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People

I’m so sad and heartbroken right now. May she rest in peace.

Carrie Fisher, Actress, Author and ‘Star Wars’ Rebel Princess, Dies at 60

The daughter of Debbie Reynolds and Eddie Fisher, she carved out her own idiosyncratic career as a truth-telling Hollywood wit.
Carrie Fisher, the actress and writer best known for her iconic role as Star Wars’ Princess Leia, died on Tuesday morning after suffering a heart attack while onboard a flight from London to Los Angeles. She was 60.

Family spokesperson Simon Halls confirmed the news to The Hollywood Reporter.

“It is with a very deep sadness that Billie Lourd confirms that her beloved mother Carrie Fisher passed away at 8:55 this morning. She was loved by the world and she will be missed profoundly,” Halls’ statement read.

A child of Hollywood royalty, Fisher carved out her own idiosyncratic career, enjoying her biggest onscreen popularity as Leia in the original Star Wars trilogy before going on to establish herself as an acerbic, truth-telling writer with such books as Postcards From the Edge. Her HBO special, Wishful Drinking, in which she recounted her unusual life, was nominated for an Emmy as outstanding variety, music and comedy special in 2011.

Born to actress Debbie Reynolds and singer Eddie Fisher in 1956, Carrie Fisher grew up in a showbiz fishbowl — her parents divorced when she was just 2 after Eddie Fisher left Reynolds for actress Elizabeth Taylor in what at the time was a major tabloid scandal.

The young Carrie, who grew up in Beverly Hills, first stepped onstage when she was 15 to join her mother in the Broadway musical Irene. She made her film debut four years later in Warren Beatty’s Shampoo (1975), playing a precocious teen who seduces Beatty’s sexually adventurous hairstylist.

Appearing at Cannes in May to promote the documentary Bright Lights: Starring Carrie Fisher and Debbie Reynolds, which HBO will air in March, Fisher joked, “I didn’t want to be in show business, and I think I did a very good job [of that].”

Nevertheless, she left her mark on the big screen. Star Wars (1977), in which she led the rebellion as Princess Leia, was only her second film and first starring role. She would reprise the part in the two sequels that rolled out in 1980 and 1983, and she returned to the character, in a now-mature incarnation, in 2015’s Star Wars: The Force Awakens. Fisher, who is thanked in the end credits of the new Star Wars spinoff movie Rogue One, was scheduled to appear in the next Star Wars movie, Episode VIII, scheduled for release on Dec. 15.

Fisher often spoke with ambivalence about Leia, telling Rolling Stone in 1983: “She has no friends, no family; her planet was blown up in seconds — along with her hairdresser — so all she has is a cause. From the first film, she was just a soldier, front line and center. The only way they knew to make the character strong was to make her angry.”

However, in the wake of the success of The Force Awakens, Fisher appeared to have made peace with her onscreen alter-ego, attributing the success of the franchise to the fact that “this movie’s about family, Star Wars is. That’s why it has the appeal.”

And she received another Emmy nomination for a 2007 appearance on NBC’s 30 Rock, in which she played a crazy writer, spoofing her Star Wars dialogue with that episode’s last line: “Help me, Liz Lemon! You’re my only hope!”

When some fans criticized how the older Leia looked, Fisher took to Twitter. She admitted that some of the negative comments had hurt her — “unfortunately it hurts all 3 of my feelings,” she wrote — but she also fought back, adding, “Youth & beauty R NOT ACCOMPLISHMENTS, they’re the TEMPORARY happy Biproducts of Time or DNA. Don’t hold your Breath 4 either.”

But while Fisher will always be associated with Leia and the princess’ famous hair buns, Fisher — who also appeared in such films as Hannah and Her Sisters (1986), When Harry Met Sally … (1989) and Soapdish (1991) — drifted away from acting full-time and found a new identity as an author, screenwriter and all-around Hollywood wit.

Frankly addressing her own problems with substance abuse and bipolar disorder, she penned the 1987 hit novel Postcards From the Edge, an only slightly fictionalized version of her own life as a sometimes-depressed actress and the daughter of a major, and occasionally intimidating, Hollywood star. She went on to write the book’s screen adaptation for the 1990 film version, directed by Mike Nichols and starring Meryl Streep and Shirley MacLaine.

While serving as a script doctor on such films as Sister Act, Last Action Hero and The Wedding Singer, Fisher wrote several more novels as well as the memoirs Wishful Drinking (2008), which she later turned into a one-woman play, the 2011 HBO special; Shockaholic and, most recently, the recent The Princess Diarist.

Whenever she appeared on the Hollywood awards circuit to pay tribute to another star, Fisher could be counted on to offer up a wry observation that provoked laughter. Speaking at the 2004 AFI Life Achievement Award given to Streep, she recalled what it was like to have the Oscar-winning actress play her. “After Postcards premiered, I began daily to see the pain and disappointment in the eyes of my family and friends every time I wasn’t Meryl,” Fisher admitted. “There’s a name for this condition as it turns out — Merylnoma Streepdecoccus.”

Fisher — whose most constant companion in recent years has been her French bulldog Gary, who accompanied her everywhere — was married to musician Paul Simon from 1977-83 and during the course of her life had a series of other romances with high-profile men, including a recently revealed affair with Star Wars co-star Harrison Ford.

In addition to her mother, survivors include her daughter, actress Billie Lourd, whose father is CAA co-chairman Bryan Lourd; her brother Todd Fisher; and her half-sisters, actresses Joely Fisher and Tricia Leigh Fisher.

Categories
Music

A show featuring The Joshua Tree in its entirety would be amazing!!

