Categories
Movies

Smart move!!

Will Ferrell rules out ‘Elf’ sequel

Will Ferrell has ruled out a sequel to Christmas favourite Elf.

Asked if he would resurrect the character Buddy from the 2003 film in the same way he returned to play Ron Burgundy in Anchorman 2: The Legend Continues, he said: “Absolutely not.” In the interview on Bravo’s Watch What Happens Live, Ferrell added: “I just think it would look slightly pathetic if I tried to squeeze back in the elf tights. Buddy the middle-aged elf.”

Anchorman: The Legend Of Ron Burgundy was released in 2004, and grew to become one of the most-quoted cult comedies of recent years. Despite it taking nine years to get a sequel together, Burgundy’s second outing is currently in cinemas where, in the US at least, it has recorded an impressive opening weekend at the box office, second only to The Hobbit: The Desolation Of Smaug.

Ferrell went on to recount the last time he felt shame, which was turning down a dinner invitation from Harrison Ford on the first day of filming Anchorman 2. He said: “He asked me to go to dinner by just saying, ‘Dinner?’ And I said, ‘No, I have some in my trailer,’ thinking he’s just asking me if I literally have some dinner. And I realised, ‘Oh, no, he just asked me out to dinner’, and not only did I say no, in his mind, it was like, ‘No way in Hell’.”

The ruling out of an Elf sequel will come as further disappointment to those upset by a recent Elf-based tradition coming to an end. The film had been shown on a Sunday afternoon in December Channel 4 for the past few years, prompting a Twitter-fuelled mass viewing. This year, however, saw Sky Movies broadcast the film and the tradition come to an end. Hopefully those upset by the decision have since discovered cut-price DVDs.

Categories
Music

I always like to hear this stuff, to hear the slight changes.

The Beatles rarities and bootlegs to appear on iTunes later today (December 17)

A collection of The Beatles’ rarities and bootlegs will be released exclusively through iTunes later today (December 17).

The 59 tracks from 1963 are being released by The Beatles’ label in an effort to beat the bootleggers and stop the songs falling out of copyright and becoming accessible to a rival record label.

2014 marks the 50th anniversary of the recordings. EU copyright law dictates that songs remain in copyright for five decades if they have not been officially released. The same law stretches to 70 years if the songs are released.

BBC News reports that the songs will appear on iTunes later today and remain indefinitely. After a recent change in the law, the master tape for The Beatles’ 1963 debut album ‘Please Please Me’ is protected by copyright until 2033, but the unreleased session tapes for that album are not.

The band, whose music only arrived on iTunes in 2010 following lengthy legal negotiations, will release 59 tracks, which some reports suggest will be titled ‘The Beatles Bootleg Recordings 1963’. A verified tracklist can be seen here.

In total the album includes 15 studio outtakes and a further 44 live BBC tracks to add to those already on ‘Live At The BBC’ and ‘On Air: Live At The BBC Volume 2’, which was released earlier this year.

Categories
Awards

Fantastic!!!

Nirvana, Kiss, E Street Lead Rock and Roll Hall of Fame’s 2014 Class

The Rock and Roll Hall of Fame has officially announced next year’s inductees: Nirvana, Kiss, Peter Gabriel, Hall and Oates, Cat Stevens and Linda Ronstadt will all join the class of 2014. The E Street Band will be given the Award for Musical Excellence and Beatles manager Brian Epstein and original Rolling Stones manager Andrew Loog Oldham will both receive the Ahmet Ertegun Award for non-performers.

The induction ceremony will be held at Brooklyn’s Barclays Center on April 10th, 2014. It’s the first time the general public will be able to attend the event in New York City. Tickets go on sale in January; HBO will air the event in May.

Artists are eligible for the Rock and Roll Hall of Fame 25 years after the release of their first album or single. Nirvana, whose first single “Love Buzz” came out in 1988, are entering the institution their first year of eligibility. “That’s really no surprise to me,” says Rock and Roll Hall of Fame President and CEO Joel Peresman. “People see the relevancy of that band. We’re just getting into the creative of the show, so I don’t know what’s going to happen with that performance. They have to figure it out.”

