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People

May he rest in peace.

Scotty Moore, Rock Pioneer and Elvis Presley’s Guitarist, Dies at 84

Scotty Moore, the pioneering rock ‘n’ roll guitarist whose fluid picking propelled Elvis Presley’s first recordings for Sun Records, died Tuesday in Nashville, according to Memphis newspaper the Commercial Appeal. He was 84.

Moore was a member of a local country combo in Memphis when he was drafted by Sun owner Sam Phillips to support with the young, untested teenage singer on his debut recordings.

His crisp, flowing, melodic guitar lines, heavily influenced by Chet Atkins’ early work but also infused with deep blues feeling, highlighted the singles issued by Sun during Presley’s rise to fame in 1954-55.

Moore went on to work behind Presley after he moved to major label RCA in 1956, appearing on such major hits as “Heartbreak Hotel” and “Blue Suede Shoes.” He also took supporting roles in several of Presley’s early feature films, and took a key instrumental role in his 1968 “comeback special.”

He was inducted into the Rock and Roll Hall of Fame in 2000.

Born Winfield Scott Moore III on Dec. 27, 1931, on a farm outside Gasden, TN, Moore, the youngest of 14 children, began playing guitar at 8. He enlisted in the Navy and served in Korea from 1948-52.

Moore founded the Starlite Wranglers shortly after his release from the service; the sextet also included the comedic bass player Bill Black. The band had recorded a single for the young, blues-oriented label Sun in May 1954.

At the suggestion of Sun office manager Marion Keisker, Moore called up Presley – whose name, he later said, sounded like “a name out of science fiction.” After Moore and Black had rehearsed with the vocalist, they entered the studio on July 5, 1954. After running down several tunes they knew in common, at Phillips’ urging the trio cut a version of Arthur Crudup’s blues “That’s All Right.”

Released as a single later that month, the song took off regionally and jump-started Presley’s career. Moore was employed on all of the singer’s subsequent Sun 45s, including such classic performances as “Blue Moon of Kentucky,” “Baby Let’s Play House,” “Mystery Train” and “Good Rockin’ Tonight.”

As a member of the “Blue Moon Boys,” Moore also backed Presley on the singer’s early, sometimes riotous tours through the South, in which the rising rock ‘n’ roll star was sometimes billed on a package bill with his Sun label mates Johnny Cash and Jerry Lee Lewis.

After Presley was signed to RCA for the then unprecedented sum of $40,000, Moore followed him into studios in Nashville and New York, playing on his immensely successful early 45s and LPs. He also backed Presley on his famous, scandalous early TV appearances on the Dorsey Brothers, Milton Berle and Ed Sullivan variety shows.

After Presley was drafted into the Army in 1958, Moore segued into production as the VP at Fernwood Records, an indie Memphis label founded by Phillips’ former right-hand man Jack Clement and club owner Slim Wallace. He produced Thomas Wayne’s hit ballad “Tragedy” and sides by guitarist Travis Wammack for the label.

Upon Presley’s return from duty in 1960, Moore re-upped with the singer, appearing on Frank Sinatra’s “welcome home” special that March.

The association between the singer and guitarist may have had its apotheosis on the December 1968 NBC special in which Presley roared back to musical prominence after years in the Hollywood wilderness. The show was highlighted by intimate, dazzling small-group performances featuring Moore on lead guitar.

In later years, Moore founded a Nashville studio, Independent Producers Corp. (which was housed in Monument Records’ old facility) and engineered TV shows for Opryland Productions.

In 1992 he appeared with his onetime label mate and rock guitar peer Carl Perkins on the summit meeting “706 ReUnion,” issued on his own Belle Meade Records; the title was a play on the Union Avenue location of Sun Records’ fabled studio.

The 1997 album “All the King’s Men” found him working with Presley’s former drummer D.J. Fontana and such stars as Keith Richards and Ron Wood of the Rolling Stones, Levon Helm of the Band, and guitarist Jeff Beck.

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Movies

I saw FINDING DORY this week and CENTRAL INTELLIGENCE and enjoyed them both.

