Categories
Movies

They are classics, one and all!!

‘The Big Lebowski,’ ‘Ferris Bueller’s Day Off’ Added to National Film Registry

The National Film Registry of the Library of Congress has selected a new crop of movies that it deems culturally, historically or aesthetically significant enough for preservation. Among the 25 films selected are two cult-favorite slacker adventure epics: the Coen brothers’ The Big Lebowski and John Hughes’ Ferris Bueller’s Day Off. The Library praised the “highly quoted” Lebowski’s themes of “alienation, inequality and class structure” and for positioning star Jeff Bridges in a career-defining role, and it described Hughes’ first film on the registry as a “career highpoint” significant for its depiction of “late-20th century youth.”

Other noteworthy movies include Steven Spielberg’s war film Saving Private Ryan, Roman Polanski’s horror Rosemary’s Baby, Mel Stuart’s beloved fantasy Willy Wonka and the Chocolate Factory and Arthur Penn’s Western drama Little Big Man. The new additions bring the number of motion pictures the Film Registry recognizes, which span the years 1913 to 2004, up to 650. The full selection of movies is viewable here.

“The National Film Registry showcases the extraordinary diversity of America’s film heritage and the disparate strands making it so vibrant,” James H. Billington, the Librarian of Congress, said in a statement. “By preserving these films, we protect a crucial element of American creativity, culture and history.”

In addition to the movies’ cultural significance or otherwise, the film must be at least 10 years old to qualify for inclusion into the registry. The Librarian of Congress decides the titles each year after reviewing nominations from the public, Library film curators and the National Film Preservation Board.

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Letterman

I will miss this next year!!

Letterman pulls curtain on holiday tradition

NEW YORK (AP) — With the curtain soon to fall on David Letterman’s late-night television career, the end comes Friday for an odd and emotional holiday tradition that involves comic Jay Thomas, the Lone Ranger, a giant meatball and, most indelibly, singer Darlene Love.

Love will sing “Christmas (Baby Please Come Home)” for the 21st and final time on Letterman’s annual holiday show. He’s retiring from the “Late Show” next May.

“I’m looking forward to it this year more than any other year, with mixed feelings, of course,” said Letterman’s longtime bandleader, Paul Shaffer. “It’s been incredibly meaningful for me.”

Letterman’s holiday show has traditions, just not the ones you see in most households. Thomas comes by to repeat the story of giving a ride to Clayton Moore, television’s Lone Ranger. Then, as he’s done since 1998, Thomas tries to knock the meatball off the top of a Christmas tree with a football.

The centerpiece is Love’s performance of the song that identifies her as the “Christmas queen,” primarily because of the annual exposure on Letterman.

“Christmas (Baby Please Come Home)” was the single off “A Christmas Gift For You,” an album by producer Phil Spector and the artists in his orbit. Now considered a classic, it was a flop upon its release on Nov. 22, 1963, the day President John F. Kennedy was assassinated.

Shaffer never forgot it, though.

“The Phil Spector album has always been the one that has gotten me through the Christmas season, which can be depressing for people in show business, who are often working instead of being with their families,” he said.

Love hadn’t even performed the song onstage until the mid-1980s, when she was part of “Leader of the Pack,” a tribute show for Ellie Greenwich, writer of “Christmas” (with Jeff Barry and Spector) and other 1960s hits like “Be My Baby.” Shaffer was part of the show. Letterman came to see it one night and was blown away by Love’s version.

Letterman invited Love to sing it on his show in 1986, then on NBC. She hasn’t returned every year, but was there more often than not.

“David is nothing if not a traditionalist,” Shaffer said, “and he kept asking for her year after year. It’s as simple as that.”

Shaffer had his own, private ritual. Every year, the day of the holiday show, he called his good friend Greenwich for spiritual support. That ended with her death in 2009.

The song has been covered multiple times — by the likes of U2, Mariah Carey, Michael Buble and Joey Ramone — since Love began making her Letterman appearances. She moved from California to New York for “Leader of the Pack,” and does a holiday show in theaters each year.

