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Adore Adele Even More!

11 Things Adele Admitted In Her ‘Vanity Fair’ Interview That Will Make People Love Her Even More

Adele has never been one to hide her feelings (especially in song), but she also isn’t someone you see plastered all over magazine covers from week to week. So when she does sit down with a writer for an interview, it’s about as in-depth as you get. The most recent profile of the “Hello” singer appears in Vanity Fair, and she shares her thoughts on just about everything, from motherhood to Beyonce, even making a snarky remark about WiFi at one point.

Many people adore Adele already, but here are some takeaways from her latest interview and maybe you’ll fall in love even more.

She thinks her success is “f—in’ ridiculous.”

Featured in an excerpt before the article, Adele admits she can’t quite believe everything that has happened to her since her breakout in 2008. “I swear to god I laugh at every big thing that happens in my career,” she said. “I laugh out loud because I think it’s f—in’ ridiculous. At some point, the director of The Truman Show is going to come and say this is a sequel.”

She struggled with postpartum depression after the birth of her (now 4-year-old) son Angelo.

After admitting she’s “too scared” to have another child, Adele revealed that she had “really bad” postpartum depression after giving birth to Angelo. While she said it “frightened” her, the singer says she didn’t resort to antidepressants — but also didn’t talk to anyone about it. “I was very reluctant. … My boyfriend [Simon Konecki, Angelo’s father] said I should talk to other women who were pregnant, and I said, ‘F— that, I ain’t hanging around with a f—in’ bunch of mothers.’”

Gradually, Adele admitted she began gravitating toward her friends with kids because they were a bit more understanding. And over time, she realized what was best for her. “Eventually I just said, I’m going to give myself an afternoon a week, just to do whatever the f— I want without my baby. A friend of mine said, ‘Really? Don’t you feel bad?’ I said, I do, but not as bad as I’d feel if I didn’t do it.” She added, “It makes you a better mom if you give yourself a better time.”

She’s insanely protective of her son.

Despite the fact that Adele gives herself alone time every now and then, she keeps an extra careful eye on Angelo. “I’d sue the f—in’ ass off anyone that comes anywhere near my child.”

She’s in no rush to get married — and may never end up walking down the aisle.

Adele told the mag that she “doesn’t need” marriage to prove that she loves Simon, whom she’s been dating since 2011. In fact, she thinks having a child together is the bigger, more important commitment. Later in the interview, she gushed over Simon, calling him “perfect.”

She could care less if her legs are hairy (yes, even having a serious boyfriend).

Adele had no problem admitting that she went a month without shaving, eventually shaving because she was afraid people in the front row of her shows would begin to notice her leg hair as she walked up the stairs of her stage. When asked if Simon minded her hairy legs, Adele was quick to declare, “He has no choice. I’ll have no man telling me to shave my f—in’ legs. Shave yours.”

She thinks WiFi is going to kill us.

After commenting on how “pissed off” she gets to see members of her crowd on their phones, Adele made it clear that she’s not super big fan of WiFi. “This WiFi, you watch, it’s going to f—in’ kill our insides. … It’s just floating around. I’m telling you, we’ll find out in 25 years.”

She was drunk while writing a majority of her album 21.

Adele revealed she “was completely off my face” writing her sophomore album, drinking two bottles of wine and chain-smoking on a regular basis. “A drunk tongue is an honest one,” she said. “I can see from an outsider’s perspective that I will never write songs as good as the ones that are on 21, but I’m not as indulgent as I was then, and I don’t have time to fall apart like I did then.”

She has adored Beyonce since she was 11.

“She’s my Michael Jackson,” Adele raved, mentioning that her love affair began after she heard Destiny Child’s “No, No, No.” (Beyonce loves her right back, telling Vanity Fair, “She’s funny as hell and her comebacks are legendary,” adding that she’s “the most humble human being I’ve ever met.”)

She doesn’t consider herself a singer, per se.

While this may sound absurd, Adele said she considers herself more of a “wailer” than a singer. With Beyonce, Stevie Nicks and Bette Midler at the top of her list of favorite singers, she apparently doesn’t think she should be grouped with them: “They’re on the next level.”

She’s “a lot less bitchy” than she used to be.

Addressing the past boyfriends who inspired her songs of long-lost love and heartbreak, Adele admitted that hate got in the way of the love she once felt for each one of them. “But I’m an adult now, I’m a mother, and I’m a lot less bitchy,” she said. “They were interesting people, and while we’re not friends and I don’t see them regularly, I have seen them and it’s all fine.”

She’d love to be on Broadway — and even has a role in mind.

After Adele said she’s in this business for “the long haul,” the 10-time Grammy winner mentioned that she probably won’t do a huge tour like the 43-city Adele Live 2016 trek again. She could see herself doing a brief Las Vegas residency, though, and even desires to play Mama Rose in Gypsy on Broadway — but “like when I’m 50.”

Categories
Movies

Bring on DOCTOR STRANGE!!

