man Machine Poem, The Tragically Hip

Songwriter:
Gord Downie

Adult Alternative Album:
Secret Path, Gord Downie

Pop Album:
Know-It-All, Alessia Cara

Single:
Spirits, The Strumbellas

Country Album:
Kiss Me Quiet, Jess Moskaluke

Rap Recording:
Hotel Paranoia, Jazz Cartier

R&B/Soul Recording:
Starboy, The Weeknd

Breakthrough Artist:
Ruth B.

Categories
Movies

I will see a movie again this week, I promise you!! I can’t wait!!

Box office report: The Boss Baby dethrones Beauty and the Beast

After two straight weeks of putting in the work to see Disney’s Beauty and the Beast, audiences have hired a replacement box office champion in Fox’s The Boss Baby.

The animated family comedy dethrones the reigning champion, posting an estimated $49 million — a figure nearly $20 million higher than industry expectations initially projected — over its first three days in theaters.

Featuring the voices of Alec Baldwin, Lisa Kudrow, Jimmy Kimmel, Steve Buscemi, and Tobey Maguire, the film follows a suit-wearing infant who teams with his older brother to foil an evil CEO’s nefarious plot. Though it failed to drum up much excitement from movie critics, The Boss Baby notched an impressive A- grade on CinemaScore from polled moviegoers, who drove the film to a $12,987 per-screen average from 3,773 locations — the highest of the week.

According to the industry tracking analysts at comScore, The Boss Baby‘s Friday grosses also helped solidify March 2017’s record as the month’s best performer ever, tallying over $1 billion in ticket sales for the first time in history. Around $1.171 billion worth of audiences went to see movies on domestic screens between March 1-31 — an uptick of 23.4 percent from the previous record of $949.1 million posted in 2016.

Falling to No. 2 across its third week in wide release, Disney’s Bill Condon-directed adaptation of Beauty and the Beast adds a healthy estimated $47.5 million to its growing total, which sits at $395.5 million domestically to date. With a further $67 million pouring in from overseas audiences, Beauty and the Beast has made an astounding $876 million worldwide, cementing it as the year’s top-earning picture both in North America and internationally.

Debuting at No. 3 with a muted $19 million is Paramount’s take on the popular Japanese animation series Ghost in the Shell. The $110 million blockbuster features Scarlett Johannson as an anti-cyberterrorism cyborg. Playing at 3,440 sites, the film averaged a so-so $5,523 and a B-grade on CinemaScore. While its domestic numbers aren’t spectacular, films like this are designed to perform much better overseas, so it can’t be labeled a flop just yet; the female-fronted actioner Resident Evil: The Final Chapter made a paltry $26.8 million stateside in January, though its worldwide total has continued to climb past the $300 million mark well into spring. Ghost in the Shell currently occupies approximately 78 percent of its planned international footprint, so expect it to earn a great deal beyond the $40.1 million it earned from foreign countries this weekend.

Holdovers occupy the remaining slots in the top five, including Power Rangers — which dips a harsh 64 percent to $14.5 million over its second outing — and Kong: Skull Island. The King Kong franchise entry sheds 40 percent of its audience for a fourth weekend total of $8.8 million, bringing its North American haul to $147.8 million thus far.

Rounding out the top 10 is Focus’ Niki Caro-directed historical drama The Zookeeper’s Wife, starring two-time Oscar nominee Jessica Chastain as Antonina Zabinski, a Polish zookeeper who saved hundreds of people and animals during the German invasion in WWII-era Warsaw. Overperforming from Friday through Sunday, the film took an estimated $3.3 million from 541 theaters, averaging a healthy $6,191 per location. The decision has prompted Focus to roll out plans to expand the film to more theaters faster than initially anticipated.

“We’re very happy with our opening weekend, having a more limited title open in the top 10 is a great accomplishment!” Focus Features’ head of distribution, Lisa Bunnell, said of Zookeeper‘s performance via statement. “The film played extremely well with our core audience — exit polls were huge with over 90 percent of the audience rating the film in the top two boxes — as a result we’ve decided to expand faster than originally planned. Adult audiences are looking for films with a great story and strong performances and The Zookeeper’s Wife delivers.”

Per comScore, overall box office is up around 5 percent from the same frame last year. Check out the March 31 – April 2 weekend box office estimates below.

1 – The Boss Baby – $49 million
2 – Beauty and the Beast – $47.5 million
3 – Ghost in the Shell – $19 million
4 – Power Rangers – $14.5 million
5 – Kong: Skull Island – $8.8 million
6 – Logan – $6.2 million
7 – Get Out – $5.8 million
8 – Life – $5.6 million
9 – CHIPS – $4 million
10 – The Zookeeper’s Wife – $3.3 million