Shaffer and “Late Show” director Jerry Foley, meanwhile, begin preparing for the song’s annual performance weeks in advance. Shaffer always tries to bring different elements — a military choir one year, children in another. In true Spector “Wall of Sound” tradition, Shaffer’s “CBS Orchestra” has greatly expanded to a stage filled with musicians.

Each year’s surprise is the choreographed entrance of the saxophone player for his solo. He’s emerged from a gift-wrapped box delivered by a sleigh-full of showgirls, come down a chimney and flown across the stage hoisted by cables.

Love intentionally keeps herself in the dark about unique elements of each year’s version until arriving at the theater.

“I just show up and sing the song,” she said.

She has a sweet spot in her heart for the first year, when she performed with Shaffer and a small band.

“The first one really sticks out to me as special,” she said, “and there was no glitz or glamour to it.”

Categories
Bruuuuuuuuce!!

I’m dying to see it, but I don’t want to just watch the last episode!!

Van Zandt fretted directing Springsteen in ‘Lilyhammer’

NEW YORK (AP) — It’s always a bit uncomfortable having to tell your boss what to do.

So imagine how Steven Van Zandt felt when he directed his longtime friend and E Street Band mate Bruce Springsteen when The Boss made his acting debut — appearing in the third season finale of the Netflix dramedy “Lilyhammer.” (Springsteen also briefly appeared in the 2000 film “High Fidelity,” but as himself rather than in an acting role).

He says he was honored that Springsteen agreed to appear in the episode, which began airing on Nov. 21 and marked Van Zandt’s directorial debut, but there was “a little bit of anxiety involved.”

“I know we’re friends for 50 years but still it meant a lot to me that he chose me and trusted me enough to direct him when literally everybody on earth’s been wanting to do it ,” said Van Zandt, who stars, writes, produces and composes music for the show.

“Lilyhammer” is a fish out of water story about fictional New York gangster Frank “The Fixer” Tagliano (Van Zandt), who is trying to start a new life in the Norwegian city of Lillehammer.

Springsteen played Frank’s older brother Giuseppe — a small role that was key to the plot, Van Zandt said.

“He’s really acting,” says Van Zandt. “It’s not some cameo. He’s not playing himself. It’s a real thing.”

Van Zandt says it all went well and Springsteen “did great” as Giuseppe.

“Was if fun? Yeah, but it’s more fun when it’s over,” he says with a laugh. “It’s fun now.”

Categories
Movies

I still really want to see it!!!

Sony Has ‘No Further Release Plans’ for ‘The Interview’

Sony Pictures Entertainment has chosen to stand down for “The Interview,” deciding against releasing the Seth Rogen-James Franco comedy in any form — including VOD or DVD, as U.S. officials reportedly link Sony’s massive cyber attack to North Korea.

“Sony Pictures has no further release plans for the film,” a spokesman said Wednesday.

The studio issued the statement a few hours after pulling the planned Christmas Day release of “The Interview” in the U.S. in response to the hackers who threatened a 9/11-style attack against U.S. theaters and moviegoers if the comedy were released.

By late Wednesday afternoon, the studio had removed any mention of “The Interview” from its official web site.

The move could open the door for Sony to sell the rights to a rival distributor — though Hollywood is still reeling from Tuesday’s invocation of a possible terrorist attack on exhibitors if they screened “The Interview.”

Prior to the decision to pull the controversial movie, a Sony Pictures insider had told Variety that the studio was weighing releasing the film on premium video-on-demand. Such a move would have allowed the studio to recoup some of the film’s $42 million budget and tens of millions in promotion and advertising expenditures.

Sony’s nightmare began on Nov. 24 when the “Guardians of Peace” hackers disabled the studio’s computer system and began disclosing internal documents, email messages, film budgets, executive salaries and the social security numbers of thousands of employees.

“The world will be full of fear,” the group’s Tuesday message said. “Remember the 11th of September 2001. We recommend you to keep yourself distant from the places at that time. (If your house is nearby, you’d better leave.)”

In response, most of the country’s largest theater chains — including AMC, Regal, Cinemark, Carmike and Southern Theatres — announced they would either delay showing the picture or would drop it altogether.

“The Interview” centers on an assassination attempt on North Korean dictator Kim Jong-un.

