Categories
Movies

After a busy week I hope to see ARRIVAL and HACKSAW RIDGE this week.

Box office: Doctor Strange repeats at No. 1, Arrival invades with solid debut

Denis Villeneuve’s Amy Adams-fronted sci-fi drama Arrival gets a healthy boost as the awards race heats up, posting a solid debut across its opening weekend. The film landed with an estimated $24 million on a relatively soft $47 million budget.

The film finishes at No. 3 on the weekend chart, falling behind holdovers Doctor Strange ($43 million) and Fox’s animated Trolls ($35 million), tallying numbers that recall strong openers The Girl on the Train and The Accountant, which hit theaters last month.

Highlighting fall 2016’s weak returns thus far, with its second three-day frame at the top of the chart, Marvel’s Doctor Strange remains the single $100 million-plus grosser in the North American top 20. Its estimated $153 million domestic total additionally boosts Marvel’s parent studio, Disney, to its best year on record, as the Mouse crossed $2.308.4 billion on Saturday. Doctor Strange’s 49 percent decline from its $85 million opening additionally notches the second best second weekend descent among the last ten Marvel releases.

Overseas, the Sorcerer Supreme amasses a further $60.2 million, bringing its global total to $493 million from three weekends. $54 million of its worldwide grosses to date come from IMAX-formatted locations, from which it earned an extra $12 million this weekend.

Though Arrival impressed critics on the festival circuit from Venice to Toronto, the subtle psychological drama, which Paramount marketed as an action-thriller, seemingly missed its mark with polled audiences, as surveyed moviegoers gave the film a middling B grade on CinemaScore. Still, Arrival continues its trajectory as a likely Oscar and Golden Globe contender, with Adams generating some of the best reviews of her career for her leading turn as a linguist communicating with a band of squid-like aliens who invade Earth with a seemingly ominous message for humanity.

Rounding out the top 5 are the ensemble holiday flick Almost Christmas, which rakes in a strong $15.6 million on a reported $17 million budget (with an A- CinemaScore grade) at No. 4, and Mel Gibson’s directorial comeback Hacksaw Ridge, which stands atop sturdy legs as it drops a mere 29 percent for an estimated second weekend haul of $10.8 million in fifth place.

Outside the top 10, Naomi Watts’ first foray into the horror genre since 2011’s Dream House stumbles with critics and audiences across its first weekend, pulling in $3.7 million on 2,058 screens, averaging 1,798 per theater and a poor C grade on CinemaScore.

Despite poor critical reception, Ang Lee’s boundary-pushing Billy Lynn’s Long Halftime Walk, which had its world premiere at the New York Film Festival in October, registers one of the strongest opening weekend averages of the year, making an estimated $60,000 per location on two screens for a weekend total of $120,000. Only two U.S. theaters are equipped to present the film in its divisive 4K HD, 120 frames-per-second (the industry standard is 24 fps), 3D format, and both locations — the Cinerama Dome at the Arclight in Hollywood and AMC Loews Lincoln Square in New York City — returned stellar numbers for the auteur’s latest: $56,000 on Friday, $35,000 on Saturday, and a projected $28,000 on Sunday.

Also debuting on the specialty front is Paul Verhoeven’s Elle, which pulls in $56,012 on two screens. The Cannes-premiering thriller received praise from film journalists on Friday, who noted Isabelle Huppert’s starring turn as one of the best of the year thus far.

Year-to-date box office bounds ahead 4.5 percent as compared to the same period last year. Check out the Nov. 11-13 weekend box office estimates below.

1. Doctor Strange – $43 million
2. Trolls – $35 million
3. Arrival – $24 million
4. Almost Christmas – $15.6 million
5. Hacksaw Ridge – $10.8 million
6. The Accountant – $4.6 million
7. Shut In – $3.7 million
8. Boo! A Madea Halloween – $3.6 million
9. Jack Reacher: Never Go Back – $3.3 million
10. Inferno – $3.3 million

Categories
People

May he rest in peace.