U2 to Celebrate ‘Joshua Tree’ 30th Anniversary, Release New Album in 2017

2017 is looking to be a big year for U2, according to a video that they posted to their YouTube page yesterday.

In the video, all four guys are in a dark room decorating a “joshua tree” with Christmas lights, as the Edge plays “Little Drummer Boy” on guitar.

“Happy Christmas, everyone.” Bono says. “Next year’s gonna be a big year for the U2 group. We have Songs of Experience coming,” which is the follow up to their 2014 album Songs of Innocence. “And to honor the 30th anniversary of Joshua Tree, we have some very special shows. Very special.”

And then as the lights go out and the guys walk away, Bono whispers, “Joshua Tree.”

Billboard is speculating that U2 is planning a stadium tour this summer, and that they will headline Bonnaroo.

Categories
Movies

I only saw NOCTURNAL ANIMALS over Christmas and it was very good, not great. I do need to see ROGUE ONE again.

‘Rogue One,’ ‘Sing’ Dominate Christmas Box Office, ‘Passengers,’ ‘Assassin’s Creed’ Struggle

“Rogue One: A Star Wars Story” and “Sing” carved up the Christmas box office, while newcomers “Assassins Creed” and “Passengers” struggled to get their slice of the ticket sales.

The Star Wars spinoff is projected to rack up $96.1 million over the four day holiday. The space opera’s domestic revenues currently stand at $286.4 million and should cross $300 million on Monday. Globally, the prequel has racked up a mighty $523.8 million.

“Sing,” a family-friendly film about a talent competition for animals, was the de facto choice for moviegoers with kids. It has earned an impressive $76.7 million over its first six days of release. Its success is another win for Illumination and Universal, the producers of “The Secret Life of Pets” and “Despicable Me.” Animation has been a particularly popular genre this year — three of the six highest grossing films and six of the top 20 highest grossing films have been animated offerings.

“Sing” carries a $75 million production budget, an economical figure considering that most animated movies typically cost in excess of $150 million to make. It also boasts a voice cast that includes Reese Witherspoon, Matthew McConaughey, and Seth MacFarlane, as well as a soundtrack of hits from the likes of Stevie Wonder, Queen, Taylor Swift, and the late George Michael.

The tunes may have helped the film resonate with audiences, particularly given that it is an original property hitting at a time of year traditionally dominated by franchises.

Universal distribution chief Nick Carpou says that “Sing’s” appeal was clear during its premiere at last September’s Toronto Film Festival.

“I was sitting in the audience and you could just feel the reaction of people,” he said. Every song had rousing applause. It was as if they were performing them live.” “Sing,” like last summer’s “The Secret Life of Pets,” leaves the story open for more installments, a sign that Illumination and Universal may have a new animated series on their hands.

Sony’s “Passengers,” a science-fiction romance that was hoping to capitalize on the combined drawing power of Chris Pratt and Jennifer Lawrence, struggled to make a mark. All the star wattage wasn’t enough to withstand a critical drubbing. The film earned $30.4 million over the five day period, on the low end of projections. “Passengers” cost $110 million to produce after incentives are taken into account.

Sony executives, however, argue that the film is performing well, and point to the “Passengers’” strong Christmas day grosses of $7.5 million as evidence that “Passengers” is finding its footing. They expect that the film will perform well with older crowds through the holidays.

“This trajectory will show the mettle of our film,” said Rory Bruer, Sony’s worldwide distribution chief, adding, “The chemistry between Chris Pratt and Jennifer Lawrence is really resonating.”

Fox’s “Assassin’s Creed” also failed to make a big impression. The video game adaptation generated $22.5 million over the six day period. With a hefty $125 million production budget, “Assassin’s Creed,” like “Passengers,” will need to get a warmer reception overseas if it wants to fight its way into the black.

Fox domestic distribution chief Chris Aronson noted that the video game of “Assassin’s Creed” has great global resonance and said the studio always saw the film as playing well with foreign ticket buyers. Its cast includes French actress Marion Cotillard, Irish-German actor Michael Fassbender, and English thespian Jeremy Irons.

“This start exceeded our modeling,” he said. “We’ll be the beneficiaries of a strong holiday play period.”

Fox’s “Why Him?” seems better positioned to profit. The R-rated comedy with James Franco and Bryan Cranston earned a solid $16.7 million on a $38 million budget for its first four days in theaters. It opened Friday.

“We believed in this film from its first research screening,” said Aronson. “This film plays like gangbusters with an audience. America loves to laugh and lord knows we need something to laugh about.”

All three major new films will try to make up ground in the coming days, and they’ll get some help from the calendar. Many Americans will take the week between Christmas and New Year’s as vacation, making moviegoing an attractive leisure activity.

Many Oscar-contenders benefited from the holiday. “La La Land” expanded nicely, and is projected to earn $9.7 million for the four day weekend after moving from roughly 200 to 734 locations. The Lionsgate musical will have earned $17.6 million since debuting in limited release earlier this month.

CBS and Lionsgate’s “Patriot’s Day” opened in limited release on Wednesday. The drama about the Boston Marathon bombing earned a healthy $256,718 from seven screens.

Paramount’s “Fences” capitalized on strong reviews and awards buzz, racking up $11.4 million after moving from a few dozen locations to 2,233 venues.

Fox 2000 and Chernin Entertainment’s “Hidden Figures” opened in limited release on Christmas day and is projected to make
$955,000 in its first two days in theaters. The historical drama follows a group of African-American scientists and mathematicians who played a crucial role in the early days of the space program.