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The Couch Potato Report

“A” for effort for me as well!! ;)

The Couch Potato Report – August 9th, 2014

DIVERGENT is the first film based on the books in The Divergent Trilogy, a series of young adult science fiction adventure novels by Veronica Roth. The stories all take place in a post-apocalyptic version of Chicago.

DIVERGENT takes place in a society that divides its citizens up by their social and personality-related affiliation and places them in one of five different factions.

The main character is Beatrice “Tris” Prior, and she – like everyone else – takes an aptitude test at the age of sixteen to determine with faction they’ll live. Tris’ test indicates that she has the aptitude for three factions. Thus Tris is Divergent and won’t fit in, and as the story goes on, she discovers a plot to destroy Divergents.

Tris is not acting alone, her faction of choice is Dauntless and she finds some new friends and in a relationship with a guy named Four. Together they search to find out what makes Divergents dangerous before it’s too late.

I think what made DIVERGENT believable at all to me is the level of acting. In some other film series based on young adult books the producers have hired really bad actors. For this film the supporting cast is lead by Golden Globe nominee Ashley Judd and Academy Award winner Kate Winslet. Their presence and talent make a world of difference.

DIVERGENT might not make my list as one of the ten best of the year, but it is still a very good movie with a great cast. I can easily recommend it, even if you haven’t read the book(s).

The list of bad movies based on successful video games is a long, long one and you can now place NEED FOR SPEED alongside SUPER MARIO BROTHERS, SILENT HILL, MORTAL KOMBAT, STREET FIGHTER and BLOODRAYNE.

Aaron Paul from BREAKING BAD stars in NEED FOR SPEED as street racer Tobey Marshall. After getting out of prison he takes part in a cross-country race to try and avenge his friend’s death at the hands of a rival racer…but it doesn’t matter.

Even though the movie has some spectacular racing scenes and cars, it is both awful and boring.

There is nothing in NEED FOR SPEED that you haven’t seen before, and seen done better. Yes, is has great racing scenes, and some incredible stunts, but it is a bad movie.

Only racing and adrenaline junkies need to bother with it. Everyone else should skip it.

I’ve said it before, and I’ll say it again, I like a good horror film. Sometimes I even like a bad horror film.

A creepy new movie called OCULUS is both good and bad, and so I kind of liked it.

OCULUS had its world premiere last September at the Toronto International Film Festival, and stars Karen Gillan – Amelia Pond from DOCTOR WHO. She is a woman in her early twenties who is convinced that an antique mirror is responsible for the death and misfortune her family has suffered.

Yes, forget the house or a person, the mirror is haunted in this one.

The story and plot points in OCULUS don’t all hold up until the end, but the performance of Karen Gillan does. She fully believes the whole time that the mirror has destroyed her family and must be destroyed and I enjoyed her here, more than I ever did on DOCTOR WHO.

Had the movie been as good as her, I would highly recommend the film. As it is, I kind of liked it, but I like good and bad horror films.

If you do too, I mildly recommend that you check it out. If you do not, skip it. This isn’t a movie for you.

Finally this week is a movie that fails, brilliantly fails, and I give it points for doing so, and for trying.

“A” for effort for Terry Gilliam’s THE ZERO THEOREM!!

Former Monty Python animator Terry Gilliam has given us some great films over the years – such as BRAZIL, TWELVE MONKEYS and THE FISHER KING – and some real stinkers – such as TIDELAND and THE BROTHERS GRIMM. But no matter how bad his movies are, they are still always great visually with uniques sets and costumes.

THE ZERO THEOREM is no exception, it looks amazing, and what a cast!! Academy Award winners Christoph Waltz, Matt Damon and Tilda Swinton all appear in the movie along with David Thewlis from THE BIG LEBOWSKI.

Christoph Waltz stars here as a computer hacker whose goal is to discover the reason for human existence, but the story and plot of THE ZERO THEOREM actually come secondary to the visuals and sets and they aren’t really all that important. No one is ever going to watch this film for the story or the plot.

But the visuals and sets are worth it, for film lovers and Gilliam completists. You people should not miss this movie!! Everyone else should skip it. Avoid it at all costs.
The odd but interesting Terry Gilliam film THE ZERO THEOREM; the very creepy but not great horror flick OCULUS; the boring action film NEED FOR SPEED – which does have some great racing scenes; and the very good first movie in the DIVERGENT series are available now, both on disc and On Demand.

And that’s this week’s COUCH POTATO REPORT.

Enjoy the movies and I’ll see you back here again next time on The Couch!

Categories
Movies

I saw – and loved – GUARDIANS OF THE GALAXY!! Go see it!!

