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I still need to see BEAUTY AND THE BEAST, TRAINSPOTTING 2 and GOON: LAST OF THE ENFORCERS.

Box Office: ‘Beauty and the Beast’ Waltzes to Record $170M in U.S., $350M Globally

The Disney live-action fairy tale landed one of the top 10 openings of all time and the biggest ever for a PG title, both in North America and overseas.
Be our guest, indeed.

Director Bill Condon’s Beauty and the Beast opened over the weekend to a monstrous $170 million from 4,210 theaters at the North American box office. Overseas, the female-fueled update of the classic 1991 animated musical also dazzled, earning $180 million for an elegant global bow of $350 million.

Beauty set a number of new records, including the biggest start ever for a PG title both in North America and abroad (Last year’s Finding Dory was the previous champ domestically with $135 million). And it surpassed the $166 million domestic debut of last year’s Batman v. Superman: Dawn of Justice to land the top March opening of all time. Just as impressive, the family-friendly movie boasts the seventh-biggest domestic opening for any film, and the biggest outside of summer save for December 2015 bow of fellow Disney blockbuster Star Wars: The Force Awakens, not accounting for inflation.

Several rival studios have Beauty and the Beast coming in higher ($173 million-$174 million); a final figure will be released by Disney on Monday. Either way, it will be the largest domestic opening since Marvel/Disney’s Captain America: Civil War ($177 million) almost a year ago.

Internationally, Beauty placed No. 1 almost everywhere. It was huge in the U.K. with $22.8 million — one of the top five openings ever there — and impressed in China with $44.8 million, already topping the entire runs of Maleficent and Alice in Wonderland.

The $160 million tentpole is yet another win for Disney, where studio chairman Alan Horn — who worked with British star Emma Watson on the Harry Potter franchise when running Warner Bros. — and production chief Sean Bailey have been intent on mining the studio’s classic animated vault and building a stable of live-action movies. Past hits include The Jungle Book, Maleficent, Cinderella and Alice in Wonderland.

“There were a combination of factors that made this a recipes for success. There was a nostalgia for the original and the Disney brand. And Emma Watson was perfectly cast as Belle. The visual effects were also their own character,” said Disney distribution chief Dave Hollis. “And I love our date. We have five weeks of rolling spring break ahead of us.”

Audiences gave Beauty an A CinemaScore. Disney reports that a healthy 40 percent of the audience were males, and nearly half the audience were adults and teens, a startling stat for a PG family title; the remainder were parents and kids.

Beauty and the Beast stars Watson as Belle and Dan Stevens as the Beast. The cast also includes Luke Evans, Josh Gad, Ewan McGregor, Stanley Tucci, Gugu Mbatha-Raw, Ian McKellen and Emma Thompson. David Hoberman and Todd Lieberman of Mandeville Films produced the pic.

The tale follows the bookish Belle, who attempts to rescue her father from the castle of a terrifying beast, and instead becomes his captor. But she soon starts to fall for the Beast and the enchanted staff of his castle, who were all put under a spell by a witch.

The film saw a nice boost from a full run in Imax theaters, generally known as a haven for fanboys. But with PG films booming, Imax is expanding its programming to include family-friendly fare. The large-screen exhibitor worked with Condon on making a special version of Beauty that allows more to be seen on the screen because of a different aspect ratio. Also, Imax offered a 2D version of the movie throughout the day so that it would be a more affordable outing for families. The scheme worked, with Imax locations contributing $12.5 million in North America and $21 million worldwide, beating Jungle Book ($18 million) for the top PG title.

Beauty caused some consternation in a smattering of foreign markets after Condon recently revealed that Gad’s character LeFou, Gaston’s sidekick, is gay. Russia gave the movie a restrictive 16 rating, but it still earned $6 million, on par with Cinderella.

Censors in Malaysia have gone one step further and asked Disney to cut what it deems a “gay moment,” but the studio says it won’t make any changes.

The only film that dared to open nationwide opposite Beauty was The Belko Experiment, which grossed $4.1 million from 1,341 theaters for a seventh-place finish. Written by James Gunn (Guardians of the Galaxy), Belko Experiment is an Orion Pictures’ low-budget horror thriller which is being released by Blumhouse’s alternative distribution arm, BH Tilt.

The pic, directed by Greg McLean, follows a group of 80 Americans who are locked in their high-rise office in Bogota, Colombia, and ordered by an unknown voice coming from the company’s intercom system to participate in a deadly game of kill or be killed in order to survive.

Two male-fueled titles placed No. 2 and No. 3 over the weekend, Kong: Skull Island and Logan, respectively.

Warner Bros. and Legendary’s Kong fell a respectable 53 percent in its second weekend to $28.9 million for a domestic total of $110.1 million. It took in another $38.5 million internationally for a global cume of $259.2 million. The movie’s main challenge remains recouping its hefty production budget of at least $185 million.

In its third outing, Fox’s Logan neared the $200 million mark domestically, grossing $17.5 million for a cume of $184 million. The final and third Wolverine movie has earned north of $500 million worldwide.

