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Movies

I thought the end result was pretty good anyway.

Begin Again director John Carney criticizes Keira Knightley’s acting

Keira Knightley has been nominated for two Oscars, two BAFTAs, and two Screen Actors Guild awards for her performances in films like Pride & Prejudice and The Imitation Game, but according to Begin Again director John Carney, the 31-year-old star’s acting skills could still use a bit of work.

Carney told The Independent during a recent interview that working with the actress isn’t something he’d like to repeat in the future. After discussing his latest film, the music drama Sing Street, Carney was asked what he’d learned from making 2013’s Begin Again, which stars Knightley alongside Mark Ruffalo and Adam Levine.

“I learned that I’ll never make a film with supermodels again,” he said, seemingly referencing Knightley’s appearance in several ad campaigns (Chanel) and on the cover of multiple fashion magazines (Vogue, Marie Claire) — all of which came after she made a name for herself as an actress, performing in commercials and smaller TV roles from the age of six until making her film debut in 1995’s A Village Affair.

“Mark Ruffalo is a fantastic actor and Adam Levine is a joy to work with and actually quite unpretentious and not a bit scared of exposing himself on camera and exploring who he is as an individual,” Carney elaborated, praising the rest of the film’s cast before criticizing Knightley. “I think that that’s what you need as an actor; you need to not be afraid to find out who you really are when the camera’s rolling. Keira’s thing is to hide who you are and I don’t think you can be an actor and do that.”

Carney further questioned Knightley’s legitimacy as a “proper” actress versus simply being a celebrity.

“It’s not like I hate the Hollywood thing, but I like to work with curious, proper film actors as opposed to movie stars,” the director admitted. “I don’t want to rubbish Keira, but you know it’s hard being a film actor and it requires a certain level of honesty and self-analysis that I don’t think she’s ready for yet and I certainly don’t think she was ready for on that film.”

In addition to Carney, Knightley has worked with other prominent filmmakers over the years, including David Cronenberg, who directed the actress in the 2011 historical drama A Dangerous Method.

“I had allotted a lot of time for those early scenes because I didn‘t know what she would need. I hadn’t directed her before. And those extreme scenes were the first scenes we shot. But she was fantastic. She needed very few takes. We were all just awestruck. She was incredibly well-prepared,” Cronenberg told Film Comment. “She would do these amazing things, which leads me to say that she’s among the best actresses I’ve ever worked with, and I’ve worked with the best.”

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Movies

I saw a bunch of movies this weekend, but I skipped Alice Through the Looking Glass. I have no interest in seeing it at all!

Box office report: X-Men: Apocalypse snuffs Alice Through the Looking Glass

For the second year in a row, the Memorial Day box office has yielded lower-than-expected grosses for Disney, with the Mouse’s Alice: Through the Looking Glass joining the ranks of Tomorrowland as another domestic disappointment for the studio across the holiday weekend.

Screening at 3,763 North American locations, the $170 million sequel premiered to an estimated $28.1 million over its first three days, with that total expected to rise to around $35.56 million by the end of the four-day weekend, less than half of the $80 million its largest competitor, Fox’s X-Men: Apocalypse, is expected to pull in by Monday’s end. The fourth film in the X-Men series to be directed by Bryan Singer, Apocalypse handily subdued Alice to take the No. 1 spot at the domestic box office, raking in an estimated $65 million over the three-day frame, $25 million below the $90 million opening of its predecessor, Days of Future Past.

While early tracking had Alice on-pace for a debut in the $55-65 million range, the film likely underperformed due to a combination of poor critical reviews (34 percent on Metacritic), the recent controversy surrounding Johnny Depp’s personal life (including domestic abuse allegations from his wife, Amber Heard), and a general lack of interest in a sequel to a film that didn’t really need one in the first place. Still, the film received a better-than-average A- audience grade on CinemaScore, indicating it could have legs domestically and especially internationally, where it debuted to an estimated $65 million from 72 percent of the worldwide market, with openings in France (June 1), Japan (July 1), and South Korea (Sept. 8) still on deck.