Finding Dory douses Independence Day: Resurgence at weekend box office

Though the 4th of July weekend is less than a week away, Finding Dory continues to launch fireworks at the box office, sitting pretty as the top domestic earner for a second week while nearly doubling Independence Day: Resurgence’s $41.6 million debut.

The Disney/Pixar sequel swam to an estimated $73.2 million across its second frame, marking a 45.8 percent drop on its way to $286.6 million in North American receipts. The film is now on-track to become Disney’s highest-grossing film of 2016, and that’s saying something: The studio’s The Jungle Book has amassed $357.1 million total thus far, while Zootopia trails closely behind with $340.2 million and counting.

Further driving yearly box office, which is up approximately 1.9 percent from 2015 so far, Dory also seems primed to overtake Captain America: Civil War as the studio’s top-earning movie of the year, as it should close in on (or surpass) the superhero film’s still-growing $403.9 million total by the end of the holiday weekend.

Dory added another $37 million in foreign grosses as well, bringing its estimated worldwide total to $396.9 million as it inhabits 46 percent of its planned international footprint to date.

Debuting below expectations at No. 2 with $41.6 million is Fox’s Independence Day: Resurgence, the sequel to a 20-year-old film no one really asked for in the first place — especially the critics, who savaged the new film with scathing reviews on Friday.

The expensive action flick reportedly cost around $165 million to produce, meaning the film will have to rely on foreign grosses to break even. That’s not a death sentence by any means: International grosses have kept films like Disney’s Alice Through the Looking Glass ($249 million worldwide) and Universal’s Warcraft ($412 million worldwide) afloat despite disappointing domestic grosses. In particular, Resurgence should fare well with audiences in China, where recent, comparable underperformers like 2015’s Terminator: Genisys and 2013’s Pacific Rim have gone on to earn over $100 million.

Central Intelligence, The Rock and Kevin Hart’s well-received action-comedy, held on strong in its second weekend of wide release, adding $18.4 million as it slipped a mere 48 percent to No. 3. The film continues to overperform against expectations, as audiences have flocked to see its charismatic leads to the tune of $69.3 million so far.

Coming in hot at No. 4 is Sony/Columbia’s shark thriller The Shallows, which ate up a healthy $16.7 million in its opening weekend. The studio’s decision to move the film’s release date up several days from its originally planned Wednesday debut was a wise move, as the film was bound to open with impressive numbers either way. The Shallows now has an extra kick driving it into the traditionally lucrative holiday weekend ahead.

The $17 million action-horror flick also earned solid reviews from critics, as it currently stands at 74 percent on Rotten Tomatoes. As a quality B-movie alternative to Finding Dory, Independence Day: Resurgence, and Central Intelligence, The Shallows has a sturdy platform from which to begin a solid run on long legs, likely holding its own against films with a broader reach (The BFG, Legend of Tarzan) opening next week.

Premiering at No. 5 is STX Entertainment’s Free State of Jones, Matthew McConaughey’s first major release since starring in the 2014 sci-fi drama Interstellar. Though the historical drama’s estimated $7.8 million opening on 2,815 screens is a modest one, STX’s share of the film’s $50 million budget was approximately $6 million, their limited exposure largely offset by several equity partners who covered a significant portion of production costs.

Though it didn’t exactly light the domestic box office aflame, Free State of Jones played best to viewers among the weekend’s new releases, according to CinemaScore tracking. Audiences awarded the film an A- grade, while The Shallows earned a middling B+ and Independence Day: Resurgence notched a lowly B.

Outside the top 10, Nicolas Winding Refn’s Cannes thriller The Neon Demon flopped hard with an estimated $606,594 from 783 screens, with a location average of $774. On the other hand, A24’s Swiss Army Man, otherwise known as the “farting corpse movie” starring Daniel Radcliffe, pulled in an impressive $114,000 from three theaters for a per-screen average of $38,000.