Jordan Peele’s sleeper hit Get Out placed No. 4 with $13.2 million in its fourth weekend for a domestic total of $133.1 million. It debuted to an early $2.1 million overseas for a global tally of $136 million for Universal and Blumhouse.

Lionsgate’s faith-based The Shack rounded out the top five with another $6.1 million for a cume of $42.6 million.

At the specialty box office, TriStar/Sony’s T2 Trainspotting earned $180,000 from five theaters for a pleasing location average of $36,000, the best of the weekend after Beauty ($40,380). The long-awaited sequel has already earned more than $34 million overseas, mostly in the U.K.

 

Weekend Box Office 3/19/17
WEEKEND CUME THEATERS WEEK
1. Beauty and the Beast $170M $170M 4,210 1
2. Kong: Skull Island $28.9M $110.1M 3,846 2
3. Logan $17.5M $184M 3,687 3
4. Get Out $13.2M $133.1M 2,979 4
5. The Shack $6.1M $42.6M 2,825 3
6. The Lego Batman Movie $4.7M $167.4M 2,735 6
7. The Belko Experiment $4.1M $4.1M 1,341 1
8. Hidden Figures $1.5M $165.6M 1,162 13
9. John Wick: Chapter Two $1.2M $89.8M 1,065 6
10. Before I Fall $1M $11.3M 1,551 3

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People

Bruce Springsteen – Chuck Berry was rock’s greatest practitioner, guitarist, and the greatest pure rock ‘n’ roll writer who ever lived.

Celebrities pay tribute to Chuck Berry

Chuck Berry, the legendary guitarist, singer, songwriter, and rock and roll pioneer, died Saturday in Missouri at age 90.

Many in the music industry who have been influenced by his work and sound — plus those from movies and TV — were quick to pay tribute to Berry via social media. The Grammy Lifetime Achievement Award winner and Kennedy Center honoree, who TIME magazine named one of the 10 Greatest Electric-Guitar Players in 2009, was hailed by many for his lasting legacy. “Chuck Berry was rock’s greatest practitioner, guitarist, and the greatest pure rock ‘n’ roll writer who ever lived,” tweeted Bruce Springsteen via his official account.

“I am so sad to hear of Chuck Berry’s passing. I want to thank him for all the inspirational music he gave to us,” said Mick Jagger in a statement. “He lit up our teenage years, and blew life into our dreams of being musicians and performers. His lyrics shone above others and threw a strange light on the American dream. Chuck, you were amazing, and your music is engraved inside us forever.”

Added Joan Jett,, “Hail hail rock ‘n’ roll. I’m glad I had a chance to know, love, and work with Chuck Berry during my life and career. Original Pure Rock ‘n’ Roll.”

“Thank you for the poetry, the passion and the potency,” wrote Keith Urban, while former American Idol judge and bassist Randy Jackson, who has played with everyone from Journey to Mariah Carey, extended his thanks to the “greatest rock and roll pioneer of all time.”

“A true pioneer, a brilliant writer, great guitar player, one of the Rock n Roll creators,” said Bob Seger in a statement. “How many people have played his riffs? His ‘Johnny B Goode’ is on the Voyager spacecraft heading for the stars — how many rockers can say that! Chuck had tremendous influence on my work and could not have been a nicer guy. One of the all-time greats.”

Even former President Bill Clinton also released a statement. “Hillary and I loved Chuck Berry for as long as we can remember. The man was inseparable from his music — both were utterly original and distinctly American,” he wrote. “He made our feet move and our hearts more joyful. And along the way he changed our country and the history of popular music. Chuck played at both my inaugurations and at the White House for my 25th Georgetown reunion, and he never slowed down, which is why his legend grew every time he stepped on stage. His life was a treasure and a triumph, and he’ll never be forgotten. Our hearts go out to his family and his countless friends and fans.”

Categories
People

He was a true music legend and this is horrible news. May he rest in peace.

Chuck Berry, the man who ‘started it all,’ dead at 90

Legendary musician Chuck Berry died at his home just west of St. Louis, Missouri on Saturday, according to police. He was 90 years old.

The St. Charles County Police Department confirmed Berry’s death on Facebook, saying police responded to a medical emergency at his home at approximately 12:40 p.m. local time.

Police say Berry was found unresponsive and he was pronounced dead at 1:26 p.m.

His family is requesting privacy, according to the police statement.

“Every riff and solo played by rock guitarists over the last 60 years contains DNA that can be traced right back to Chuck Berry,” Sweden’s esteemed Polar Music Prize Foundation stated emphatically when awarding Berry its rock music prize in 2014.

Berry burst onto the scene in the mid-1950s, cutting songs at Chess Records that are woven into the very fabric of what became known as rock ‘n’ roll: Maybellene, Roll Over Beethoven, Johnny B. Goode, School Days, Rock and Roll Music, Sweet Little Sixteen, and No Particular Place to Go.

Born Charles Edward Anderson Berry on Oct. 18, 1926, to middle-class parents in the black neighbourhood of The Ville in St. Louis, Mo., Berry would grow up to produce an infectious alchemy of blues, hillbilly music and Western swing.