Though Alice marks another expensive letdown for Disney, the studio is having a great year nonetheless: In May, it became the fastest studio to cross the $1 billion domestic mark thanks to Zootopia (currently at $335.8 million), The Jungle Book (currently at $338.5 million), and Captain America: Civil War (currently at $372.6 million).

Last week’s top earner, The Angry Birds Movie, proved that video game adaptations don’t always have to plummet from week to week as it recedes to the No. 3 position, earning an estimated $18.7 million ($24.5 million four-day) from 3,932 theaters. As of Sunday, the film’s domestic gross stands at just under $70 million on a reported $73 million budget, while international totals bring the Sony film’s cumulative numbers up to around $223 million thus far.

Rounding out the top five are two high profile sequels: In its fourth week of release, Captain America: Civil War comes in at No. 4 with an estimated $15.14 ($19.4 million four-day) gross after losing 831 theaters in the wake of X-Men: Apocalypse and Alice Through the Looking Glass, bringing its domestic haul to $372 million. Neighbors 2: Sorority Rising tumbled around 58 percent to an estimated $9.1 million three-day gross, with the comedy on-track to add around $2 million to that number by the end of the four-day weekend.

May 27-29 box office (plus 4-day holiday) estimates:

1. X-Men: Apocalypse – $65 million ($80 million)
2. Alice Through the Looking Glass – $28.1 million ($35.56 million)
3. The Angry Birds Movie – $18.7 million ($24.5 million)
4. Captain America: Civil War – $15.14 million ($19.4 million)
5. Neighbors 2: Sorority Rising – $9.1 million ($11 million)

Outside the top 10, Yorgos Lanthimos’ festival favorite The Lobster expanded to 116 locations, bringing in a solid $725,092 for a No. 12 finish. The Sundance documentary Weiner, coming in at No. 20, also broadened its theater count to 27, averaging over $6K per screen for a three-day total of $164,970, while Rebecca Miller’s Maggie’s Plan, also in its second week of release, climbed to No. 22 with $105,387 from 19 screens.

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James Bond

Jamie Bell?!?

Jamie Bell Discussing James Bond Role With Producers, But Daniel Craig May Not Be Done With 007

Is James Bond role going to go to much younger actors? It seems like that could be the case if things don’t turn out as the producers of the franchise want. There are rumors that Jamie Bell could be given the license to kill, but those generated from the Daily Mail, which can be very hit and miss when it comes to celebrity news. But maybe the paper is onto something. Deadline has confirmed that the 30 year old actor —who appeared as The Thing in last year’s doomed “Fantastic Four”— is in fact talking to the 007 producers.

Evidently rumors that Daniel Craig won’t reprise his role as 007 were premature. While no negotiations for the next Bond film have started, the trade suggests that Craig won’t really engage in talks about Bond until more of the creative elements are in place, such as the director and script.

Meanwhile, Craig is staying busy. He’s recently been attached to the twenty-episode TV series “Purity” with director Todd Field at the helm. This may be a strategy for dealing with the Bond gatekeepers: should he decide to walk, he’ll have options.

And I’d assume Barbara Broccoli, the long-time producer and essentially keeper of the Bond franchise, is doing the same with the talks with Bell, serving as a backup plan. Previously, Craig has said the only reason he returned for “Spectre” was because he convinced “Skyfall” director Sam Mendes to direct. Mendes appears to be permanently out of the franchise, so Craig may need to also approve a new director if it comes to that. Oh, and they’d also have to come up with a script he actually liked. Bell is probably crossing his fingers as we speak.

Categories
People

This news is devastating, just horrible.

Gord Downie’s ‘incurable’ brain cancer won’t keep him from singing, his doctor says

Gord Downie suffers from an aggressive form of brain cancer known as glioblastoma that’s incurable, but should not rob the Tragically Hip frontman of his ability to sing, his doctor said today in Toronto.