Kiss have been eligible for the last 15 years, but didn’t get the nod until now. “The Kiss Army has descended on Cleveland in recent years,” says Peresman. “And we’ve gotten thousands of letters. They also did extremely well in the public vote.” (In 2012, the band joked to RS, “We’ve been thinking about it and the answer is simply, ‘We’ll just buy it and fire everybody.'”)

Linda Ronstadt recently announced she is battling Parkinson’s Disease and is unable to sing. “My health is not great right now,” she tells Rolling Stone. “It’s most likely I that I won’t be able to make it to New York in April. Travel is very difficult for me.”

Peter Gabriel was inducted into the Hall of Fame as a member of Genesis in 2010, but was unable to attend the ceremony because he was rehearsing for a solo tour in England. “This time I will definitely go,” he tells Rolling Stone. “I’m very grateful to have gotten in again. It’s a huge honor since it’s for your whole body of work and not just a specific project. . .I’ll probably perform, but if I do ‘In Your Eyes’ it’ll take 10 minutes and that might be all the time I have.”

Hall and Oates are also very gratified by the honor. “It was a bit of a surprise to me,” Daryl Hall tells Rolling Stone. “I’ve always been sort of on the other side of the fence with the old guard and the powers that be. . .This whole new generation of people are looking at me and John in a different way.”

The annual induction ceremony has moved out of the tiny New York Waldorf Astoria Ballroom in recent years into larger venues in Cleveland and Los Angeles, where the public can attend along with music industry insiders. It now rotates on a three-year cycle between New York, Cleveland and Los Angeles.

This year’s event at Brooklyn’s Barclays Center is the first time the induction has been held in an arena, making it the largest ceremony in the history of the Hall of Fame. “Bringing in the fans adds an incredible energy to the event,” says Peresman. “The fans should have an opportunity to see the show. They are the reason these bands exist.”

As always, picking out a song for the annual all-star jam at the end of the night will pose a considerable challenge considering the great diversity of acts getting inducted. “We already have visions going through our head,” says Peresman. “Should it be ‘Rock and Roll All Night’ or should it be a Bruce Springsteen song? What’s the best way to represent it? We just don’t know yet.”

Categories
Television

To the surprise of absolutely no one!!!

‘Family Guy’ character back from the dead

Well, that didn’t last long. Just weeks after killing off a beloved character — and plenty of fan outrage later — “Family Guy” has brought back Brian from the dead. The show killed off the Griffin family dog, voiced by creator Seth MacFarlane, in the Nov. 24 episode, but in Sunday’s (Dec. 15) episode, “Christmas Guy,” Brian came back for good thanks to a genius move by baby Stewie.

Brian was run over by a car after Stewie had destroyed his time machine, but in “Christmas Guy,” Stewie ran into his future self, and then traveled back in time to save Brian from the accident.

After the Christmas episode aired, creator MacFarlane poked a little fun at the fan outcry. “I mean, you didn’t really think we’d kill off Brian, did you? Jesus, we’d have to be f****** high,” he wrote on Twitter. “Oh and hey… thanks for caring so much about the canine Griffin. He is overcome with gratitude.”

But the whole ordeal was all for a good reason: “And thus endeth our warm, fuzzy holiday lesson: Never take those you love for granted, for they can be gone in a flash,” MacFarlane wrote.

Categories
Movies

I was hoping to go and see THE HOBBIT this weekend, but I decided to go Christmas shopping instead.

Box office report: ‘The Hobbit’ captures $73.6 million; Tyler Perry’s latest ‘Madea’ film struggles

Bilbo Baggins went after treasure this weekend, and he found a lot of it — just not quite as much as he did last year. Peter Jackson’s latest Middle-earth adventure The Hobbit: The Desolation of Smaug earned $73.6 million in its opening weekend, marking a 13 percent drop from The Hobbit: An Unexpected Journey‘s $84.6 million bow in December 2012.