Rocker Leon Russell dies in Nashville

NASHVILLE, Tenn. (AP) — Leon Russell, who performed, sang and produced some of rock ‘n’ roll’s top records, has died. He was 74.

Russell’s wife, Jan Bridges, said in a statement that her husband died in his sleep Sunday at their Nashville home. She said Russell had heart bypass surgery in July and had been planning on resuming touring in January.

His final performance was July 10 in Nashville.

Besides his music, Russell was known for his striking appearance: wispy white hair halfway down his back and that covered much of his face.

“A true patriarch has been lost,” said Beau Charron, Russell’s guitar and pedal steel player, said in a statement. “Leon Russell fathered many musicians and fans thru life and love with his music. On his own terms. My years with him have shaped me in profound ways, and I am heartbroken to lose my mentor and friend.”

Tributes poured in from entertainers who appreciated Russell’s gospel-infused southern boogie piano rock, blues and country music.

On Twitter, Cat Stevens wrote that Russell was “a great influence and songwriter.” Charlie Daniels said Russell “left a lot of great music behind.” And Richard Marx tweeted: “What an extraordinary messenger of beauty he was.”

Russell played keyboard for the Los Angeles studio team known as the Wrecking Crew, helping producer Phil Spector develop his game-changing wall of sound approach in the 1960s.

He wrote Joe Cocker’s “Delta Lady” and in 1969 put together Cocker’s “Mad Dogs and Englishmen” tour, which spawned a documentary film and a hit double album.

As a musician, primarily a pianist, he played on The Beach Boys’ “California Girls” and landmark “Pet Sounds” album, Jan and Dean’s “Surf City,” the Ronettes’ “Be My Baby,” and the Byrds’ “Mr. Tambourine Man.” He also played guitar and bass.

Russell produced and played on recording sessions for Bob Dylan, Frank Sinatra, Ike and Tina Turner, the Rolling Stones and many others. He arranged the Turners’ “River Deep, Mountain High.”

He also recorded hit songs like “Tight Rope” and “Lady Blue” and participated in “The Concert for Bangla Desh.” John Lennon, Ringo Starr and George Harrison played on his first album, “Leon Russell.”

Later, Ray Charles, Aretha Franklin and Willie Nelson were among those to cover Russell’s ballad “A Song for You” that he wrote for the album.

His concerts often ended with a rousing version of “Jumpin’ Jack Flash.” In 1973, Billboard Magazine listed Russell as the top concert attraction in the world. About this time, he was the headline act on billings that included Elton John and at other times Willie Nelson.

In a 1992 interview with The Associated Press, Russell said music doesn’t really change much.

“It’s cyclical, like fashion. You keep your old clothes and they’ll be in style again sooner or later.

“There are new things, like rap. But that’s a rebirth of poetry. It’s brought poetry to the public consciousness.”

In 2011, Russell was chosen for induction into the Songwriters Hall of Fame. He also was honored with an Award for Music Excellence from the Rock and Roll Hall of Fame.

He and Elton John released “The Union,” a critically received duo album in 2010.

“He was a mentor, inspiration and so kind to me,” Elton John said in a Facebook post Sunday. “Thank God we caught up with each other and made ‘The Union’. He got his reputation back and felt fulfilled. I loved him and always will.”

Born Claude Russell Bridges in Lawton, Oklahoma, Russell began as a nightclub piano player in Oklahoma at the age of 14, also backing touring artists when they came to town. Jerry Lee Lewis was so impressed with Russell that he hired Russell and his band for two years of tours.

He relocated to Los Angeles in 1959, where he became known as a top musician, and later to Nashville.

In the early 2000s he began his own record label, Leon Russell Records.

Categories
The Simpsons

Love That Legacy!!

‘The Simpsons’ producer is proud of record-breaking legacy

Consider this: If you were 10 years old when “The Simpsons” premiered in December 1989, you’d be turning 37 next month.