News the Canadian singer, lyricist and performer underwent surgery and six weeks of chemotherapy and radiation came from his neuro-oncologist, Dr. James Perry, on Tuesday morning, hours after fans learned Downie has the disease.

The type of tumour is known as a primary cancer — which means it originates in the brain rather than having spread there, Perry explained during a news conference at Sunnybrook Hospital.

Glioblastoma is one of the most common causes of cancer death in Canadians between 40 and 60 years old.

This form of cancer spreads quickly, as it’s composed of many different types of cells, all fed by the brain’s complex network of blood vessels.

“These primary brain tumours are infiltrative by nature so they’re impossible to completely remove by surgery [and] they frequently recur,” the neuro-oncologist said. “It is my difficult duty today to tell you that Gord Downie’s brain tumour is incurable.”

Downie underwent successful surgery this winter that cut away the majority of the malignant tissue, Perry said.

Tests on the cancerous cells later revealed a small cause for hope: biomarkers indicate that Downie’s type of glioblastoma will respond better “to treatment than most,” Perry said. These proteins predict a longer-term chance of survival, although it will not change the disease’s eventual outcome.

A seizure last winter gave the only hint of illness for Downie, who has penned many of the Tragically Hip’s Canada-inspired and award-winning music.

Downie collapsed while walking down the sidewalk on a trip to his hometown of Kingston, Ont., his band managers, Bernie Breen and Patrick Sambrook, told reporters at Sunnybrook. That prompted a trip to the emergency room, and scans revealed the cancer.

Now, the singer’s primary symptoms are fatigue, his doctor said, owing both to illness and the radiation and chemotherapy he completed a month ago. Downie will likely need more “maintenance chemotherapy,” but an MRI scan last week showed the tumour had responded to treatment, Perry said.

“The swelling in his head and left temporal lobe area has decreased substantially,” he said. “The amount of tumour … has clearly shrunk and he is doing very well.”

Despite the diagnosis, the band, founded in Kingston, Ont., in 1983, still plans to go on the road this summer.

That coincides with the release of the Hip’s latest album, Man Machine Poem, which holds an eerie sense of foreshadowing, especially the first single, In a World Possessed by the Human Mind.

“Just give me the news. It can all be lies,” the song begins. “Exciting over fair, or the right thing at the right time.”

But the album was written and recorded before Downie knew of his illness, the band says. The singer has since, however, found solace in returning to the studio himself.

The tumour, lodged in the left temporal lobe, interferes with the area of the brain that controls both speech and short-term memory. But Perry explained that lyrical memory — which controls the ability to sing and remember songs — are stored differently, and he said he did not anticipate any problems in those areas.

Neither Downie, a father of four, nor the other members of the Hip attended the Sunnybrook news conference.

Categories
People

May he rest in peace.

Burt Kwouk, Cato from Pink Panther, dies age 85

Pink Panther star Burt Kwouk, best known for playing Inspector Clouseau’s manservant Cato opposite Peter Sellers, has died aged 85.

A statement from the Warrington-born actor’s agent to the BBC revealed the news. No further details were given as to cause of death.

“Beloved actor Burt Kwouk has sadly passed peacefully away May 24,” the statement read. “The family will be having a private funeral but there will be a memorial at a later date.”

Kwouk shot to worldwide fame as Cato, known for his trademark unexpected attacks on Clouseau. These were designed to keep the incompetent police detective on his toes at all times, but usually resulted in the wrecking of the Frenchman’s flat.

Kwouk played Cato in seven Pink Panther films between 1964 and 1993. His final appearance was in the 1993 non-Sellers effort Son of the Pink Panther, starring Roberto Benigni as Clouseau’s illegitimate son.