Smaug notched the fourth-best December opening weekend ever, after An Unexpected Journey, I Am Legend ($77.2 million), and Avatar ($77 million), and although it undercut its predecessor’s debut, Warner Bros., who co-financed the film with MGM for about $225 million, can’t be too disappointed with the result. The first Hobbit film finished with $303 million domestically and over $1 billion worldwide. Even if Smaug can’t match those figures (if it plays like Journey, it’s headed for $263 million domestically), it will be a hugely profitable venture for the studio.

In order to differentiate it from the first Hobbit, Warner Bros. marketed The Desolation of Smaug by focusing heavily on Evangeline Lilly’s elvish character, Tauriel, who didn’t appear in J.R.R. Tolkien’s novel, as well as Orlando Bloom’s Legolas, who returned for the prequels, and Benedict Cumberbatch as the voice of Smaug. Still, audiences, which were 60 percent male and 64 percent above the age of 25, weren’t all convinced to give the series a second try after being turned off by the more juvenile An Unexpected Journey. The film pulled in 49 percent of its weekend gross from 3-D ticket sales, and IMAX screens made up $9.2 million of its haul. Crowds issued Smaug an “A–” CinemaScore grade.

In second place, Disney’s animated musical Frozen didn’t melt despite the heat of dragon’s breath. The film fell only 30 percent to $22.2 million in its third weekend, giving it a remarkable $164.4 million — already more than its $150 million budget. At the same point in its run, Tangled had earned $115 million en route to a $200 million finish — and that film is a perfect comparison since it also opened wide over Thanksgiving weekend. If Frozen maintains its current pace, it will hit $285 million domestically. With no new family films on the horizon, it will be the top family choice over the upcoming holiday break.

Tyler Perry’s A Madea Christmas unwrapped only $16.2 million this weekend, marking the lowest-ever start for one of Perry’s popular Madea films — and the second-lowest start ever for Perry as a director after 2007′s Daddy’s Little Girls, which opened with $11.2 million. The last Madea entry, 2012′s Madea’s Witness Protection, opened to $25.1 million, but Christmas, which cost Lionsgate about $25 million to produce, fell far short of that number. What makes that performance particularly shocking is that advance ticket sales were booming. If there’s a silver lining, it’s that, unlike the rest of the front-loaded Madea films, Christmas has the potential to hold up nicely in the two weeks leading up to the actual holiday. Audiences gave the picture an “A–” CinemaScore.

Two blockbuster sequels rounded out the top five. The Hunger Games: Catching Fire dropped 50 percent in its fourth weekend to $13.2 million, giving it a scorching $357 million total — and all against a sensible (for a movie of this scale) $130 million budget. It took the first Hunger Games five weeks to reach the same total on the way to a $408 million domestic finish, so Catching Fire still seems poised to break the $400 million mark. One rung lower, Thor: The Dark World grossed $2.7 million in its sixth frame and has now amassed $198.1 million. It will eke past the $200 million mark soon, and while that’s no gross to shake a hammer at, it’s slightly disappointing considering the original Thor earned $181 million and Disney was no doubt hoping for more than an 11 percent boost following The Avengers‘ run — especially given the fact that Iron Man 3 earned 31 percent more than Iron Man 2 ($409 million vs. $312 million) earlier this year.

1. The Hobbit: The Desolation of Smaug – $73.6 million
2. Frozen – $22.2 million
3. A Madea Christmas – $16.2 million
4. The Hunger Games: Catching Fire – $13.2 million
5. Thor: The Dark World – $2.7 million

In limited release, American Hustle proved its mettle with an eye-popping $115,000 per theater average — the second best of the year after Frozen’s $243,390 premiere weekend in one theater. Hustle, which was directed by David O. Russell and stars Christian Bale, Bradley Cooper, Amy Adams, and Jennifer Lawrence, grossed $690,000 from only six theaters, and now appears ready to thrive when Sony pushes it into 2,500 locations next weekend. It certainly outshined Disney’s Mary Poppins tale Saving Mr. Banks, which took in $421,000 in 15 theaters for a still solid $28,067 location average. The Tom Hanks/Emma Thompson vehicle expands to about 2,200 theaters next week.

