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The Couch Potato Report

Slim pickings this week, folks!!

The Couch Potato Report – April 26th, 2014
It’s another week where I’m saving the best for last – the Israeli comedic crime thriller BIG BAD WOLVES will conclude this week’s Report – but I’ll begin with a small romantic comedy I also liked, called AT MIDDLETON.
 
This one stars Andy Garcia of the OCEANS 11 films and THE GODFATHER – PART III and Vera Farmiga from UP IN THE AIR and THE DEPARTED.
They play two strangers who are both in unfulfilling yet ongoing marriages who meet as their kids – his son and her daughter – are about to take a tour of a college campus, in order to decide if they want to go there.
 
After an initial argument over a parking space, the two adults realize they enjoy each other’s company, so they ditch the tour and play hooky, using the Middleton campus as a sort of playground while getting to know each other better, and maybe they even fall in love, along the way.
 
AT MIDDLETON is never fancy, not always overly original, and after a smart first hour it does slow down for about twenty minutes before a strong finish, but I liked it, flaws and all, especially Andy Garcia and Vera Farmiga.
You might have to search this one out, but I think you should.
This week’s best new release is coming up, BIG BAD WOLVES received Five Awards from the Israeli Film Academy and I will tell you about it in a moment, but ahead of that great film, allow me to warn you to stay away from the less than entertaining, overly dramatic hip hop musical BLACK NATIVITY.
 
I mentioned that it was a musical…right?
Well, Academy Award winner Jennifer Hudson of DREAMGIRLS stars here as the Mother of a teenage son who she can’t support. They are being evicted from their apartment, and so she sends him to spend the holidays with his estranged Grandparents in New York City.
He’s never met them, yet he’s off to live with them, and he has a HUGE chip on his shoulder.
 
BLACK NATIVITY is based on the play of the same name by writer and poet Langston Hughes and in addition to Jennifer Hudson it stars Forest Whitaker, Angela Bassett, Tyrese Gibson, Mary J. Blige, and Nas.
The movie wants to offer viewers an inspirational journey and show us the true meaning of faith, healing, and family, but it fails on just about every level. The songs aren’t memorable and they stop the film in it’s tracks whenever one starts, Jennifer Hudson can’t act, Forest Whitaker is over acting, and I never believed for a second that this group of people would stay estranged for the flimsy reason the story gives us.
I really liked the ending of BLACK NATIVITY, but it didn’t redeem the movie. As a whole it just isn’t very good and certainly isn’t worthy of your time. Just skip it, there are better films out there for you to spend your time on.
 
Finally…last and nowhere least this week is a horrific and graphic and great, Israeli comedic crime thriller called BIG BAD WOLVES.
 
BIG BAD WOLVES is about three men all connected to a series of brutal murders.
The father of the latest victim is now out for revenge.
A detective so convinced he knows who the killer is that he’s willing to do anything, including operating outside the boundaries of law to catch the killer.
And then there’s the main suspect. Is he guilty? Are the police targeting the wrong man?
Watch out for the BIG BAD WOLVES.
 
The comedy here isn’t laugh out loud, it is smart…and when BIG BAD WOLVES is funny it is very funny.
Due to the fact that it contains some very, very graphic torture scenes, I can’t recommend it to everyone.
But I do still recommend this winner of Five Awards from the Israeli Film Academy as I think it is a great film.
 
The horrific, graphic and great, Israeli comedic crime thriller BIG BAD WOLVES; the completely awful overly dramatic hip hop musical BLACK NATIVITY; and the very nice and extremely likeable romantic comedy AT MIDDLETON, co-starring Andy Garcia and Vera Farmiga are all available now, either on disc or on demand.
 
And that’s this week’s COUCH POTATO REPORT.
Enjoy the movies and I’ll see you back here again next time on The Couch!
Categories
Games

I want one!!

Atari’s E.T. The Extraterrestrial cartridges found in landfill

A documentary film production company has found buried in a New Mexico landfill hundreds of the Atari E.T. The Extraterrestrial game cartridges that some call the worst video game ever made.

Film director Zak Penn showed one E.T. cartridge retrieved from the dumpsite and says there are hundreds more mixed in the mounds of trash and dirt scooped by a backhoe.