Check out the box office estimates for the June 24-26 weekend:

1. Finding Dory – $73.2 million
2. Independence Day: Resurgence – $41.6 million
3. Central Intelligence – $18.4 million
4. The Shallows – $16.7 million
5. Free State of Jones – $7.8 million
6. The Conjuring 2 – $7.7 million
7. Now You See Me 2 – $5.7 million
8. X-Men: Apocalypse – $2.5 million
9. Teenage Mutant Ninja Turtles: Out of the Shadows – $2.4 million
10. Warcraft – $2.1 million

Categories
Movies

I hope to see if they find her tomorrow.

Box office report: Finding Dory sets animated film record with $136.2 million

Making waves at No. 1 with a whopping $136.2 million, Disney’s Finding Dory has set a new record for an opening weekend by an animated motion picture.

Exceeding expectations as it pulled in over $54 million on Friday, including $9.2 million from Thursday night previews (also a record for an animated feature), Finding Dory handily bested the previous animated weekend record holder, 2007’s Shrek the Third, by around $15 million (unadjusted for inflation).

The 13-year gap between 2003’s Finding Nemo and its 2016 sequel didn’t seem to be a problem for the Pixar juggernaut, which sees returning cast members Ellen DeGeneres and Albert Brooks once again lending their voices for more under-the-sea action. Speaking to just how large the Nemo brand has ballooned over the years, the film has spawned video games, merchandise, and theme park attractions around the world, making it a time-tested, modern icon among Disney’s filmography. The studio holding out on Finding Dory this long only amplified audience anticipation, resulting in the massive haul the film raked in this weekend, which happens to be the second-biggest for a June release in history.

Dory also grossed an estimated $50 million from 29 international territories, bringing its worldwide weekend total up to around $186.2 million. Overall domestic box office receipts were down just 5 percent from last year, though that’s hardly cause for concern, as Jurassic World’s then-record-setting $208.8 million debut over the June 12-14 weekend in 2015 was always going to be a tough number to match, even for a film the size of Finding Dory.

The week’s only other new wide release, New Line Cinema’s Central Intelligence, held its own against Finding Dory’s mammoth numbers, however, overperforming with an estimated $34.5 million from 3,508 locations and a per-screen average of $9,835. The action comedy benefitted largely from the chemistry between its stars (as noted in the better-than-average reviews the film received) Kevin Hart and Dwayne “The Rock” Johnson, which likely drove most of its box office over its first three days of release.

According to CinemaScore, Finding Dory and Central Intelligence earned A and A- grades from audiences, which bodes well for both films’ legs heading into a crowded summer arena that sees Independence Day: Resurgence, The Shallows, The BFG, The Legend of Tarzan, and The Secret Life of Pets lurking right around the corner.

The Conjuring 2 and Now You See Me 2, last week’s No. 1 and No. 3 finishers, dropped to No. 3 and 4, respectively, with weekend totals coming in well below early projections. The Conjuring 2’s 62 percent drop from $40.4 million to $15.6 million is characteristic of how horror films typically perform at the box office, though its predecessor broke the mold, falling a relatively soft 46.9 percent over its second weekend in 2013. Now You See Me 2 tumbled 57 percent to an estimated $9.7 million, indicating its overall run will pack less of a punch than the original Now You See Me, which had, after its second weekend, grossed $60.9 million domestically (compared to the sequel’s $41.4 million) on its way to $117.7 million in 2013.

Rounding out the top five is Warcraft, which, despite impressive overseas grosses ($280 million and counting), has taken quite a hit at the domestic box office as it falls 73 percent to $6.5 million. The film is closing in on $37.7 million from North America after 10 days of release after premiering to $24.2 million last weekend. The video game adaptation has amassed approximately $318 million in worldwide receipts so far.

June 17-19 weekend box office estimates:

1. Finding Dory – $136.2 million
2. Central Intelligence – $34.5 million
3. The Conjuring 2 – $15.6 million
4. Now You See Me 2 – $9.7 million
5. Warcraft – $6.5 million
6. X-Men: Apocalypse – $5.2 million
7. Teenage Mutant Ninja Turtles: Out of the Shadows – $5.2 million
8. Me Before You – $4.2 million
9. Alice Through the Looking Glass – $3.6 million
10. Captain America: Civil War – $2.3 million

Categories
People

The Shock of 2016 continues. May he rest in peace.