On Wednesday, several published reports said that federal authorities had determined that hackers working on behalf of the North Korean government were behind the hack attack. CNN’s Evan Perez said that an announcement is expected on Thursday that would “assign attribution” to the country.

“The Interview” has been scheduled for release in foreign markets starting in late January.

Categories
Star Wars

Can’t wait!!

Mark Hamill “contractually obligated” to grow beard for Star Wars

Actor Mark Hamill was “contractually obligated” to grow facial hair for the new Star Wars movie.

The star, who played Luke Skywalker in the original sci-fi trilogy, is reprising his role in the latest installment, Star Wars: Episode VII – The Force Awakens, and he has swapped his usual clean-cut look for a new shaggy bearded image.

Hamill has now revealed producers behind the movie ordered him to grow it to give his character more “gravitas”.

He tells the Press Association, “That is what I call my contractually obligated beard. Listen: I think they look fine on other people. It’s just not me. I mean, I never got used to it. But face foliage is almost a part of the costume. And it does bring a gravitas, perhaps unearned, but nevertheless, it makes a statement that they wanted to make, and I’m more than happy to oblige them.”

Categories
Rumours

Bring it on!!

‘Beetlejuice 2’ is closer than ever to happening, says Tim Burton

A Beetlejuice sequel is “closer than ever” to happening, says director Tim Burton.

Burton directed the 1988 original, which starred Michael Keaton as a so-called “bio-exorcist” trying to scare away the new human inhabitants of a haunted house so that a ghost couple, played by Alec Baldwin and Geena Davis, can continue living there. Catherine O’Hara, Jeffrey Jones and a 17-year-old Winona Ryder co-starred as the human family members.

A slow-moving sequel has been in the works at Warner Bros since September 2011 with Burton interested in returning as director. Asked for an update on the sequel’s progress, Burton told ComingSoon: “It’s a character that I love and I miss and I miss actually working with Michael. There’s only one Betelgeuse. We’re working on a script and I think it’s probably closer than ever and I’d love to work with him again.”

Earlier this year, Keaton said he would be “more than interested” in returning for a sequel provided Burton is involved. The actor, 62, is currently enjoying something of a career revival and is considered frontrunner for next year’s Best Actor Oscar for his performance in forthcoming black comedy film Birdman.

At one point the mooted Beetlejuice sequel had a script by Seth Grahame-Smith, who also co-wrote the screenplay for Burton’s 2012 film Dark Shadows. Speaking back in May 2012, Grahame Smith said the new Beetlejuice movie would not be a “remake” or “reboot”, but “a true sequel with Michael Keaton as the title character”.

Categories
Music

Mediocre is what Coldplay continues to do best.

Chris Martin: David Bowie Rejected Coldplay Collaboration

During David Bowie’s long hiatus prior to releasing The Next Day, the singer would sporadically reappear to contribute background vocals for artists like Arcade Fire (“Reflektor”), TV on the Radio and Scarlett Johansson. However, when Chris Martin attempted to recruit Bowie to contribute vocals to a song Coldplay was working on, Bowie rejected the collaboration because the track wasn’t good enough.

Martin made the revelation at the inaugural BBC Music Awards on December 11th during a video tribute to Bowie, a nominee for the British Artist of the Year award. “One time I sent him a song to ask him to sing on it. He called me and said, ‘It’s not one of your best,'” Martin admitted (via NME). “He’s got very high standards and I appreciate that. It inspires the rest of us to keep our standards high.” Martin didn’t elaborate which Coldplay song Bowie had turned down.

Despite being rejected by Bowie, Martin had nothing but praise for The Next Day. “When ‘Where Are We Now?’ came out I was staggered, and also annoyed,” Martin said at the BBC Music Awards. “Like, ‘Come on, it’s not fair.’ He’s already got all these amazing songs and then this instant classic.”

If Coldplay hopes to get Bowie to join them in the studio, they better write something that meets his high standards, and fast: Martin previously hinted that the band’s in-the-works next LP, tentatively titled A Head Full of Dreams, could be their “final” album. “It’s our seventh thing, and the way we look at it, it’s like the last Harry Potter book or something like that,” Martin said. “I have to think of it as the final thing we’re doing. Otherwise we wouldn’t put everything into it.”