Box office report: Madea douses Inferno as Da Vinci Code threequel flops

The flames of Tyler Perry’s mega-popular Madea series rage on as Boo! A Madea Halloween holds steady at No. 1 atop the North American box office, dousing Tom Hanks’ Inferno, which debuts to a paltry $14.9 million in the runner-up position.

With its $17.2 million haul, Perry’s holiday-themed comedy registers the best second weekend percentage drop of any film in Perry’s filmography, including non-Madea titles. The film’s cumulative total now stands at just over $52.5 million after 10 days in theaters.

Inferno, the Tom Hanks-starring vehicle, serves as the weekend’s sole new wide release, but proves to be no match for the holdover, paling in comparison to the box office performance of its forerunners, which premiered to $77.1 million and $46.2 million in 2006 and 2009, respectively.

Though the film, which marks director Ron Howard’s second underperformer released in the last year (his In the Heart of the Sea fizzled with $25 million total in December), gets off to an unhealthy start in the U.S. and Canada, its international totals more than make up for the domestic misstep; the film has thus far earned roughly $147.6 million globally, doubling its reported $75 million budget.

Audiences were kinder to the Da Vinci Code threequel than critics were, however, with polled moviegoers giving the film an average B+ grade on CinemaScore, while critics lampooned the picture as reviews poured in on Friday, accounting for the film’s 20 percent score on Rotten Tomatoes (with an average rating of 4.4/10).

Dropping significantly from its decent $22.9 million opening is Tom Cruise’s Jack Reacher: Never Go Back, which falls 57.9 percent for a weekend gross of $9.6 million, bringing the $60 million production’s worldwide total to around $93.9 million.

Rounding out the top five are Ben Affleck’s The Accountant, slipping to No. 4 with a healthy estimated $8.5 million ($61.3 million total) and the Ouija prequel Origin of Evil, which likely benefits from being the only major horror title in wide release heading into the Halloween holiday as it falls 49.4 percent to an estimated $7.1 million.

Elsewhere on the chart, the Indian romance Ae Dil Hai Mushkil, featuring some of the country’s biggest stars, including Aishwarya Rai Bachchan and Ranbir Kapoor, makes a solid debut at No. 10 on the North American chart, pulling in an estimated $2.2 million from 302 screens for a per-screen average of $7,252.

A24’s likely Oscar contender Moonlight continues to dazzle on the specialty front, registering the highest per-theater average of the week for the second frame in a row, pulling in another $850,114 as it expands to 36 locations. Its domestic total now stands at an estimated $1.42 million. The week’s strongest limited debut, however, is Jim Jarmusch’s Stooges documentary Gimme Danger, which earns $44,725 from three theaters.

Yearly box office is up around 3.4 percent from the same frame in 2015.

Check out the Oct. 28-30 weekend box office totals below.

1. Boo! A Madea Halloween – $17.2 million
2. Inferno – $14.9 million
3. Jack Reacher: Never Go Back – $9.6 million
4. The Accountant – $8.5 million
5. Ouija: Origin of Evil – $7.1 million
6. The Girl on the Train – $4.4 million
7. Miss Peregrine’s Home for Peculiar Children – $4 million
8. Keeping Up with the Joneses – $3.4 million
9. Storks – $2.9 million
10. Ae Dil Hai Mushkil – $2.2 million

Categories
Television

I’ll be watching this for sure!

The Odd Couple honoring Garry Marshall with all-star tribute

The Odd Couple is going to give Garry Marshall a fitting memorial.

The CBS sitcom, which is a reboot of the ’70s show Marshall developed, will pay tribute to the late filmmaker with a special episode on Nov. 7 featuring a slew of guest stars from shows Marshall worked on during his career.

Joining leads Matthew Perry and Thomas Lennon next week are former stars from Happy Days (Ron Howard, Marion Ross, Anson Williams, and Don Most), Laverne & Shirley (Penny Marshall and Cindy Williams), and Mork & Mindy (Pam Dawber). The episode centers on Oscar (Perry) reconnecting with many significant people from Walter’s life when he agrees to carry out his father’s final wish to spread his ashes behind the candy factory he used to own. Marshall played Walter in an April episode.

Marshall, who died July 19 at 81 years old, had a long and storied career in Hollywood. His fingerprints were left all over the industry, from creating Happy Days and Laverne & Shirley, directing films like Pretty Woman and The Princess Diaries, among others.
“The writing staff and everyone on The Odd Couple reboot was thrilled when Garry Marshall joined us as a producer because his shows were part of our TV DNA,” executive producer Bob Daily said in a statement. “He was a kind, generous presence on the set, and we loved him dearly. And when we lost him, we knew we had to do something to honor his legacy — something that, like Garry’s work, was both heartfelt and zany.

“We are so grateful that the stars of these classic shows are able to join us in honoring him.”

The Odd Couple airs Mondays at 9:30 p.m. ET on CBS.