Anton Yelchin, Star Trek actor, dies at 27

Anton Yelchin died Sunday morning in a car accident, the Associated Press confirmed. He was 27.

Yelchin begin his acting career appearing in shows like ER, Curb Your Enthusiasm, and Law & Order: Criminal Intent. In 2006, he received critical acclaim for his performance in crime drama Alpha Dog and starred as the title character in the next year’s Charlie Bartlett.

The actor made his Star Trek debut in the franchise’s 2009 film, where he played Pavel Chekhov. He reprised that role in 2013’s Star Trek Into Darkness and again in the upcoming Star Trek Beyond, which is set to arrive in theaters July 22.

Although Yelchin was most known for his Star Trek work, he made a name for himself appearing in smaller films like 2011’s Like Crazy, where he starred opposite Felicity Jones, and 2011’s The Beaver, directed by Jodie Foster and also starring Mel Gibson and Jennifer Lawrence.

He last was seen in this year’s Green Room, a horror film released this past spring.

Categories
Television

How amazing is this news?!?

‘Curb Your Enthusiasm’ gets new season on HBO

Larry David is bringing his curmudgeonly grumblings back to HBO with a ninth season of “Curb Your Enthusiasm,” nearly five years since the meta comedy was last on the air.

HBO announced no further details about the new season, or when it will premiere.

“Curb,” which stars the “Seinfeld” co-creator as an over-the-top version of himself, previously ran for 80 episodes from 2000 to 2011. During that run, David would frequently take two years between seasons, and after Season 8, network executives said they would maintain an open-door policy should he want to do additional episodes.

David, a Brooklyn native, has been experiencing a pop culture renaissance in the last year, doing his spot-on impersonation of Democratic presidential candidate Bernie Sanders on “Saturday Night Live” and posing in photos with his Instagram-famous daughter.

Since “Curb” ended, David starred in and co-wrote the 2013 HBO film “Clear History,” appeared on the 2014 premiere episode of pal Jerry Seinfeld’s “Comedians In Cars Getting Coffee” and made his Broadway debut in “Fish in the Dark” last year.

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Movies

That’s a lot of fish crackers!!

Finding Dory Box Office Projections Are Out, And Wow

Last year, Pixar had an unusual year. Their traditional summer release, Inside Out, was a huge success, even by the normal Pixar standards. However, at Thanksgiving, The Good Dinosaur failed to make a significant impact on the box office. This weekend, Pixar will look to rebound with a sequel to one of their most successful films of all time, Finding Dory. According to pre-release tracking, the studio could rebound in a big way as Dory looks like it might have Pixar’s biggest opening ever, and possibly the biggest opening ever for an animated film.

When Finding Nemo was released in 2003, it became Pixar’s highest-grossing film with nearly $340 million at the box office. That record was held until the release of Toy Story 3 in 2010. That movie also set Pixar’s opening weekend record, with over $110 million in receipts. However, according to The Hollywood Reporter, that total could be eclipsed by Finding Dory, which is tracking toward $120 million. This number would also put Dory in the neighborhood of Shrek the Third, which currently holds the all-time animated film opening with $121.6 million, so it wouldn’t take much more than what’s expected for Dory to take the crown.

While 13 years have passed since the release of Finding Nemo, the sequel is set a year after the events of the first film, when Ellen Degeneres’ character Dory has flashes of memory that remind her that she has parents. This sends her, along with Marlon and Nemo, on a quest across the ocean to find them. In addition to the returning cast members, the film co-stars the voices of Ed O’Niel, Idris Elba, Diane Keaton and Sigourney Weaver.