About 200 residents and game enthusiasts gathered early Saturday in southeastern New Mexico to watch backhoes and bulldozers dig through the concrete-covered landfill in search of up to a million discarded copies of E.T. that the game’s maker wanted to hide forever.

“I feel pretty relieved and psyched that they actually got to see something,” said Penn as members of the production team sifted through the mounds of trash, pulling out boxes, games and other Atari products.

Most of the crowd left the landfill before the discovery, turned away by strong winds that kicked up massive clouds of dust mingled with garbage. By the time the games were found, only a few dozen people remained. Some were playing the infamous game in a make-shift gaming den with a TV and an 1980s game console in the back of a van, while others took selfies beside a life-size E.T. doll inside a DeLorean car like the one that was turned into a time machine in the Back To The Future movies.

Among the watchers was Armando Ortega, a city official who back in 1983 got a tip from a landfill employee about the massive dump of games.

“It was pitch dark here that night, but we came with our flashlights and found dozens of games,” he said. They braved the darkness, coyotes and snakes of the desert landfill and had to sneak past the security guard. But it paid off.

He says they found dozens of crushed cartridges that they took home and were still playable in their game consoles.

The game and its contribution to the demise of Atari have been the source of fascination for video game enthusiasts for 30 years. The search for the cartridges will be featured in an upcoming documentary about the biggest video game company of the early ’80s.

Xbox Entertainment Studios is one of the companies developing the film, which is expected to be released later this year on Microsoft’s Xbox game consoles.

Whether — and most importantly, why — Atari decided to bury thousands or millions of copies of the failed game is part of the urban legend and much speculation on internet blog posts and forums.

Kristen Keller, a spokeswoman at Atari, said “nobody here has any idea what that’s about.” The company has no “corporate knowledge” about the Alamogordo burial. Atari has changed hands many times over the years, and Keller said, “We’re just watching like everybody else.” Atari currently manages about 200 classic titles such as Centipede and Asteroids. It was sold to a French company by Hasbro in 2001.

A New York Times article from Sept. 28, 1983, says 14 truckloads of discarded game cartridges and computer equipment were dumped on the site. An Atari spokesman quoted in the story said the games came from its plant in El Paso, Texas, some 130 kilometres south of Alamogordo.

Local news reports from the time said that the landfill employees were throwing cartridges there and running a bulldozer over them before covering them with dirt and trash.

The city of Alamogordo agreed to give the documentarians 250 cartridges or 10 per cent of the cartridges found, whichever is greater, according to local media reports.

The E.T. game is among the factors blamed for the decline of Atari and the collapse in the U.S. of a multimillion dollar video game industry that didn’t bounce back for several years.

Tina Amini, deputy editor at gaming website Kotaku, says the game tanked because “it was practically broken.” A recurring flaw, she said, was that the character of the game, the beloved extraterrestrial, would fall into traps that were almost impossible to escape and would appear constantly and unpredictably.

The company produced millions of cartridges, and although sales were not initially bad, the frustrating gameplay prompted an immense amount of returns. “They had produced so many cartridges that were unsold that even if the game was insanely successful I doubt they’d be able to keep up,” Amini says.

Joe Lewandowski, who became manager of the 300-acre landfill a few months after the cartridge dump and has been a consultant for the documentarians, told The Associated Press that they used old photographs and dug exploratory wells to find the actual burial site.

Lewandowski says he remembers how the cartridge dump was a monstrous fiasco for Atari, at least from the perspective of a small desert town. The company, he says, brought truckloads from El Paso, where at the time scavenging was allowed in the city’s landfills. “Here, they didn’t allow scavenging. It was a small landfill, it had a guard.”

The guard, however, was either away or unable to stop scores of teenagers from rummaging through the Atari waste and showing up in town trying to sell the discarded products and equipment from the backs of pickup trucks, Lewandowski, said. “That’s when they decided to pour concrete over.”

The incidents following the burial remained as part of Alamogordo’s local folklore, he said. For him E.T. the game did not stir any other memories than an awful game he once bought for his kid.

“I was busy merging two garbage companies together,” he said. “I didn’t have time for that.”