Kwouk, who despite being born in the UK lived with his Chinese parents in Shanghai until he was 17, also starred in three Bond movies, Goldfinger, You Only Live Twice and the 1967 spoof Casino Royale. He played Entwistle in the BBC’s Last of the Summer Wine between 2002 and 2010 and Major Yamauchi in Pacific theatre second world war drama Tenko in 1981.

Kwouk received an OBE for services to drama in 2011.

Categories
Television

I got HBO when I subscribed to the MLB Network.

HBO hunts down Game of Thrones pirates but some Canadians say they have no choice

HBO is hunting down Game of Thrones pirates. Its weapon: warning letters.

The TV network wants to stop people from illegally downloading its hugely popular and widely pirated TV series.

HBO “aggressively protects its programming,” the network told CBC News in an email.

But many Canadians who pirate Game of Thrones claim they haven’t much choice; the fantasy drama, known for its violence, nudity and plot-twists, isn’t available in Canada without a costly cable subscription.

HBO wouldn’t provide details about its plan of attack.

But Bell Media, which owns the rights to HBO content in Canada, told CBC News in an email that the American network has been sending warning letters targeting Thrones pirates “for some time now.”

Bell added there’s no actual “crackdown” in Canada but it suspects “more letters are being issued at this time due to the popularity of Game of Thrones.”

According to the online publication, TorrentFreak, HBO is behind thousands of copyright infringement notices recently sent to internet service providers.

The letters reportedly identify the computer user allegedly pirating episodes of Game of Thrones. They also ask the provider to inform the customer about the notice and “take proper steps to prevent further downloading or sharing of unauthorized content.”

Internet providers in Canada are required by law to forward infringement notices to customers.

“They see it as a way of hopefully scaring people,” tech analyst Patrick O’Rourke says of HBO’s intentions. “I don’t see them actually taking legal action.”

According to TorrentFreak, the letter also encourages the internet provider to inform the customer that “HBO programming can easily be watched and streamed on many devices legally.”

But Canadian pirates argue their options are limited.

In the U.S., Thrones fans can sign up for the streaming service, HBO Now, for $14.99 US a month. But in Canada, viewers must subscribe to cable to legally access the series.

And it doesn’t come cheap. To get HBO Canada, subscribers typically have to pay around $20 for a Movie Network package on top of the cost of a regular TV plan.

“If you don’t want to pay all that extra money to get channels you don’t want, your only option unfortunately is piracy,” says O’Rourke, a Toronto-based writer for the tech site MobileSyrup.

The situation has frustrated many Canadian Thrones fans who claim they resorted to piracy after realizing they can’t pay for a streaming service to watch the show.

“HBO Canada. I’m sitting here trying as hard as I can to give you money to watch Game of Thrones, and you won’t let me,” someone tweeted following the recent launch of the new season.

“Now understanding why people pirate Game of Thrones. Wanted to buy via iTunes Store but apparently not available in Canada…ugh,” posted another person.

Jake Deichert of Toronto admits he pirates Game of Thrones every week right after it airs on TV. “I personally torrent the show every Sunday night after 10 p.m.,” he says.

Deichert is open about his piracy because he says he would pay to stream the show — if he could.

The 22-year-old software developer isn’t interested in an expensive cable package. But he pays for a monthly Netflix subscription and also tried to sign up for HBO Now.

That’s when he discovered the streaming service isn’t available to Canadians.

“It is depressing,” he says. “If HBO Now was in Canada, I 100 per cent would pay just to watch Game of Thrones.”

He also checked out Bell’s $7.99-a-month streaming service, CraveTV, only to discover it doesn’t include the series. “I was willing to pay for it if it was,” Deichert says.

He adds he hasn’t yet received a threatening letter on behalf of HBO. He believes that instead of circulating letters, HBO could easily curb its piracy problem by making its streaming service available outside the U.S.

“To me, that’s problem solved,” Deichert says. “I don’t expect them to [be available] on Netflix but I expect them to at least bring their streaming service to more countries.”