And you’d be closing in on 40 when Fox’s animated crown jewel kicks off its 30th season in 2018.

It’s been on that long.

“A lot of people who were fans of the show at the beginning don’t watch anymore, but we always have a new audience coming in,” says veteran “Simpsons” executive producer Al Jean. “It’s a new show to them, which is a pretty amazing thing. And that’s partly due to its animated nature, since the characters always look the same. I look at it as someone who’s under the age of 30 can’t remember life without ‘The Simpsons.’ That’s a weird fact.”

Jean was more than happy to talk about Fox renewing “The Simpsons” for a record-busting 29th and 30th seasons. That will take Homer, Marge, Bart, Lisa, Maggie et al. to 669 episodes — the most episodes for any scripted show in TV history, surpassing CBS Western “Gunsmoke,” which aired 635 episodes from 1955-75.

“When we hit 300 episodes I looked it up to see what show had the most episodes and saw that it was ‘Gunsmoke,’” Jean says. “I joked back then that we were heading for them, and here we are, closing in. But it’s never about hitting milestones. There was a definite pride in reaching 600 episodes and it will be cool to surpass ‘Gunsmoke’ … but we just want to keep going if it’s good. The audience will tell us [when to call it quits] when the ratings start to drop.”

Jean says he had an idea the series would be renewed once it kicked off its 28th season Sept. 25. “I just looked at the ratings. I always thought it was coming back,” he says. “I believe we’re currently the second-highest-rated show on the network after ‘Empire.’ ”

Jean was asked if, after all these years, “The Simpsons” runs on auto-pilot. “My answer would be I wish we could be on auto-pilot, but every episode is its own struggle,” he says. “We never get to rest on our laurels. It’s animated well and we make it funny — but we’ve never, from the beginning of the show to now, phoned it in. I work pretty much every weekday of the year trying to figure out how to make the show better.

“People want [the ‘Simpsons’ characters] to be happy,” he says. “We’ve always resisted any permanent change to the template because I think, once you do that, it becomes a different show. People ask, ‘What if [the characters] did a time-jump to high school?’ I would say that, rather than do that, I would end the show. It’s gone on so long it has to stay in its current incarnation.”

And, Jean says, there’s one future episode of “The Simpsons” about which he’s excited.

“The one I’m looking forward to is number 666, which will fall around Halloween. It’ll probably be a ‘Treehouse of Horror’ episode,” he says, alluding to the show’s annual Halloween episode. “Aside from 666, I imagine the next milestone we’ll be celebrating is our 700th episode.”

“The Simpsons” Airs 8 p.m. Sunday on Fox.

Categories
People

Even The Boss Breaks Down

Bruce Springsteen Rescued by Veterans on Remembrance/Veterans Day After Motorcycle Breaks Down

Bruce Springsteen went out for a ride and may not have gotten back if not for some good Samaritans on Remembrance/Veterans Day (Nov. 11).

Springsteen took advantage of a warm day in New Jersey by taking a spin on his motorcycle, but it broke down on the side of the road by Allaire State Park. At the same time, members of the Freehold American Legion Post 54 Legion Riders — who represented Post 54 at the Veterans Day Ceremony in Holmdel for Veterans Day — had the same idea to enjoy the nice weather and take a ride to Manasquan before returning home to Freehold.

As members Dan Barkalow, Bob Grigs, Donald Clayton and Ryan Baily were making their way through the backstreets — er, backroads — back to Freehold, they noticed a scared and lonely rider on the side of Allaire Road calling out for help. The veterans pulled over and discovered it was Springsteen. Baily had the Boss climb onto his bike, and the men gave him a ride to Mulligan’s, a restaurant in Farmingdale, N.J., where the 67-year old rocker made a call for a pickup.

After the guys went inside, sat down and had a few drinks, the thankful singer threw in $100, told them to keep the change, posed for a few pictures and took their phone numbers — presumably for future rides, or one heck of a thank-you note.