Categories
Music

I hope that they never do. I miss them, but I’d hate for them to reunite and make horrible music.

Does Michael Stipe Have Plans for R.E.M. to Reunite?

In Sept. 2011, R.E.M. “decided to call it a day as a band.”

In the three years since they disbanded, fans have been wondering if frontman Michael Stipe has plans to sing again. In an interview with CBS This Morning, the iconic lead singer opened up about just that. “I think I’ll sing again. That’s maybe an exclusive? But I think I will sing again, yeah,” Stipe said during the sit-down, which aired on Dec. 13. “I love my voice and I think it’s still… I think it actually got better as I got older. Not soon… Maybe. I don’t know.”

He further noted, “I just needed to step away for a while.”

Stipe appeared on the show to promote the box set REMTV, which chronicles some of the the band’s most memorable moments. As for any potential R.E.M. reunions in the wake of the release, he noted, “No, that will never happen. No, there’s no point.

“I love those guys very much and I respect them hugely as musicians and as songwriters and everything, but I just don’t want to do that thing that people do,” Stipe said. “I don’t want to do that. Full respect for those who do it. Total respect… I despise nostalgia. I’m not good at looking back.”

Despite dashing hopes of a reunion with his longtime bandmates, he revealed he does still sing, but it happens to be in the privacy of his own home. “I sing in the shower. And I’m not bad,” he said. “You would be surprised at my play list.”

Though, there are other times he does get the urge to perform. “When I go to see bands perform live, that’s when it’s hard for me,” he said. “I look up on the stage and I think ‘I wish I was there.'”

Categories
Movies

I wanted to see TOP FIVE this weekend, but it wasn’t playing at a theatre near me. Booooooo!!!

Box office report: ‘Exodus’ beats out ‘The Hunger Games’

After three weeks at number one, The Hunger Games: Mockingjay – Part 1 finally had to give up its top box office spot to the less teen-friendly, more controversial Exodus: Gods and Kings.

The Ridley Scott epic brought in $24.5 million over the weekend for a strong opening — but the Moses-based movie still has a while to go before it breaks even with its $140 million budget.

Chris Rock’s Top Five was the only other film with a wide release this weekend. But its numbers didn’t even come close to Exodus‘s, partly because it opened in 979 theaters compared to Exodus‘ 3,503. The comedy grossed $7.2 million.

Mockingjay—which, with a worldwide box office total of $277.4 million, is now the second highest grossing film this year behind Guardians of the Galaxy—continues to impress, as its gross dropped only 40 percent between last weekend and this one. The other films making up the top five fared just as well: Penguins of Madagascar had just a 33 percent decrease in sales, while Big Hero 6 only dropped by 23 percent. Not only was this a good weekend for family-friendly films, but for films in general.

1. Exodus: Gods and Kings – $24.5 million
2. The Hunger Games: Mockingjay – Part 1 – $13.2 million
3. Penguins of Madagascar – $7.3 million
4. Top Five – $7.2 million
5. Big Hero 6 – $6.1 million

But even with these relatively good numbers, this weekend’s box office won’t be able to compare to next weekend’s when the third—and final—Hobbit film opens, along with the live-action Annie and Night at the Museum: Secret of the Tomb. Each of those films will be opening in more than 3,000 theaters, and thus will kick off the next two weeks of huge wide releases that will also include The Interview and Disney’s Into the Woods just before Christmas.

Outside the top five, the Oscar-ready smaller releases continue to do well: Wild, now in 116 theaters and in its second week, brought in $1.6 million, while The Theory of Everything, now in 1,220 locations, made $2.5 million in its sixth week. Paul Thomas Anderson’s Inherent Vice opened this weekend in just five locations and grossed $330,000—foreshadowing a strong box office run once it expands.

Categories
Awards

Good luck to them all!!

Oscars: 79 original songs advance

The Academy announced on Friday the 79 original songs that are in contention for the Academy Award at the 87th Academy Awards. The nominees will be announced on Jan. 15.