Categories
People

May he rest in peace.

‘Billy Jack’ star Tom Laughlin dies at 82

Actor-writer-director Tom Laughlin, whose production and marketing of Billy Jack set a standard for breaking the rules on and off screen, has died.

Laughlin’s daughter told The Associated Press that he died Thursday at Los Robles Hospital and Medical Center in Thousand Oaks, California. Laughlin was 82 and Teresa Laughlin, who acted in the Billy Jack movies, said the cause of death was complications from pneumonia.

Billy Jack was released in 1971 after a long struggle by Laughlin to gain control of the low-budget, self-financed movie, a model for guerrilla filmmaking.

He wrote, directed and produced Billy Jack and starred as the ex-Green Beret who defends a progressive school against the racists of a conservative Western community. The film became a counterculture favorite and the theme song, “One Tin Soldier,” was a hit single for the rock group Coven.

Laughlin was in his mid-30s when he created Billy Jack with his wife and collaborator, Delores Taylor. Billy Jack was half-white, half Native American, a Vietnam veteran and practitioner of martial arts who had come to hate war. Billy Jack was first seen in the 1968 biker movie Born Losers, but became widely known after Billy Jack, the second of four films Laughlin made about him (only three made it to theatres).

Billy Jack was completed in 1969, but its release was delayed for two years as Laughlin struggled to find studio backing. He eventually successfully sued Warner Bros. to retain rights and — with no support from Hollywood or from theater chains — Laughlin made a radical decision: Distribute the movie himself and rent theaters to show it in. He also was among the first to advertise on television and to immediately open a movie nationwide, rather than release it gradually.

Billy Jack initially flopped at the box office, but generated an underground following and became a substantial commercial success and inspiration to independent filmmakers. The title character has been cited as a forerunner for such screen avengers as Rambo.

Laughlin was born in 1931 and grew up in Milwaukee. He played football for the University of South Dakota (where he met his future wife) and Marquette University, but decided he wanted to become an actor after seeing a stage production of A Streetcar Named Desire.

“He was profoundly affected by the poverty he saw on the Indian reservations near the University of South Dakota,” Teresa Laughlin said. “I think the seeds of the Billy Jack character started there.”

His early film credits included South Pacific, Gidget, and Robert Altman’s The Delinquents. Laughlin also was interested in directing and writing and by 1960 had directed, written and starred in The Young Sinner.

Laughlin wasn’t only a filmmaker. He ran for president as both a Republican and Democrat and founded a Montessori school in California. He was an opponent of nuclear energy and a longtime advocate for Native Americans and bonded with another actor-activist, Marlon Brando.

In recent years, he wrote books and attempted to make another Billy Jack movie.

“There had been lots of interest and deals would sort of come together and not happen,” said Teresa Laughlin, who noted that her father had battled cancer. “One of the prime reasons that he couldn’t get a deal was his failing health and, I think, his inability to come to terms with that. In his mind’s eye, he remained Billy Jack.”

He is survived by his wife, a sister, three children, and five grandchildren.

Categories
The Couch Potato Report

Love those Minions!!

The Couch Potato Report – December 14th, 2013

It has been two weeks now since actor Paul Walker died in a car crash.

The studio that produces the FAST & FURIOUS films that he starred in has announced that they’ll be donating a portion of the proceeds from the release of the latest in the series – FAST & FURIOUS 6 – to Walker’s non-profit charity.

Reach Out WorldWide is made up of a network of professionals with first responder skill-sets who augment local expertise when natural disasters strike in order to accelerate relief efforts.

Paul Walker was only forty when he died, may he rest in peace.

It is rare to see a series of films get better as they go on, but that is definitely the case with FAST & FURIOUS 6, which once again features Vin Diesel as Dominic Toretto and Paul Walker as former undercover cop Brian O’Connor, who has not only become part of Toretto’s gang, but he is now also his brother-in-law.

If you’ve never heard of this series – which began in 2001with THE FAST AND THE FURIOUS – the films are primarily about beautiful people and incredible cars involved in one type of street race, or another, and that also occasionally see’s the characters cruising through the world’s most famous streets as part of several different types of heists.