HBO told CBC News it has no plans to bring HBO NOW to Canada. Bell Media said it continues “to assess the market” but, at this time, Game of Thrones is available exclusively to TV subscribers of The Movie Network.

Bell added that it supports HBO’s efforts to combat piracy, “which is illegal and immoral.”

But pirates like Deichert just don’t see it that way.

He says he understands why HBO would try to protect its product. But he also feels justified in pirating Game of Thrones when he would shell out for a streaming service.

“I’m begging for it, but it’s not happening yet,” he says.

He suggests perhaps the problem will solve itself in the near future as more people cancel their cable subscriptions and streaming services expand their content to meet the demand.

“Cable will not last forever.”

Categories
Movies

I saw Neighbors 2: Sorority Rising this weekend and thought it was unfunny and quite awful. I hope to see The Nice Guys this week.

Box office report: Angry Birds launches to the top spot with $39 million

The proof is in the pudding: movies based on smartphone apps can top the box office, as Sony’s The Angry Birds Movie dethrones Captain America: Civil War with an estimated $39 million.

In what was arguably the most competitive weekend at the 2016 box office thus far, Sony’s The Angry Birds Movie vaulted to the No. 1 spot rather handily, breezing past newcomers Neighbors 2: Sorority Rising and The Nice Guys as it exceeded Civil War’s third weekend haul by nearly $6 million. Still, Civil War became Disney’s third 2016 film to top the $300 million mark, as its domestic gross now stands at $347 million with worldwide numbers totaling roughly $1.053 billion. Year-to-date, the domestic box office is up 5.8 percent from 2015.

At 3,932 locations, The Angry Birds Movie was the weekend’s widest new release, besting Neighbors 2’s count by nearly 550 screens. The Universal comedy sequel grossed significantly less than expectations, which had the film on track for an opening in excess of $30 million. Its predecessor earned $49 million across its first weekend frame on the way to a $150 North American total.

Though Neighbors 2’s opening numbers underwhelmed, summer comedies typically have longer legs, and even the worst-reviewed of the genre (Vacation, Tammy) have overcome modest mid-year openings on their way to solid domestic totals in the recent past. With a so-so B CinemaScore grade and better-than-average reviews, Neighbors 2 faces very little competition in the near future, as the next major comedy to open is Popstar: Never Stop Never Stopping on June 3, giving Seth Rogen and company a shot at a healthy second weekend with minimal runoff. With its target audience (college students) out of class for summer break, Neighbors 2 should have little to worry about in the coming weeks.

The Nice Guys, Warner Bros.’ critically-acclaimed buddy comedy, debuted to a solid estimated $11.27 million, slightly exceeding expectations, which initially pegged the film for a $10 million debut. The Ryan Gosling/Russell Crowe film premiered at the 2016 Cannes Film Festival earlier this week, earning raves for the on-screen chemistry between its stars, and its opening weekend audience skewed under-35. Though critics lauded the film, audiences weren’t on the same page, as The Nice Guys earned a lukewarm B- grade from CinemaScore. Either way, Warner Bros., taking on little risk after acquiring domestic distribution rights to the film, is looking at a healthy run for the picture thanks to the inherent likability of its leads.

May 20-22 weekend box office estimates:

The Angry Birds Movie – $39 million
Captain America: Civil War – $33.1 million
Neighbors 2: Sorority Rising – $21.79 million
The Nice Guys – $11.27 million
The Jungle Book – $11 million
Outside the top 10, still in limited release, Yorgos Lanthimos’ The Lobster continues to impress in the specialty market, soaring to $408,000 on excellent word-of-mouth as it expands to 24 locations for a cumulative total of $1.038 million. A24 is planning to release the Colin Farrell-starring film wide on May 27.

Categories
Movies

I’m looking forward to see it next weekend!!

Box office report: X-Men: Apocalypse scores huge $103.3 million worldwide debut

Captain America: Civil War might have dropped a few notches on the domestic box office chart to make way for The Angry Birds Movie, but fellow superhero film X-Men: Apocalypse is picking up the slack, grossing an estimated $103.3 million from 75 markets across its global debut.