If reviews are any indication, Finding Dory is off to a good start, as the film has a 95% rating on Rotten Tomatoes. While many, including our own Eric Eisenberg, say that the movie doesn’t quite live up to its predecessor, most still call the film a success. While it may not make you laugh quite as hard, or cry quite as much, as Pixar’s best work, it will certainly make you laugh, and possibly require you to check you eyeballs for leaks.

Will you be one of those people checking out Finding Dory this weekend? The film marks the first of a series of sequels that Pixar will be releasing over the next few years. Hopefully, the quality of Dory is a good sign for those of us waiting patiently for The Incredibles 2.

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People

I would certainly go there to visit again if they did that!!

Prince’s Paisley Park Eyed for Graceland-Style Museum

Long before Prince died, he told close friends he wanted to turn his Paisley Park home and studio complex into a museum. Now, the trust company overseeing his estate — likely with the backing of Prince’s siblings — is exploring the idea to open it up as a tourist attraction that some have compared with Elvis Presley’s Graceland.

Paisley Park, in the Minneapolis suburb of Chanhassen, already has a large soundstage, two recording studios and the inner sanctum where he lived — the basics for operating as a museum, performance space and recording venue. Since no will has surfaced since Prince’s April 21 death of an accidental fentanyl overdose, the final decision will be up to whoever the courts determine will inherit the estate.

Bremer Trust, the special administrator of Prince’s estate, received permission from a Carver County judge Wednesday to hire entertainment industry experts to help determine how best to make money off Prince’s intellectual property.

Details are contained in an affidavit by Bremer Trust President Craig Ordal, which is now sealed due to confidential business information and the sensitive nature of negotiations. But a filing by an attorney for Carlin Williams, a Colorado prison inmate who claims to be Prince’s son, said the affidavit shows that Bremer’s plans include hiring experts “on how to manage public tours of the grounds, facilities and buildings located at Paisley Park.”

Prince hosted numerous parties and gatherings — some seemingly impromptu — at Paisley Park for years before his death. Shortly after Prince’s death, his brother-in-law, Maurice Phillips, told the British tabloid The Sun that the family planned to turn it into a shrine to rival Graceland in Memphis, Tennessee. Longtime Prince collaborator Sheila E told Entertainment Tonight that Prince was already working on making it a museum, gathering memorabilia from his career, including his motorcycle from “Purple Rain.”

And Jeremiah Freed, aka Dr. Funk and Dr. Funkenberry, a longtime fan and friend of Prince who hosts a podcast and website, said the pop superstar’s ideas kept evolving, including ways for fans to hear and see his vast archive of unreleased music and videos, so that it’d be a different experience each time.

Prince had the kind of stature that should generate fan interest for many years, said Meredith Rutledge-Borger, associate curator at the Rock and Roll Hall of Fame and Museum in Cleveland, comparing him to Michael Jackson and John Lennon.

“It’s a wonderful, wonderful ambition,” she said. “It’s going to be a lot of work. But they’re ahead of the game because they’ve got the stuff … he kept the majority of everything very much to himself.”

And she also expressed hope that the complex would continue Prince’s philanthropic work by serving as a music education center for young people.

Prince’s 1985 song “Paisley Park” spoke of a place where “admission is easy … come 2 this place in your heart.” Any museum needs multiple revenue streams besides ticket sales, said Allan Hammons, who was instrumental in developing both the B.B. King Museum and Delta Interpretive Center in Mississippi and the new GRAMMY Museum Mississippi. Such sources can include retail sales and space rentals for meetings and events. It also helps to stage new temporary exhibitions to bring people back, he said.

“You have to be creative, there’s no doubt about that,” Hammons said. “And you have to work at it constantly.”

One advantage that Graceland and the B.B. King Museum have is that the artists are buried on site, so visitors can pay their respects, he said. Prince’s relatives haven’t said what they’ve done or intend to do with his cremated remains.

Nothing has come yet from talk of creating a similar shrine for Michael Jackson, who died in 2009. His sprawling Neverland estate in Los Olivos, California, was put on the market over a year ago for $100 million. Although three or four interested buyers have toured it, no offers have been accepted, according to real estate agent Suzanne Perkins. Its location more than a two-hour drive from Los Angeles could limit its appeal as a tourist hotspot anyway.