And everything that takes place in the series happens fast and it happens furiously.

It was in 2011’s fifth film in the series – FAST 5 – where we first met Federal Agent Luke Hobbs – played by Dwayne “The Rock” Johnson – and he returns in FAST & FURIOUS 6 to get Dom and Brian to reassemble their now retired crew in order to take down another a bad crew, one that has just destroyed a Russian military convoy, and are on their way to bigger crimes.

They agree to help in exchange for full amnesty for all of their past crimes.

FAST & FURIOUS 6 is an amazing summer movie. It has beautiful people, in beautiful cars, in beautiful settings, doing some cool things.

I really enjoyed it and can easily recommend it. Shut of your brain and enjoy.

The most fun I had at the movies this year came courtesy of the criminal mastermind Gru and his awesome minions in DESPICABLE ME 2.

We first met Gru – and his workers, his minions – in 2010’s DESPICABLE ME. Voiced by Steve Carell from THE OFFICE and ANCHORMAN, Gru started off DESPICABLE ME using a trio of orphan girls as pawns for a grand scheme to beat his nemesis Vector.

As the story went on, Gru decided to adopt the girls as their love made him a better person.

DESPICABLE ME 2 actually softens Gru, he is no longer primarily a criminal mastermind, he’s a father now. But when he is recruited by the Anti-Villain League to help deal with a new super criminal, he goes back to work…reluctantly.

DESPICABLE ME 2 as adds more and more minions!! They are everywhere and as a result the film is fun and entertaining and funny and has great animation and action and is fun and so funny!!

I really enjoyed it, and can recommend it to every member of the family. Pick it up and enjoy the fun.

I also had some fun this week, courtesy of THE MUPPETS.

In 1981, the second film from Jim Henson’s Muppets was released. Called THE GREAT MUPPET CAPER it features Kermit, Gonzo and Fozzie as reporters who go to Britain to work on a story about jewel thieves and meet the rest of the gang there, including Miss Piggy. They all soon become wrapped up in a plot to steal the coveted Baseball Diamond, which is on display at the local Mallory Gallery.

The fifth film from the group was MUPPET TREASURE ISLAND. Released in 1996, it is based on Robert Louis Stevenson’s Treasure Island.

And now both THE GREAT MUPPET CAPER and MUPPET TREASURE ISLAND are available on blu-ray in one budget priced package – the OF PIRATES AND PIGS MOVIE COLLECTION.

Neither THE GREAT MUPPET CAPER nor MUPPET TREASURE ISLAND have ever been my favourite Muppet films, but each of them does have their moments and they do still make me laugh so I do recommend them.

Plus, with the release of the OF PIRATES AND PIGS MOVIE COLLECTION, all of the Muppets’ movies are now available on blu-ray, and that is great news!!

Up next is not a film for the whole family, but one about a family is not whole.

JAYNE MANSFIELD’S CAR is Billy Bob Thornton’s first directing job since 2001 and he has crafted a good, but slow and very long adult drama about a family in 1969 Alabama who are forced to come to grips with many of the family’s secrets when they have to spend time with the British side of their family, a side that only exists because the family matriarch left Alabama a few years earlier and married a British man, leaving her old family behind.

JAYNE MANSFIELD’S CAR actually plays a small part in the film, but it – and the whole cast – are used very effectively.

In addition to Billy Bob Thornton, the cast includes Robert Duvall, John Hurt, Frances O’Connor, Robert Patrick and Kevin Bacon.

Although I think it fit the film, I really didn’t like the ending of JAYNE MANSFIELD’S CAR, but otherwise I enjoyed it. It is a movie for adults about war and family and I do mildly recommend it.

Finally this week, a true cinematic classic, for the whole family.

Released on August 27, 1964, MARY POPPINS is now available in a 50th ANNIVERSARY EDITION and comes on blu-ray for the first time. She looks and sounds amazing in HD!!

Plus, the 50th ANNIVERSARY EDITION comes with a wealth of Special Features.