Opening at No. 1 in 71 of those countries, X-Men: Apocalypse earned its huge worldwide total from 20,596 screens. According to Box Office Mojo, the film gave Fox its highest opening weekend ever in six territories, including the Philippines ($4.9 million), India ($3.5 million), Indonesia ($3.1 million), Singapore ($3 million), Thailand ($2.7 million), and Colombia ($1.9 million). It earned the most from its U.K. screenings, which pulled in an estimated $10.5 million, followed by grosses from Mexico ($8.6 million), Brazil ($6.6 million), Russia ($6.5 million), and France ($5.9 million).

Ahead of X-Men: Apocalypse hitting North American theaters on May 27, the film will open in South Korea on May 25. It will then move on to China (June 3) and Japan (Aug. 11) after that.

Categories
People

Horrible news. May he rest in peace.

Original Beastie Boys Member John Berry Dead at 52

John Berry, an original member of hip-hop group the Beastie Boys, died Thursday morning at 7:30 a.m. at a hospice in Danvers, Massachusetts. He was 52.

John Berry III, Berry’s father, confirmed his death Thursday afternoon. He said his son suffered from frontal lobe dementia, which had worsened in recent months.

Berry is credited with coming up with the name Beastie Boys when they were teenagers. He attended the Walden School in New York with Mike Diamond. The group formed in July 1981, with Berry and Diamond joined by Adam Yauch and Kate Schellenbach. The first Beastie Boys shows took place at Berry’s old loft at the corner of West 100th St and Broadway in Manhattan’s Upper West Side, where a small crowd gathered to hear the fledgling hardcore/punk band. In addition to providing the venue, Berry is credited by the group as the originator of the name Beastie Boys.

Berry played on the Beastie Boys’ first seven-inch EP Polly Wog Stew, which was recorded at 171A studios in November 1982. He left the group shortly after, followed by Schellenbach in 1983. Adam Horowitz (Ad-Rock) replaced both members. Berry was a member of several other bands, including Even Worse, Big Fat Love, Highway Stars and Bourbon Deluxe.

The Beastie Boys did not neglect Berry’s role in the band. When they were inducted into the Rock and Roll Hall of Fame in 2012, Horowitz read a speech by Adam Yauch, who died later that year at age 47 of cancer. Yauch’s speech mentioned John as a formative member of the band’s early years.

Categories
People

May he rest in peace.

Morley Safer, Legendary ‘60 Minutes’ Reporter, Dies at 84

Emmy-winning newsman Morley Safer, one of the first reporters to convey the brutality of the Vietnam War to America’s TV viewers and a mainstay on “60 Minutes” for 46 years, died Thursday in his Manhattan home, CBS News reports. He was 84.

Safer was in declining health when he announced his retirement last week. CBS News last Sunday broadcast a long-planned special hour to honor the occasion, “Morley Safer: A Reporter’s Life,” which Safer watched in his home.

“Morley was one of the most important journalists in any medium, ever,” said CBS Chairman and CEO Leslie Moonves. “He broke ground in war reporting and made a name that will forever be synonymous with ’60 Minutes.’ He was also a gentleman, a scholar, a great raconteur — all of those things and much more to generations of colleagues, his legion of friends, and his family, to whom all of us at CBS offer our sincerest condolences over the loss of one of CBS’ and journalism’s greatest treasures.”

A longtime correspondent as well as a writer for documentary series such as “CBS Reports,” Safer described his legacy to broadcast journalism as “a pretty solid body of work that emphasized the words, emphasized ideas and the craft of writing for this medium.” The 12-time winner of news and documentary Emmys, including a lifetime achievement award in 2003, from 39 nominations also won three Peabody Awards.