Officials with Graceland and Elvis Presley Enterprises declined to comment on possibilities for Paisley Park. But Freed winced at the comparisons with Graceland: “Paisley Park is far funkier than Graceland will ever be.”

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Movies

There are too many films coming out this Summer that I have absolutely no interest in seeing…like Warcraft, Alice Through the Looking Glass and The Angry Birds Movie.

Box office report: The Conjuring 2 debut nearly doubles Now You See Me 2

As expected, James Wan’s horror sequel The Conjuring 2 bested both of its theatrical foes at the June 10-12 box office, nearly matching the impressive weekend gross of its predecessor with an estimated $40.4 million from 3,343 screens.

Featuring returning stars Vera Farmiga and Patrick Wilson, the film received decent reviews from critics and audiences, earning a 74 percent on Rotten Tomatoes and an A- grade on CinemaScore. With three new wide releases hitting theaters, the weekend box office still paled in comparison to the same frame last year, when Universal’s Jurassic World debuted to a then-record $208.8 million opening. Total yearly business is still up 4.1 percent overall from 2015, however.

The Conjuring series’ slight drop in attendance from the first film to second (a mere $1.5 million separates their opening weekend grosses) continues Wan’s financial success at the box office: He last directed 2015’s Furious 7 to over $1.5 billion worldwide and previously found success in the horror genre with 2004’s Saw ($103.9 million worldwide on a $1.2 million budget), 2011’s Insidious ($97 million worldwide on a $1.5 million budget), and 2013’s Insidious: Chapter 2 ($161.9 million worldwide on a $5 million budget). In-line with his previous efforts in the genre, The Conjuring 2 scared up around $50 million from 44 markets and approximately 10,400 screens around the world, bringing its worldwide total to $90.4 million.

Horror films in general tend to dip significantly in their second weekend, so it’s unlikely the film reaches the lofty $137 million precedent set by The Conjuring in 2013, but the fact remains that it is still the only major horror film on the market (and will be until The Shallows opens on July 1) and will serve as substantial counterprogramming to Finding Dory and Central Intelligence next weekend.

A third installment of The Conjuring now seems likely, though Wan previously said he doesn’t know if he’ll have time to step into the role of director, as he currently has the DC Comics adaptation of Aquaman on deck as his next project.

For a film with a $160 million budget, Warcraft’s estimated $24.4 million domestic debut at No. 2 might seem small in comparison to other fantasy epics, but the North American gross of the video game adaptation is a tiny piece of a much larger puzzle for Universal, as the film continues to do stellar business overseas. As of Sunday, Warcraft has earned over $300 million globally, including its U.S. totals and $144 million in China, where the film has thus far grossed more in its first four days of release than Star Wars: The Force Awakens and Batman v Superman: Dawn of Justice grossed over their entire runs. The film’s audience skewed largely male (69 percent), with a majority of moviegoers considering themselves to be “heavy gamers” according to comScore’s PostTrak survey.

Now You See Me 2, yet another cinematic continuation hitting wide release this season, fared well in comparison to other 2016 summer sequels, dropping slightly from the $29.4 million debut of its predecessor to bring in an estimated $23 million from 3,232 locations for a solid $7,124 per-screen average at No. 3. The Lionsgate flick attracted an evenly split demographic, as 51 percent of the film’s opening weekend audience was male with the remaining 49 percent being female. The film also attracted an even 50/50 split of audiences above and below the age of 25, indicating large cross-demo appeal that will, like the first film, carry it to a significantly higher cumulative total by the end of its run. The film also debuted in 30 international markets, bringing in nearly $23 million for an overall haul of $45.8 million globally.

Teenage Mutant Ninja Turtles: Out of the Shadows lost nearly 60 percent of its audience as it crashed from a $35 million opening to an estimated $14.8 million during its second weekend. The $135 million picture has grossed $116 million around the world, $61 million of which comes from North America — still failing to match even the $65.6 million the first film in the rebooted franchise made over its first three days of release.