MARY POPPINS is the timeless story of a magic nanny who goes to work for a man and his unhappy family. It won five Academy Awards, including Best Actress for Julie Andrews and Best Song for “Chim Chim Cher-ee” and it continues to be a great film, one that I can easily recommend to the whole family.

The 50th ANNIVERSARY EDITION of the classic family film MARY POPPINS; Billy Bob Thornton’s good, but very, very slow adult drama JAYNE MANFIELD’S CAR; the still fun, but not classic OF PIRATES AND PIGS MUPPETS MOVIE COLLECTION featuring THE GREAT MUPPET CAPER and MUPPET TREASURE ISLAND; the most fun film of 2013, so far, DESPICABLE ME 2 (minions laughing); and the great action film FAST & FURIOUS 6, starring the late Paul Walker, are all available now, either on disc or on demand.

And that’s this week’s COUCH POTATO REPORT.

Enjoy the movies and I’ll see you back here again next time on The Couch!

Categories
People

He truly was one of the all-time greats!! May he rest in peace.

Peter O’Toole dead at 81

Peter O’Toole, the charismatic actor who achieved instant stardom as Lawrence of Arabia and was nominated eight times for an Academy Award, has died, his agent said Sunday. He was 81.

O’Toole died Saturday after a long illness, Steve Kenis said in a brief statement.

The family was overwhelmed “by the outpouring of real love and affection being expressed towards him, and to us, during this unhappy time. … In due course there will be a memorial filled with song and good cheer, as he would have wished,” O’Toole’s daughter Kate said in the statement.

O’Toole got his first Oscar nomination for 1962’s Lawrence of Arabia, his last for Venus in 2007. With that he set the record for most nominations without ever winning, though he had accepted an honorary Oscar in 2003.

A reformed — but unrepentant — hell-raiser, O’Toole long suffered from ill health. Always thin, he had grown wraithlike in later years, his famously handsome face eroded by years of hard drinking.

But nothing diminished his flamboyant manner and candor.

“If you can’t do something willingly and joyfully, then don’t do it,” he once said. “If you give up drinking, don’t go moaning about it; go back on the bottle. Do. As. Thou. Wilt.”

O’Toole began his acting career as one of the most exciting young talents on the British stage. His 1955 Hamlet, at the Bristol Old Vic, was critically acclaimed.

International stardom came in David Lean’s Lawrence of Arabia. With only a few minor movie roles behind him, O’Toole was unknown to most moviegoers when they first saw him as T.E. Lawrence, the mythic British World War I soldier and scholar who led an Arab rebellion against the Turks.

His sensitive portrayal of Lawrence’s complex character garnered O’Toole his first Oscar nomination.

O’Toole was tall, fair and strikingly handsome, and the image of his bright blue eyes peering out of an Arab headdress in Lean’s spectacularly photographed desert epic was unforgettable.

Playwright Noel Coward once said that if O’Toole had been any prettier, they would have had to call the movie Florence of Arabia.

In 1964’s Becket, O’Toole played King Henry II to Richard Burton’s Thomas Becket, and won another Oscar nomination. Burton shared O’Toole’s fondness for drinking, and their offset carousing made headlines.

O’Toole played Henry again in 1968 in The Lion in Winter, opposite Katharine Hepburn, for his third Oscar nomination.

Four more nominations followed: in 1968 for Goodbye, Mr. Chips, in 1971 for The Ruling Class, in 1980 for The Stunt Man, and in 1982 for My Favorite Year. It was almost a quarter-century before he received his eighth and last, for Venus.

Seamus Peter O’Toole was born Aug. 2, 1932, the son of Irish bookie Patrick “Spats” O’Toole and his wife Constance. There is some question about whether Peter was born in Connemara, Ireland, or in Leeds, northern England, where he grew up.

After a teenage foray into journalism at the Yorkshire Evening Post and national military service with the navy, young O’Toole auditioned for the Royal Academy of Dramatic Art and won a scholarship.