He wrote story songs — often humorous — about working dead end jobs, or hitting the open road with a girl. They were crammed with geographic locations and innovative lyrics about fast cars, teen dances or consumerism.

“I concentrated on this fun and frolic, these novelties,” he told Rolling Stone in 2000. “I wrote about cars because half the people had cars or wanted them. I wrote about love, because everyone wants that.”

In his youth, Berry learned to play piano, saxophone and guitar. His father was deacon of a Baptist church and his mother was a school principal.

As a musician, he cut a dapper, lanky figure onstage with his conk hairstyle, wispy mustache and sideburns.

He thrilled crowds with nimble work on his Gibson guitar and his most famous move — crouching with his guitar and scooting backwards on one heel in what became known as the “duck walk.”

Rock history wouldn’t be the same if he had served the full 10-year term for an armed robbery spree committed with two friends in his late teens.

But he was let out in three, which left him free to bring his guitar to local clubs and meet, in succession, piano player Johnnie Johnson, bluesman Muddy Waters and Chicago label owner Leonard Chess.

They were the three most instrumental in getting Chess to record Maybellene (originally titled Ida Mae) and Wee Wee Hours in the summer of 1955.

The song was a hit for the 29-year-old Berry, and he soon built a star following among white teenagers, helping him escape an eked-out living in jobs that ranged from hairdresser, gas station attendant to assembly line worker.

If rock and deviance were related, Berry did his best to give the critics ammunition throughout his career, beginning with a Mann Act charge of transporting a minor over state lines in 1960. He said he was bringing her to a job in his club as a hat-check girl. Authorities said the 14-year-old was a prostitute.

While locked up for 18 months he wrote hits Nadine and You Never Can Tell, used memorably 30 years later in the Pulp Fiction film dance scene.

By the mid-1960s, his impact was felt mostly through those he influenced. The Beatles recorded Rock and Roll Music and Roll Over Beethoven, The Rolling Stones opted for Carol, and he (eventually) got himself a co-writing credit when Brian Wilson copped his melodies for Surfin’ U.S.A.

Berry fought fiercely for every penny owed, refusing to be a victim of the theft suffered by other early black rock and rhythm and blues artists.

He kept his overhead low, serving as his own manager and relied on pickup bands around the world instead of travelling with his own group. Berry demanded payment up front for his shows, preferably in cash.

The performance fee went up when he hit the top of the pop charts for the first time in 1972 with My Ding-A-Ling, an absurd novelty song he tried gamely to defend years later to Q magazine.

“A lot of people like that song,” he said. “And I LOVED that song because that little, weenie song made my wallet so fat and happy, ha-ha-ha.”

The “cash in the guitar case” ethos, though, often led to problems. With money in hand, more than a few shows were said to be performed half-heartedly or saw the enigmatic Berry leave the stage early.

More seriously, he spent a few months of 1979 in jail for tax evasion.

Berry’s last recording of original material came in 1979, but the mid-1980s saw a flurry of activity, with Keith Richards of the Stones often at the centre.

The Stones’ shaggy-haired rhythm guitarist inducted Berry into the Rock and Roll Hall of Fame in 1986, sheepishly admitting, “It’s very difficult for me to talk about Chuck Berry because I lifted every lick he ever played.”

Richards was bandleader for tribute concerts to Berry that year in St. Louis, with Eric Clapton, Linda Ronstadt and Etta James among those performing.

The concert footage was the musical bed for a documentary, Hail! Hail! Rock ‘n’ Roll in which Berry memorably clashed with Richards on camera, and reportedly on set with director Taylor Hackford.

In 1948, shortly after his release from prison on the armed robbery conviction, Berry married Themetta Suggs and they stayed married for the rest of his life.

But in an autobiography released in 1987, he appeared to revel in recounting various flings on the road. As long as you keep “the home fires burning,” he reasoned.

Berry had businesses and a nice spread in suburban Missouri, but trouble came home in July 1990. Acting on a tip that he was moving kilos worth of cocaine (never found), authorities instead allegedly discovered marijuana, hash and pornographic videotapes.

It was alleged that cameras had been installed in air ducts in the women’s washroom at his restaurant.

Berry said he was being framed by a disgruntled employee, but the end result was that he settled out of court a lawsuit filed on behalf of several women.

He might have forever been a pariah in today’s age of social media approbation, but just under three years later, Jack Lemmon was enthusiastically introducing him fronting an all-star band at President Bill Clinton’s inauguration ball as “the man who started it all.”

The last years of his life were marked by accolades like the Kennedy Center honours in 2000, and a touring schedule that belied his age.

Closer to home, he played several gigs every year at the Duck Room stage of the Blueberry Hill club in St. Louis.

Pop star Lorde stopped by the club in March 2014 and posed for pictures with Berry. She tweeted: “Watched chuck berry and his talented family and band play at the duck room tonight, the stars are in my eyes still.”

In 2016, on his 90th birthday, the musician announced the upcoming release of a new studio album — his first in more than 35 years.

Berry is survived by his wife, three daughters and a son.