He left an indelible impression on broadcast journalism in 1965 with a key report from Vietnam broadcast on “CBS Evening News With Walter Cronkite.” The report depicted Safer accompanying U.S. Marines on a military action into a complex of villages called Cam Ne. His cameraman captured images of Marines using flamethrowers and cigarette lighters to set fire to thatched huts.

The airing of the report, one of the first to document the unsettling details of Vietnam for U.S. TV audiences, marked a turning point in public opinion of the war, while the Pentagon and the White House accused Safer and CBS News of undermining the war effort.

Safer was called a communist, and the Johnson administration attempted to discredit him and the network.

Describing the impact of the broadcast, Safer said, “It was happening on television, uncensored, either in picture or commentary. There was a realization — perhaps least of all by the press, but certainly by the military and maybe by the public — that the rules have all changed.”

In the aftermath of the report, the Pentagon, appalled by the footage captured by Safer’s crew, developed new procedures for conducting search-and-destroy missions.

Safer first became a correspondent for CBS News in 1964, based in the London bureau. In 1965, he opened the CBS News bureau in Saigon, serving two tours in the war.

In 1967, he became CBS News’ London bureau chief, covering Europe, Africa and the Middle East. He also returned to Vietnam to provide continuing coverage of the war.

He joined “60 Minutes” as a correspondent in December 1970, following in the footsteps of Harry Reasoner. He remained with the program for the rest of his career, more than 40 years.

Safer won his first news and documentary Emmy in 1979 for “Teddy Kollek’s Jerusalem,” a profile of the mayor of Jerusalem.

Original “60 Minutes” exec producer Don Hewitt has called Safer’s report “Lenell Geter’s in Jail” the finest hour in the history of the long-running series. The report, which aired in December 1983, documented new evidence in the conviction of an engineer for armed robbery and sentenced to life in a Texas prison. It garnered widespread attention when it aired. The evidence uncovered led to Geter’s release from prison.

For the report, Safer won an Emmy for outstanding investigative journalism.

In 1999 he won an Emmy for a report titled “The Forgotten Veterans,” which spotlighted the 10,000 female veterans of the Vietnam War.

A Safer piece that aired on “60 Minutes” in 2001, “School for the Homeless,” about separate schools for homeless children, drew the Robert F. Kennedy Journalism Award’s first prize for domestic television.

Over the years with “60 Minutes,” Safer snagged profiles with elusive figures such Vogue’s Anna Wintour, whom he interviewed in 2009. The exclusive set the fashion industry abuzz.

Later in his career, Safer also appeared on TV shows and in films about journalism. In 1993, he played himself on an episode of “Murphy Brown.” And in 2010, he was in the film “Morning Glory,” starring Harrison Ford, Rachel McAdams and Diane Keaton, again playing himself.

In the 1990s, he provided narration to documentaries on PBS, including episodes of “The American Experience” and “American Masters.”

In 2009, Safer donated his papers, including those related to his reporting on the burning of Cam Ne, to the Dolph Briscoe Center for American History at the University of Texas at Austin. Walter Cronkite’s papers are also part of the center’s collection.

The center’s executive director called the donation “particularly fitting,” noting that “Cronkite deeply admired Safer as one of the very best correspondents in the history of CBS News.”

In addition to his Emmy and Peabody awards, Safer received two George Polk Memorial Awards, three Overseas Press Club Awards, and two Alfred I. duPont-Columbia University Awards. The Radio/Television News Directors Assn. bestowed Safer with its Paul White Award, the org’s highest honor. He was nominated for WGA Awards in 2004, 2005 and 2006.

Safer was born in Toronto and began his career as a newspaper reporter in Canada and England. He moved into broadcast journalism as a producer and correspondent for the Canadian Broadcasting Corp.

His book “Flashbacks: On Returning to Vietnam,” published in 1990, documented his 1989 trip to Vietnam to film a report for “60 Minutes.” It became a bestseller.

Safer is survived by his wife, the former Jane Fearer, and a daughter.