He went from there to the Bristol Old Vic and soon was on his way to stardom, helped along by an early success in 1959 at London’s Royal Court Theatre in The Long and The Short and The Tall.

The image of the renegade hell-raiser stayed with O’Toole for decades, although he gave up drinking in 1975 following serious health problems and major surgery.

He did not, however, give up smoking unfiltered Gauloises cigarettes in an ebony holder. That and his penchant for green socks, voluminous overcoats and trailing scarves lent him a rakish air and suited his fondness for drama in the old-fashioned “bravura” manner.

A month before his 80th birthday in 2012, O’Toole announced his retirement from a career that he said had fulfilled him emotionally and financially, bringing “me together with fine people, good companions with whom I’ve shared the inevitable lot of all actors: flops and hits.”

“However, it’s my belief that one should decide for oneself when it is time to end one’s stay,” he said. “So I bid the profession a dry-eyed and profoundly grateful farewell.”

In retirement, O’Toole said he would focus on the third volume of his memoirs.

Good parts were sometimes few and far between, but “I take whatever good part comes along,” O’Toole told The Independent on Sunday newspaper in 1990.

“And if there isn’t a good part, then I do anything, just to pay the rent. Money is always a pressure. And waiting for the right part — you could wait forever. So I turn up and do the best I can.”

The 1980 Macbeth in which he starred was a critical disaster of heroic proportions. But it played to sellout audiences, largely because the savaging by the critics brought out the curiosity seekers.

“The thought of it makes my nose bleed,” he said years later.

In 1989, however, O’Toole had a big stage success with Jeffrey Bernard is Unwell, a comedy about his old drinking buddy, the legendary layabout and ladies’ man who wrote The Spectator magazine’s weekly “Low Life” column when he was sober enough to do so.

The honorary Oscar came 20 years after his seventh nomination for My Favorite Year. By then it seemed a safe bet that O’Toole’s prospects for another nomination were slim. He was still working regularly, but in smaller roles unlikely to earn awards attention.

O’Toole graciously accepted the honorary award, quipping, “Always a bridesmaid, never a bride, my foot,” as he clutched his Oscar statuette.

He had nearly turned down the award, sending a letter asking that the Academy of Motion Picture Arts and Sciences hold off on the honorary Oscar until he turned 80.

Hoping another Oscar-worthy role would come his way, O’Toole wrote: “I am still in the game and might win the bugger outright.”

The last chance came in Venus, in which he played a lecherous old actor consigned to roles as feeble-minded royals or aged men on their death beds. By failing again to win, he broke the tie for futility which had been shared with his old drinking buddy, Richard Burton.

O’Toole divorced Welsh actress Sian Phillips in 1979 after 19 years of marriage. The couple had two daughters, Kate and Pat.

A brief relationship with American model Karen Somerville led to the birth of his son Lorcan in 1983, and a change of lifestyle for O’Toole.

After a long custody battle, a U.S. judge ruled Somerville should have her son during school vacations, and O’Toole would have custody during the school year.

“The pirate ship has berthed,” he declared, happily taking on the responsibilities of fatherhood. He learned to coach schoolboy cricket and, when he was in a play, the curtain time was moved back to allow him part of the evenings at home with his son.

Categories
Doctor Who

I bet they’ll find a way…I hope so anyway!!

‘Doctor Who’: Steven Moffat says Matt Smith is final Doctor, what about Peter Capaldi?

As if the “Doctor Who” regeneration mystery couldn’t get more difficult to follow, showrunner Steven Moffat is talking again — and he’s making matters even more confusing.

While speaking to the Radio Times, Moffat says that Matt Smith is the 13th and final Doctor, after counting John Hurt’s War Doctor and David Tennant using up one of the regenerations during his stint.

That makes Smith regenerating into Peter Capaldi during the Christmas special a bit problematic, because the Doctor doesn’t have any lives left. “The 12 regenerations limit is a central part of ‘Doctor Who’ mythology — science fiction is all about rules, you can’t just casually break them,” Moffat says. How another Doctor will fit in there is anyone’s guess.