Here’s the full list of contenders:

“It’s On Again” from “The Amazing Spider-Man 2″
“Opportunity” from “Annie”
“Lost Stars” from “Begin Again”
“Grateful” from “Beyond the Lights”
“Big Eyes” from “Big Eyes”
“Immortals” from “Big Hero 6″
“The Apology Song” from “The Book of Life”
“I Love You Too Much” from “The Book of Life”
“The Boxtrolls Song” from “The Boxtrolls”
“Quattro Sabatino” from “The Boxtrolls”
“Ryan’s Song” from “Boyhood”
“Split The Difference” from “Boyhood”
“No Fate Awaits Me” from “The Disappearance of Eleanor Rigby: Them”
“Brave Souls” from “Dolphin Tale 2″
“You Got Me” from “Dolphin Tale 2″
“All Our Endless Love” from “Endless Love”
“Let Me In” from “The Fault in Our Stars”
“Not About Angels” from “The Fault in Our Stars”
“Until The End” from “Garnet’s Gold”
“It Just Takes A Moment” from “Girl on a Bicycle”
“Last Stop Paris” from “Girl on a Bicycle”
“Ordinary Human” from “The Giver”
“I’m Not Gonna Miss You” from “Glen Campbell…I’ll Be Me”
“Find A Way” from “The Good Lie”
“Color The World” from “The Hero of Color City”
“The Last Goodbye” from “The Hobbit: The Battle of the Five Armies”
“Chariots” from “The Hornet’s Nest”
“Follow Me” from “The Hornet’s Nest”
“Something To Shoot For” from “Hot Guys with Guns”
“For The Dancing And The Dreaming” from “How to Train Your Dragon 2″
“Afreen” from “The Hundred-Foot Journey”
“Yellow Flicker Beat” from “The Hunger Games: Mockingjay – Part 1″
“Heart Like Yours” from “If I Stay”
“I Never Wanted To Go” from “If I Stay”
“Mind” from “If I Stay”
“Everything Is Awesome” from “The Lego Movie”
“Call Me When You Find Yourself” from “Life Inside Out”
“Coming Back To You” from “Life of an Actress The Musical”
“The Life Of An Actress” from “Life of an Actress The Musical”
“Sister Rust” from “Lucy”
“You Fooled Me” from “Merchants of Doubt”
“Million Dollar Dream” from “Million Dollar Arm”
“Spreading The Word/Makhna” from “Million Dollar Arm”
“We Could Be Kings” from “Million Dollar Arm”
“A Million Ways To Die” from “A Million Ways to Die in the West”
“Way Back When” from “Mr. Peabody & Sherman”
“America For Me” from “A Most Violent Year”
“I’ll Get You What You Want (Cockatoo In Malibu)” from “Muppets Most Wanted”
“Something So Right” from “Muppets Most Wanted”
“We’re Doing A Sequel” from “Muppets Most Wanted”
“Mercy Is” from “Noah”
“Seeds” from “Occupy the Farm”
“Grant My Freedom” from “The One I Wrote for You”
“The One I Wrote For You” from “The One I Wrote for You”
“Hal” from “Only Lovers Left Alive”
“Shine” from “Paddington”
“Still I Fly” from “Planes: Fire & Rescue”
“Batucada Familia” from “Rio 2″
“Beautiful Creatures” from “Rio 2″
“Poisonous Love” from “Rio 2″
“What Is Love” from “Rio 2″
“Over Your Shoulder” from “Rudderless”
“Sing Along” from “Rudderless”
“Stay With You” from “Rudderless”
“Everyone Hides” from “St. Vincent”
“Why Why Why” from “St. Vincent”
“Glory” from “Selma”
“The Morning” from “A Small Section of the World”
“Special” from “Special”
“Gimme Some” from “#Stuck”
“The Only Thing” from “Third Person”
“Battle Cry” from “Transformers: Age of Extinction”
“Miracles” from “Unbroken”
“Summer Nights” from “Under the Electric Sky”
“We Will Not Go” from “Virunga”
“Heavenly Father” from “Wish I Was Here”
“So Now What” from “Wish I Was Here”
“Long Braid” from “Work Weather Wife”
“Moon” from “Work Weather Wife”