Box office report: ‘Guardians of the Galaxy’ scores a record-breaking $94 million weekend

Marvel’s got a new star (or five) in its roster: Guardians of the Galaxy launched to an estimated $94 million this weekend in 4,080 theaters, setting a new record for an August debut. (The previous winner was 2007’s The Bourne Ultimatum, with $69.3 million.) That’s the third biggest opening of 2014 so far, behind Transformers: Age of Extinction ($100 million) and Marvel’s Captain America: The Winter Soldier ($95 million). It’s also the seventh best opening in history for a non-sequel (or sixth if you count Marvel’s The Avengers as a mega-sequel), outpacing other superhero series debuts such as 2011’s Thor ($65.7 million) and 2011’s Captain America: The First Avenger ($65.1 million). One more fun stat: Guardians is Marvel’s ninth (!) consecutive No. 1 movie, a streak that reaches back to Ghost Rider: Spirit of Vengeance (2012), which debuted at No. 3.

Guardians was a $170 million gamble for Marvel that featured unfamiliar characters and an untested lead actor, Parks and Rec favorite Chris Pratt, who stars with Zoe Saldana, Dave Bautista, and the voices of Bradley Cooper and Vin Diesel. But a marketing campaign that highlighted the movie’s outer-space action and sarcastic, Iron Man-esque tone (not to mention Pratt’s newly sculpted physique) drew early buzz, and the movie’s release brought a wave of critical praise: Guardians scored a great 92 percent from reviewers on Rotten Tomatoes and an A- from EW‘s Chris Nashawaty, who called it “a giddily subversive space opera that runs on self-aware smart-assery.” With an A CinemaScore, the PG-13 adventure looks likely to perform well in the coming weeks—and Marvel recently announced that a sequel is already in the works. The movie also earned $66.4 million overseas, bringing its global gross to a stellar $160.4 million.

The weekend’s other new wide release, the James Brown biopic Get On Up, earned an estimated $14 million, coming in at third place. Directed by Tate Taylor (The Help) and starring Chadwick Boseman (42), the musical drama reportedly cost $30 million and received generally favorable reviews from critics, though EW’s Nashawaty noted that it plays too “safe” for a biopic about the Godfather of Soul. With an A CinemaScore, the movie could have legs. The film may also be opening too early to get the big-time awards attention that helped past music biopics like Ray, which opened to $20 million on its way to $75.3 million in 2004, or the genre’s all-time champ, 2005’s Walk the Line, which bowed to $22.3 million and ultimately grossed $119.5 million.

Get On Up didn’t have the box office moves to unseat Lucy in the No. 2 spot. The Luc Besson action pic, starring Scarlett Johansson as a super-intelligent avenger (not to be confused with the super-intelligent Avenger she plays in the Marvelverse), grossed $18.3 million this weekend, bringing its two-week domestic haul to $79.6 million — a hugely impressive performance for a first-time character without a book, comic, or TV series behind her.

In fourth place, Hercules bulked up another $10.7 million in its second weekend, contributing to a $52.4 million total for the Dwayne Johnson vehicle. And Dawn of the Planet of the Apes, now in its fourth weekend, earned an estimated $8.7 million, bringing its domestic cume to $189.3 million — the eighth best of 2014 so far.

1. Guardians of the Galaxy – $94 million (new)
2. Lucy – $18.3 million ($79.6 million total)
3. Get On Up – $14 million (new)
4. Hercules — $10.7 million ($52.3 million total)
5. Dawn of the Planet of the Apes– $8.7 million Friday ($189.3 million total)

In the specialty market, two critical darlings raised their theater counts with promising results: The Philip Seymour Hoffman thriller A Most Wanted Man expanded into 729 theaters, earning $3.3 million for a total of $7.1 million, while Richard Linklater’s time-spanning opus Boyhood grew to 311 theaters and earned $2.52 million this weekend, bringing its total to $7.57 million.

Categories
Business

Good, now get back to work!!

‘Big Bang Theory’ stars get huge raises, break stand-off

The stars of CBS’ The Big Bang Theory just got an explosive pay raise.

After their contract negotiations collectively delayed production of the top-rated CBS comedy, actors Jim Parsons, Johnny Galecki and Kaley Cuoco have each made three-year deals with Warner Bros. TV to return to the show. Co-stars Simon Helberg and Kunal Nayyar are still in talks, but they are expected to strike deals as well. Mayim Bialik and Melissa Rauch received raises back in September.

Sources say that estimates first reported by Deadline are correct: Parsons, Galecki and Cuoco’s salaries will jump from their current earnings of $325,000 per episode to roughly $1 million per episode. They’ll also receive a bigger cut of the show’s lucrative syndication earnings on TBS. The renewal deals bring the show’s core cast in line with the hit’s current CBS deal—Big Bang has been renewed for three more seasons, bringing the show to its 10th year.

For CBS, the show is extremely lucrative, delivering an estimated $326,260 per 30-second spot — the highest ad rate for a non-sports program on broadcast. The most-recent seventh season finished with a slight ratings increase on the previous season, averaging nearly 20 million weekly viewers among total audience.

The contract negotiations held up the show’s eighth-season production for one week; the cast was also absent from the show’s Comic-Con panel last month. Generally, Big Bang Theory runs 24 episodes per season, and it’s currently unclear whether that number will remain unchanged. Big Bang will return to Monday nights this fall starting Sept. 22, then will move back to Thursday nights starting Oct. 30.