According to the Radio Times, Smith’s Doctor will give a speech about “dying” during the Christmas special. Perhaps if the Doctor dies after his final regeneration, and is brought back to life, he gets to start over from scratch?

Any other show could easily just ignore this sort of limitation, but Moffat won’t stop talking about it, so he must have a pretty clever loophole to introduce Capaldi. It won’t take long to find out exactly that that is, as the “Doctor Who” Christmas special airs on Christmas Day.

Categories
Music

Now this is tremendous news!!

New Johnny Cash album to be released next spring

NASHVILLE, Tenn. (AP) — There’s new never-before-heard music coming from Johnny Cash.

Cash’s estate is releasing “Out Among the Stars,” an album he recorded with Billy Sherrill in the early 1980s that was never released by Columbia Records, then disappeared when the company dropped Cash in 1986. Turns out Cash and his wife, June Carter Cash, stashed the tapes — along with just about everything else that came into their possession.

“They never threw anything away,” said their son, John Carter Cash. “They kept everything in their lives. They had an archive that had everything in it from the original audio tapes from ‘The Johnny Cash Show’ to random things like a camel saddle, a gift from the prince of Saudi Arabia.”

They stored away so much, in fact, the younger Cash and archivists at Legacy Recordings didn’t find the material until last year, long after the family began issuing archival music by Cash. “Out Among the Stars” will be out March 25, and continues an intense period of interest in the singer, who helped shape modern country and rock ‘n’ roll music and became an American pop cultural figure before his death 10 years ago at age 71.

Multiple music, book and restoration projects have been started in the past 18 months to mark what would have been the singer’s 80th birthday and the 10th anniversary of his death. The music being released was recorded during a difficult period for Cash personally and professionally.

Columbia paired him with Sherrill, a producer and Country Music Hall of Fame member who was then the president of CBS Records Nashville. One of the main architects of country music’s so-called countrypolitan sound, Sherrill helped push the genre toward pop sounds and conventions — and away from Cash’s more independent-minded ways.

The pairing came at a time when Cash was at a low ebb in his popularity. The music on “Out Among the Stars” is taken from 1981 and ’84 sessions, at a time when country music was going through great change.

“Dad was always uniquely himself,” Cash said. “And later on the world would come back around. He never modified himself. But Nashville at the time was in a completely different place. It was the ‘Urban Cowboy’ phase. It was pop country, and dad was not that. I think him working with Billy was sort of an effort by the record company to put him more in the circle of Music Row and see what could happen at the heart of that machine.”

It was clear record company executives didn’t think much of the outcome. They put out a few more Cash albums after the recordings were made, but never used the music from those sessions before dropping him. Sherrill backed Cash with a band that consisted of fellow Country Hall of Fame member Hargus “Pig” Robbins and a young friend of Cash’s named Marty Stuart.

The younger Cash and his co-producer, archivist Steve Berkowitz, decided they’d bring Stuart back in to re-record his parts with 30 years more experience as a picker. Others, including Buddy Miller and Jerry Douglas, helped fortify the original tapes as well. The 12 tracks include a duet with Waylon Jennings and two with June Carter Cash.

“We were so excited when we discovered this,” Cash said. “We were like, my goodness this is a beautiful record that nobody has ever heard. Johnny Cash is in the very prime of his voice for his lifetime. He’s pitch perfect. It’s seldom where there’s more than one vocal take. They’re a live take and they’re perfect.”

John Carter Cash doesn’t think Columbia executives realized what they had in hand. Even though his father had been a major star, tastes would soon turn to Garth Brooks and Shania Twain.

Biographer Robert Hilburn, who recently released “Johnny Cash: The Life,” said the music fans are about to hear was recorded during some of the most difficult years of Cash’s life. He felt like he’d lost his legacy and he was still dealing with the fallout from personal problems including infidelity and drug addiction.

He soon met producer Rick Rubin, though, and wrote a coda to his career that gave his life something of a mythic quality.

“Johnny Cash was redeemed, and that was a wonderful lesson,” Hilburn said. “His story is so great and it’s so dramatic and it’s so much more dramatic than I ever envisioned.”