Rounding out the top five, X-Men: Apocalypse edges out Me Before You with an estimated $10 million, though it lost 568 screens heading into its third weekend in wide release. The Warner Bros. romantic drama fell harder than expected, bringing in around $9.2 million according to early projections. The film, based on Jojo Moyes’ popular novel of the same name, has so far earned $55 million around the world on a $20 million budget.

Here are the weekend’s top 10 films at the box office:

1. The Conjuring 2 – $40.4 million
2. Warcraft – $24.4 million
3. Now You See Me 2 – $23 million
4. Teenage Mutant Ninja Turtles: Out of the Shadows – $14.8 million
5. X-Men: Apocalypse – $10 million
6. Me Before You – $9.2 million
7. The Angry Birds Movie – $6.7 million
8. Alice Through the Looking Glass – $5.5 million
9. Captain America: Civil War – $4.3 million
10. The Jungle Book – $2.7 million

Categories
Concerts

Wish I had been there!!

ABBA Reunited For A Rare Performance

The legendary pop group ABBA gave an impromptu performance at a hotel in Stockholm on Sunday night.

According to the newspaper Expressen, Agnetha Fältskog, Björn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad were celebrating 50 years since their first meeting. The private party was held at the Berns Salonger in downtown Stockholm. The quartet was surrounded by local musicians and actors. Although photos of the party were posted on Instagram, videos of the performance have not yet emerged on social media.

Ulvaeus and Andersson met June 5, 1966, became friends and later formed ABBA. The group, which split up in 1982, last sang together in 1986. With hits like “Mamma Mia,” which spawned a billion-dollar hit musical and Hollywood blockbuster, “Dancing Queen” and “Waterloo,” the band, known for its glistening harmonies, sold 380 million records. They reunited earlier this year, at the January 20 opening of “Mamma Mia! The Party” in Stockholm, but did not sing.

The group reportedly turned down $1 billion to reunite for a tour.

Categories
People

Very sad news. May he rest in peace.

Bobby Curtola, former Canadian teen idol, dead at 73

Former Canadian teen idol and singer Bobby Curtola has died. He was 73.

His death was announced Sunday in a statement from his children, who called Curtola “an amazing man who did so much for the people in this world.”

A teen idol in Canada during the early ’60s, Curtola also made his mark internationally in 1962 with the singles Fortune Teller and Aladdin.

Curtola, who was born in what is now Thunder Bay, Ont., was named to the Order of Canada in 1997.

He was also known for his charity work, particularly for children.

Up until early 2016, Curtola was living in Port Mouton, N.S. He moved after his partner Karyn Rochford died in a car crash in Nova Scotia in December 2015.

In a statement issued through Curtola’s Facebook and Twitter pages, Chris Curtola and Michael Curtola said their father loved his fans.

“He loved each and every one of you more than you will know, and never took for granted the life you gave him. He would want you to do something kind for one another today and each day,” the statement said. “He would also want you to know he loves you, and that you have another angel watching over you.”

A number of those fans took to social media upon hearing of Curtola’s death to remember the singer.

“I’m shocked and heartbroken, the man was an icon,” tweeted one man.

“You were such a big piece of my early years. You were my first big crush,” a woman said on Curtola’s Facebook page.

Curtola’s career began at 16, after he recorded his first hit single Hand in Hand With You.

He went on to establish the first coast to coast tour circuit in Canada, his website said. He released one of his biggest hits, Fortune Teller in 1962.

Curtola’s work in the 1960s yielded 25 Canadian Gold singles and 12 Canadian Gold albums, according to a biography on his website.

In 1972 he was signed to a five-year contract in Las Vegas, making him the first Canadian entertainer to receive a long term deal in the city, according to his website.

Later in his career he began a relationship with The Princess Cruises, performing on ships in the Caribbean and Mediterranean for twelve years.

Curtola received a Queen’s Golden Jubilee Medal in 2002 and a Diamond Jubilee Medal in 2012, according to the Canadian Encyclopedia.